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This real masterpiece of Concrète and Synthesized music was no more available since its original manufacture in 1973. Dub Taylor is an US composer, producer, engineer and designer born June 22, 1948 in Burbank, California. He has many creative facets: recording and mastering engineer, record producer as well as composer, graphic designer and visual artist. He has studied with pianist Richard Bunger and composer Karlheinz Stockhausen. Not long after the release of Lumière, Taylor established Varg…
This recording will be Sub Rosa's first posthumous recording of Henri Pousseur. It is the sixth release (out of eight) in their catalog devoted to this composer's experimental and electronic works. It also marks the end of the trilogy of the Parabolic works (following the 1972 unreleased recordings and the 2001 collective performance). This time around, we have a piece built through another major Pousseur work: Leçon d'Enfer (composed in 1990-1991 around Arthur Rimbaud). This previously-unreleas…
Israel Martinez (Guadalajara, Mexico 1979) scope of work goes from sound to multidisciplinary art, including experimental and non-academic electroacoustic music, actions, video, installation and site-specific projects, mainly focused on sound as source and theme. He got the Distinction Award at Prix Ars Electronica 2007 in the Digital Musics Category for his sound piece 'Mi Vida'. Since 2003 he has performed and exhibited in several countries throughout America and Europe. He's co-founder…
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings. To second the machines he likes to move various glasses, or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
Sub Rosa presents an LP-only collaborative release between New York visual artist, photographer, and film artist Peter Downsbrough and Xavier Garcia-Bardon and Benjamin Franklin, two members of Buffle -- a Brussels-based improv collective. The work of visual artist, photographer and film artist Peter Downsbrough has had a major impact on the perception of art. In the early-'60s, Downsbrough interrupted his studies in architecture at the University of Cincinnati and Cooper Union in New York i…
Saxophonist and composer Ulrich Krieger is already widely respected for having been a part of the incredible Zeitkratzer and having collaborated with Merzbow. However this fifty-minute composition is possibly his most striking to date. A collaborative effort with Alan Licht, Tim Barnes and Sonic Youth's Lee Ranaldo, 'Fathom' is a deep, doomy exercise in patience and subtlety. With stark, minimal percussion and a bleak, haunted soundscape punctuated by Krieger's blackened woodwind tones th…
In the summer of 1990, i released on Sub Rosa a recording of Triadic Memories by Morton Feldman (1926-1987). It was one of the first recordings of this long work for solo piano completed on July 23, 1981.The score i used had been published by Universal edition as number UE17326 in 1987. Shortly after my CD came out, Universal published a new edition. At the bottom of page 2, under a dedication to Aki Takahashi and RogerWoodward is a small-print mention: 'corrected edition: 14.2.1991. I disr…
Novi_sad is the guise for Thanasis Kaproulias (b. 1980) who holds a degree from the Economic University of Piraues. He lives and works in Athens, Greece. Influenced by the pioneers of audio assault, he began generating sounds in 2005. No studies, no academic education, no scholarships, just pure learning by doing. Amplified environmental recordings, drone manipulations, structured ambient soundscapes, microtones vs overtones, all come together in a hyper structure of iconoclastic form. Novi_s…
Lovely field-recording album, created from evolution of original environmental recordings done at multiple underwater and abovewater locations in the Paraná and Paraguay rivers
The sixth and penultimate edition in Sub Rosa's ongoing assembly of crucial noise and electronic music looks at the period 1957-2010. So far the series has been duly noted for its excavation and reappraisal of lesser known works by important artists and vol. 6 is no different, presenting 26 exclusive and original compositions including the work of Tzvi Avni, Joseph Nechvatal, and Kohei Gomi/Pain Jerk among better known titans of the avant garde such as Stephen O'Malley, Dick Raaymakers, J…
Finally available on vinyl for the very first time - featuring exclusive and never before available material from the likes of Autechre, Tod Dockstader, Luc Ferrari and so much more - in a super heavyweight and deluxe gatefold package* This second volume of this excellent compilation series from Sub Rosa features an exclusive/previously unreleased Autechre track 'Bronchus 1' from 1991 - an alternate version of the track on 'Incunabula'. A second chronology of pioneering sound artists cove…
This is the second volume of the Musics in the Margin compilation series. Like volume 1 in 2006 (SR 254CD), this new production mixes visual arts with music, focusing on the affinities existing between three visual art fields considered on equal terms: modern art, contemporary art, and outsider art. Decompartmentalization is the key word, and this record offers unique approaches transcending the simple question of the insider/outsider classification. Based in Berlin, Klaus Beyer is mostly…
2CD collection which re-releases two previous Sub Rosa CDs Tre Canti Popolari (SR 051CD, 1992) and Due Componimenti Impetuosi (SR 063CD, 1995), now remastered and with a new design. This is the vocal and piano music of visionary Italian composer Giacinto Scelsi (1905-1988). Performed by: Marianne Pousseur, Lucy Grauman, Vincent Bouchot, Paul Gerimon, Georg Alexander Van Dam, Jean-Paul Dessy, Jean-Luc Fafchamps, and Johan Bossers. Scelsi will always be known as an atypical composer. Throug…
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
Sub Rosa presents works by industrial music pioneer, Z'EV. The physical vibrations of the objects in his works with both text and sound has been influenced by the Middle Eastern mystical system best known as Kabbalah, as well as -- but not limited to -- African, Afro-Caribbean and Indonesian rhythms, musics and cultures. He has studied Ewe music, Balinese gamelan, and Indian tala. From 1959-1965 he studied drumming with Arnie Frank, then Chuck Flores and then Art Anton at Drum City in Van …
Anarchist Republic Of Bzzz is the exceptional and ephemeral reunion of two cult guitarists, Marc Ribot & Arto Lindsay and two inspired and engaged rappers, Sensational & Mike Ladd, with Seb el Zin at the helm. The group displays a level of urgency too rare nowadays. These five musicians break free from all the music rules and transcend all styles. This isn't free jazz per se, nor free improvisation or dub or hip-hop -- actually, the Anarchist Republic Of Bzzz's sonic manifesto is simultan…
Gabriel Severin has been active in the field of electronic music for almost two decades (Silk Saw, Jardin D'Usure, Ultraphonist, Rob(u)rang, Dead Hollywood Stars). This sound artist and musician has delved in several disciplines. He likes to research forgotten or obscure avant-gardes.
16 page booklet including Cage's Place In the Reception of Satie by Matthew Shlomowitz. Erik Satie's 1893 Vexations is musique d'ameublement - literally, "furniture music", the phrase coined by Satie in 1917, where he identifies sound as drapes, tiling, wallpaper - items belonging to the environment and changing it simply by being in it, by actually becoming elements of the space. This recording is the second instalment in a series of furniture music (after Marcel Duchamp's Musical Erratum), and…
Electro-acoustic out-sound experimentician Israël Quellet was born in Neuchâtel, Switzerland in 1972, and this is his second release for the Sub Rosa label - the fifth volume in their Musics in the Margin series.
Jerrycans connected by a network of steel wires, each wire length and can location is adapted to the space. A loudspeaker is slipped inside one of the cans; the sounds it broadcasts make the wires vibrate. When these sounds are modulated (pitch, timbre, volume, density), the cans produce various resonances, which can be injected back into the speaker (feedback). The cans are hanging, so that listeners can circulate and choose different listening perspectives.