We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

PMG

Aleke
After spending much of the ‘70s humping his congos around New York as a session musician, Nigerian Aleke Kanonu pulled in some favours to record an album of his own. The result was Aleke, a criminally obscure Afrobeat/Funk/Jazz masterpiece featuring Buddy Williams on drums, George Davis on guitar and a cameo from Wynton Marsalis on flugelhorn. There are only four tracks on the album but they are all killers. N’Gwode sounds like Fela Kuti and Manu Dibangu hanging out with Bobby Womack, probably s…
Jungle Magic
Considered an acid boogie classic, Jungle Magic is a cosmic transmission from the early days of Nigerian disco. The bass lines are lethal. The synths are fat and squelchy. And the groove is non-stop and primal. Channeling the jungle gods of funk and introducing them to Donna Summers, the title track, ‘Jungle Magic’, takes you to a freaky place you didn’t know existed but never want to leave. ‘Love Forever’ brings a Calypso party vibe while ‘Fireman’ suggests Prince may have been listening to Ben…
African Woman
Mary Afi Usuah trained as an a opera singer at the prestigious St Cecilia Academy in Rome and spent 13 years touring Europe with artists like Duke Ellington and Deep Purple. She matched vocal chops with Robert Plant performing with Led Zeppelin and blew away the top names on the Lagos scene when she returned to Nigeria. She also broke a few hearts with her killer smile, if some accounts are to be believed. African Woman marshals these experiences into an exceptionally powerful and diverse album.…
Nation Building
Nation Building is a real forgotten gem from the late '70s and is among the very best Afro-Beat Disco Lps ever. Berkely Ike Jones is one of the icons of the Nigerian scene being the guitarist and founder of BLO. BLO were one of the very best progressive bands from Nigeria and managed to release several albums for EMI (Nigeria) and Afrodisia Records. BLO are definitely a ground-breaking band, that managed to further establish the entire Afro-Funk genre. At the time Ginger Baker of Cream went to t…
Mr. Love
Nigeria had a unique music scene which began spreading rapidly in the 1970s. The era was based on unspoiled use of fuzz pedal, keyboards and indisputable influences of the Psychedelic Blues bands of the West. In 1980 Effi Duke & The Love Family came out with their debut Mr. Love. It was released by Homzy Records which was a home of many Afro-Funk records, going strong from mid ’70s toward ’80s. Effi Duke & The Love Family being one of their most energetic albums. The ’80s were definitely more in…
Village Boogie
After starting his musical carrer back in 1968, the Nigerian artist, drummer, singer, multi-instrumentalist and producer Steve Black released his fantastic and unique album "Village Boogie!" in 1979. "Village Boogie!" really deserves the status of a legendary rarity and holy grail for fans of afro funk music. The original album is incredibly rare today and fetches prices of 800,00 and more USD! On this unique album Steve Black presents a new version of the smasher "Brand new wayo“, originally pl…
Desert Fairy Princess
One of our favorite records ever on the legendary Nimbus label – a special home to spiritual jazz on the west coast at the end of the 70s – and crucial for giving us some really unique talents like this! Adele Sebastian may have only ever cut this one album as a leader, but she's a hell of a flute player with a very deep, spiritual vibe – these sublime lines that soar and stretch out over modal rhythms – played by a totally hip group that includes Rickey Kelley on vibes, Roberto Miranda on bass,…
Hassan's Walk
Released back in 1983, this modal to slightly free jazz outfit from California takes us on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, Alice Coltrane and Miles Davis, among others. Only few contemporary sounds from the bass and keyboards tell you that this album is newer than expected. Listening to it with far over 30 years distance, it easily stands the test of time and even more turns out to be one of these …
Sub
Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album "S.U.B." he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. „S.U.B.“ is definitely worth being traded for 180,00 Euros a…
Niagara
This was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained some fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the two lengthy compos…
1 2 3