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Massive discount on a large selection of items from the Planam catalogue until stocks last 🔥

Modern Harmonic

Mother Trucker
A private pressing treasure of epic proportions! 'Like seeing God in a burst condom stuck to the tailpipe of a rusty pimpmobile, finding out Jesus stole your mama, looking for the meaning of life in a puke pile by a truckstop motel … kinda scary how real this dude is! Deep level real people music that sounds like no other LP in the universe. Everything about this sound could not possibly add up in anybody else’s mind, but Dennis has put a new place on the map.' - Paul Major (Enjoy The Experienc…
Hot Thang
1972 Detroit Guitar Groove - Proudly Pressed in Motor City! The Detroit axeman's debut bursts with soulful, uniquely-styled instrumentals: impossibly-funky workouts from the man who rigged his guitar to burst into flames while playing it' with his teeth! A guitar-led celebration of groove, this LP includes the oft-covered/sampled 'Zambezi,' 'Rev. Lowdown,' a soulful read of 'Ain't No Sunshine,' and much more' 'Hot Thang is a document of its era, crossing the bridge from soul to funk. Eddy's guit…
Hi-Fi In Focus
Chet's 1957 masterpiece! A stunning collection showing his virtuosity and diverse repertoire aimed to satisfy both his core country fans and a pop audience--including the rendition of "Walk, Don't Run" that inspired a Washington quartet's iconic hit cover. Hi-Fi in Focus, from the original masters, pressed on premium RTI vinyl! The distinctive cover of Hi-Fi in Focus set it apart from the usual Chet Atkins LP. The modern abstract photo, meant to depict high fidelity, was the winning entry o…
Workshop
The best-selling album of Chet Atkins's lengthy career! Having set up a home studio in the '50s, he would lay down backing tracks at RCA with session musicians, then work at home on his own with unlimited freedom to refine the genesis of Chet Atkins' Workshop! Pressed on premium RTI vinyl, from the original masters!The album reflected the continued diversity of his repertoire and ongoing flair for experimentation. Jazz standards like George Shearing's "Lullabye of Birdland" coexisted with …
Another Autumn
Ranny Sinclair attended Juilliard as a dance major, but ultimately landed a singing contract with Columbia Records. Her issued discography features several tracks that were turntable hits of the era or have since become valued Northern Soul favorites all those cuts plus the remaining masters capture some of the top talent of the day, recorded in the glorious Columbia New York studios! Her recordings were overseen by Columbia's main jazz and pop producer, Teo Macero, who was also responsible for …
Music For Heavenly Bodies
Light years ahead of its time, the eerie sound, colorful orchestral blending, and haunting melodies of Music For Heavenly Bodies has become a crate digging classic. America’s fascination with space and its mysteries was at a peak during the 1950s, and this astral awareness got the attention of professional musician, Paul Tanner. Tanner, a trombonist, got his start in the original Glenn Miller Orchestra. The theremin first caught Tanner’s attention as he witnessed a studio player fighting to…
Jimmy Raney Visits Paris
By the time Jimmy Raney recorded the ultra-cool Visits Paris, he was already at the peak of his career. Having started in 1944 with the Jerry Wald band, he'd pass through a passel of great jazz combos before ending up with Stan Getz in his classic quintet. There, the guitarist became world-renowned, and just weeks before cutting this album, in 1954, he was voted the number one guitarist in the world by French magazine Le Hot Jazz. The album finds Raney on a (very) brief break from touring…
Blues For A Stripper
This extraordinary soundtrack, featuring many of the finest jazz musicians this side of anywhere, is a collection of small ensemble and large band arrangements so perfectly indicative of its era. It’s beyond hip and runs the gamut from cool jazz to hard bop. Moreover, it authorized the virtuosic freedom of the best of New York’s jazz community. The swingingly cinematic score was commissioned for a Sexploitation classic entitled Satan in High Heels, the story of a woman caught in the decade…
Folk Songs For The 21st Century
A time capsule of atomic-age country, radioactive rockabilly, and other-worldly melodies! Sheldon Allman (the singing voice of Mr. Ed!) brings you this long-out-of-print bunker full of plutonium-charged songs about space and destruction. Features “Crawl Out Through The Fallout” as heard in the award winning video game Fallout 4! Modern Harmonic proudly resurrects this wonderfully mystifying LP! A true creative treasure, the Chicago born and Canada raised Sheldon Allman was a graduate of the…
The End On Bongos
A 1957 lounge classic from “Mr. Bongos!” These often-sampled, vibrant-yet-chill sounds bring you big jungle drums, bongos, congas, flutes, strange animal noises, and more! Accomplished bongo player Jack Burger wasn’t known as “Mr. Bongo” without reason. Before the Beatnik generation picked up on the bongos as their super-swank instrument of choice, Jack Burger was already slinging his smooth bongo skills all over the West Coast, from Gene Autry’s radio show to session dates with the Beach…
Variations IV, Vol. II
A 1965 journey into found sound; this is John Cage. Another seminal volume of indeterminate music, from an icon of experimental sounds. Reissued for the first time and thematically on gorgeous clear vinyl! It could be argued that there is no more controversial figure in music history as avant-garde electronic composer John Cage. Perhaps best known for his composition “4'33"" which consisted of Cage sitting at a piano for four-plus minutes of total silence, Cage was both loved and loathed …
Live At The Jazz Mill 1954
A fantastic addition to the Barney Kessel catalog of the 50s – a never-heard live set that has the guitarist in form that's every bit as strong as his famous albums for Contemporary Records! In fact, the strength of the recording may well capture Kessel at a level that beats those sessions – as Barney's playing live, with a bit more bite – and really grabs us with the strong tone on his solos – and the sense of energy he gets in a quartet that also includes a young Pete Jolly on piano! The recor…
Astro Sounds - From Beyond The Year 2000
Swirling guitars and proto-ambient electronica sounds from many light years away! The Astro-Sound of Magnificence, from Beyond the Year 2000...a unique capsule of a funky, psychedelic rhythm section jamming, with snarling, stabbing and swooshing cranked-up-to-infinity electric guitar voyages piloted by Wrecking Crew veteran Jerry Cole, polished and primed for takeoff with a string section playing eerie, beckoning melodies in unison. These are the sounds of epiphanies concerning the future, …
Goodbye to Love
A sultry and sophisticated songbird. The ultra-rare debut and sole output of a wondrous and mysterious vocalist, perfectly accompanied by guitar icon Barney Kessel. An Early Stereo marvel from the original 1959 tapes! Kessel was a jazz pioneer -- as one of the leading lights of the hard-bop movement, his jazz guitar was legendary, and he was ranked the No. 1 guitarist in Down Beat and Playboy for numerous years. He played with Sonny Rollins and Oscar Peterson and Ella Fitzgerald as well a…
Sound of Speed
In the late 1950s, when Mexican-born Space Age Pop avatar Esquivel was in his prime, orchestra leader/composer/arranger Bob Thompson was his American stylistic counterpart. They recorded for the same label (RCA Victor), employed many of the same musicians and vocalists, and experimented with sound in the same Los Angeles studios.His RCA albums, Mmm, Nice!, Just for Kicks, and On the Rocks, embody 1950s orchestral pop: brimming with sparkle and sophistication, an appealing soundtrack for the…
Texas Oil Songs
Country singer and disc jockey Slim Willet’s ode to tool-pushin’! Texas Oil Patch Songs was issued in 1959 by the artist on his own Winston label, and now is an impossibly-rare LP to dig up—and this Modern Harmonic edition is faithful to the original, including all twelve tracks, liner notes, and restored artwork! And on petro-blue vinyl! "Ahh… the “Concept Album”…Critics write of Sinatra’s In The Wee Small Hours…or of groundbreaking 60’s rock opera opuses…but while the big studios set the …
Thunder of the Gods
Sun Ra is still trying to get our attention 50 years after dispatching this transmission. Humanity’s path since then makes his message even more urgent today. Years after Herman Poole “LeSony’r Ra” Blount “left the planet” he’s still trying to reach us, to wake us up and to change our destiny.Sun Ra and the Arkestra weren’t a traditional studio band, and every star in the vast galaxy of their discography reflects this. The origins of these records can be hard to pinpoint at times, but when it co…
El Is A Sound Of Joy
Shining sounds from the dawn of the Sun Ra Arkestra. "El is A Sound of Joy" was recorded in 1956 and appeared the following year on the very first Saturn LP, Super-Sonic Jazz. Incredible is the fact that saxophonist Charles Davis, here providing the soulful baritone anchor line (counterpoint to Ra's formidable left hand), remains in the front-line of today's Sun Ra Arkestra directed by Marshall Allen. Shuffle swing breakdown jets leisurely, casually, masterfully, painting lush, post-modern impre…
Plutonian Nights / Reflects Motion (Part 1)
"Plutonian Nights," the opening jam from the 1959 Afrofuturist classic album Nubians of Plutonia, is Sun Ra's quintessential, astro-majestic party joint. Among the top grooves in his immense catalog, Ra reveals his love for R&B is inseparable from his embrace of Jazz. (He once told bassist Richard Evans, "We don't play Jazz, we play Dazz.") Pat Patrick's bari sax morphs into a Fender bass, while the swinging flow of John Gilmore & Co. gives new meaning to the notion of 'Blowing' (Out From Chica…
Saturn / Mystery Mr. Ra
Sun Ra's angular yet strident and soulful "Saturn,” recorded in 1958, displays bluesy cubist bop in perfect alter-dimensional extension of Fletcher Henderson. It's also a showcase for John Gilmore's sax acrobatics and supersonic swing. Gilmore dove deep into the Ra Omniverse; "got the concept" - as Coltrane described the tenor giant - hooked by this composition, and never left. Dual baritones of Pat Patrick and Charles Davis (who continues in the front line of the living, glowing Arkestra of 201…
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