★Mode
New Piano Works From Europe And The Americas
A debut recital of incredibly varied and fascinating music from Argentinean pianist Haydée Schvartz. Her teachers include Roberto Brando, Dora Castro and Nikita Magaloff. Ms. Schvartz continued her studies in London with Maria Curcio and subsequently received a a Fulbright Scholarship to study in Buffalo, New York with Yvar Mikhashoff, where she won the Cameron Baird Competition in 1990. Mikhashoff brought Ms.Schvartz's incredibly sensitive pianism to our attention, and together they imag…
Urban Dreamings
This survey of saxophonist Ulrich Krieger’s chamber music illuminates his ongoing penchant, as a composer, improviser, and interpreter, for probing the affinities between the rock and classical avant-gardes. Krieger says of his music: “At the moment my interest is mixing band-type instrumentation with classical instruments (think Doom Metal meets Scelsi).”
A classicaly trained saxophonist, Krieger gained notoriety for his transcription of Metal Machine Music, which orchestrated rock legend Lou R…
Broken Line
Alvin Lucier (b.1931) is the great American poet of acoustic phenomena. He has a keen sensitivity to the way objects vibrate, the way sound waves travel to our ears, and to the way our brain processes those vibrations. Trio Nexus is a Berlin based ensemble specializing in New Music. Carbon Copies seeks the recreation on musical instruments of sounds recorded in the environment. Here, the musicians prepare the piece by making their own 15-minute recordings 'of any indoor or outdoor environment.'…
Complete Cello Works
This first complete recording of Roger Reynolds' cello works is being released to celebrate the composer's 80th birthday. This special 2-CD set contains many first recordings. French cellist Alexis Descharmes and Reynolds have a close artistic relationship which led to this composer supervised set. Alexis Descharmes is an internationally regarded musician and specialist in contemporary music. He has worked with the Ensemble Intercontemporain, Ensemble Alternance and Ensemble Court-circuit…
Brazil 84
Brazil 84 is from Phil Niblock’s series “The Movement of People Working.” 16mm, unedited long shots, carefully framed to compress single movements, shot in rural and urban settings, capturing people in their working environments, men and women using their hands and body to an eternal working choreography that seems tuned to the microtonal universe of Niblock’s music. All these images are timeless, they could have been shot today, in the ‘60s or even earlier in the century. All these images…
Ensemble Works 3
'Palimpsest' (1979) for piano & ensemble. Cory Smythe, piano. 'Echange' (1989) for bass-clarinet & ensemble. Joshua Rubin, bass-clarinet. 'Akanthos' (1977) for soprano & ensemble. Tony Arnold, soprano. 'Thalleïn' (1984) for 16 instruments. 'O-Mega' (1997) for percussion & ensemble. Steven Schick, percussion & conductor. Steven Schick, conductor. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, trombone.
An exhilarating Xenakis progran, built around works for soloist and ensemble. Most…
Onsets
Ici-bas' (2009) for ensemble & electronic sound. Hyperion Ensemble with members of Talea and the Bergersen Quartet. Tim Hodgkinson, conductor. 'Ulaaraar' (2005) for bass clarinet & strings. Tim Hodgkinson, bass clarinet and conductor. Ioan Marius Lacraru, Cornelia Petroiu, violas. Theodor Iancu, Andrei Kivu, cellos. Ion and Ciprian Ghita, basses. Anon, small gong. 'Amhas/Nirriti' [2001) for ensemble & electronic sound. Hyperion Ensemble. Tim Hodgkinson, conductor. 'Jo-Ha-Kyu' (2000-2010) for str…
Complete String Quartets
'Gran Torso' (1972), 'Reigen seliger Geister' (1989), 'Grido' (2000-01). For the JACK Quartet. 'With a little help from my friends'. Once they called me their 'father.' But when with them I feel fifty years younger, and they are my admired brothers. Each work - not only mine - when performed by the JACK, be it Beethoven or Feldman, becomes an incredible adventure of perception, a festival of intensity, touching our emotions and touching our intellect, making us remember that as human creatures w…
The Piano Works 9
'Haiku' (1950-51), 'Sixteen Dances' (1950-51), 'Alternate versions for piano & percussion'. Jovita Zhl, piano. Thomas Meixner, percussion. 'It is rare to discover a previously unknown work by John Cage today. So, what are the chances to discover two major piano pieces from the same period of 1950-51? Thanks to the dedicated work of Don Gillespie (who was Cage's contact at his publisher, C. F. Peters Corp.) and composer Walter Zimmermann, we have the two works recorded here. Both works were disco…
The Works for Organ
This release is the first complete recording of all of Cage's works for organ, plus 4'33' (on the DVD version only). Gary Verkade, organ of Gammelstad Church, Sweden. 'Some of 'The Harmony of Maine' (Supply Belcher)' (1976). 'Souvenir' (1984). 'ASLSP' (1985). 'Organ2ASLSP' (1987). Bonus Track on DVD only: 4'33' (1952). The organ is ideally suited to Cage's aesthetic - its multitude of stops make it the ultimate 'prepared' instrument. The fact that sound emanates from a number of pipes placed at …
Clouds and Sky
Clouds and sky (2010), for piano and orchestra. Jan-Philip Schulze, piano. WDR Sinfonie-Orchester. Peter Rundel. 'rota' (2008) for contrabass-clarinet & string quartet. Gareth Davis, contrabass clarinet. The JACK Quartet. 'red and blue' (1999) for percussion sextet. Ensemble S. 'a self-same song' (2010) for contrabass-clarinet solo. Gareth Davis, contrabass-clarinet. Johannes Schöllhorn (b.1962), is a student of Ferneyhough, Huber and Nunes, and is among Germany's leading younger generat…
The Works for Violin
This is the first complete recording of Giacinto Scelsi's works for solo violin. They span from the earlier 'Divertimenti' in his more traditional virtuoso style, to the two later works which find Scelsi exploring the sound 'inside of the note'. 'Divertimento No. 2' receives its first recording here ('Divertimento No. 1' has never been found). Taiwanese born violinst Weiping Lin is Assistant Concertmaster of the Austrian Broadcasting Corporation Radio Symphony Orchestra Vienna (RSO-Wien) …
Variations V
This is the first commerical release of John Cage’s Variations V, from the legendary studio production made by NDR German Television, Hamburg, in 1967. It marks an early pinnacle in recorded Cage/Cunningham collaborations, and is one of the few available films of a Cunningham Dance Company performance from the 1960s. With music for an orchestra of electronic soundproducers by John Cage performed by Cage with David Tudor and Gordon Mumma to choreography by Merce Cunningham performed by Cun…
Microtonal works by Partch, Cage, LaBarbara, Drummond
The debut recording of Newband, an ensemble specializing in microtonal music and focused around a unique instrument, the zoomoozophone. Invented by Dean Drummond (who was a student of Harry Partch and played in his legendary Gate 5 ensemble), the zoomoozophone looks somewhat like a marimba withwith aluminum tubes-except that it is about 20 feet long and consists of 129 tubes tuned to a 31-note scale in just-intonation. For the purposes of these recordings, the basic four-piece group, wh…
The Number Pieces 6
New York based ensemble Essential Music had a strong relationship with John Cage in his later years. This experience gives these recordings a special authority. Recorded in 1993-94, they are being released for the first time. In 1987 John Cage began writing his “number” and “time-bracket” compositions, which became his primary compositional method for the remainder of his life. These works are named for the number of musicians participating, consist of the number of parts with no com…
Electronic Works 3
Until Spring was first conceived in 1975 on the Buchla synthesizer using only analog techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Morton Subotnick created a software-based instrument that he felt could allow him to compl…
The Viola Works - volume 9
Volume 9 of Mode’s Scelsi Edition is devoted to the first complete recording of Giacinto Scelsi’s works for viola solo and duo. • Manto was a prophet in ancient Greece. Scelsi translated her oracle maxims into cryptic phonemes which the viola player has to sing simultaneously in the third movement. In Manto, the sound of the viola is expanded and explored via experimental playing techniques. This is the first recording of the third movement. • In Xnoybis, Scelsi’s exploration “into the insid…
Sanctuary
Roger Reynolds’ Sanctuary for percussion ensemble is conceived to be both visually and sonically dramatic. Composed for a spatially distributed ensemble and live electronics, the work makes spectacular use of DVD’s surround sound capabilities. Sanctuary is a malleable work intended to evolve with the experience of its creators (composer, performers, and technicians) and conceived so as to adapt to, and capitalize upon, the changing resources and contexts within which it is realized. Sanctuar…
The Works for Percussion I
After 42 Volumes in Mode’s Cage Edition, Mode is releasing the first volume dedicated to his percussion music. Percussion Group Cincinnati is particularly respected for its knowledge of and experience with the entire range of John Cage’s music, having made tours and festival appearances with him on a number of occassions in Europe and in America, and having had pieces created by Cage especially for the Group. Volume 1 consists of the complete Imaginary Landscapes 1-5 (1939-52) and Credo in US (…
The Piano Works 4
“Hispania “Triptyque pour piano” (1939). Suite No. 5 “Il Circo” (1935). Suite No. 6 “I Capricci di Ty” (1939). Stephen Clarke, piano. Mode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major, large scale works from his early period of the 1930s. The piano plays a role of undeniable importance in Scelsi’s life and work. From 1930 to 1941, and again from 1952 to 1956, the composer produced an enormous repertoire for the instrument, includi…