★Relative Pitch Records
BeingFive
"A project called ‘BeingFive’ might be motivated by a search to know the nature of being and, by extension, what it means to be together. In this way Montreal clarinettist Lori Freedman set up at once an atelier and a laboratory where both a group music could be made of practically nothing and a social organism could uncover both its organising principles and, perhaps, their limits. Here are exceptionally gifted improvising musicians –– hand-picked by Freedman for a Berlin residency project, a "…
Conduits
*In process of stocking* Freely improvised music for baritone saxophone and double bass. Cath Roberts and Olie Brice found an escape from the musical isolation of lockdown with the amazing discovery that it was possible to play (and record) online in almost real time - these are the results.
Love Songs
"The most striking sound in improvised music in years..." Love Songs by gabby fluke-mogul is a record of seventeen violin compositions for improvisation devoted to the multitudinous hues of intimacy.
Trasluz
Amidea Clotet's Trasluz is the result of research into the sound and textural possibilities of the electric guitar treated as a source of sound amplification. Clotet creates spontaneous, raw and vivid soundscapes, which call for the importance of the present moment, of knowing how to listen to what surrounds us and to ourselves.
The Industrious Tongue
The Industrious Tongue of Michael Foster is a 2-part work probing the most intimate and sensitive glands of the saxophone's internal architecture. This work is dedicated to several filmmakers whose work explores the erotic extremities and complexities of contemporary intimacy which has served as a focal point of inspiration for this album: Hisayasu Sato, Takashi Ishii, Naomi Tani and Jacques Rivette.
Battle Pieces
Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).