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The Tapeworm

Two Warhol's Worth
The donation by Kevin Drumm to Phil Julian of a Hewlett-Packard test tone generator (to avoid excess baggage charges) caught the curiosity of Dale Cornish. Cornish and Julian, each individually renowned for his own releases on a variety of labels including The Tapeworm, now present their first collaboration, brought about by a chance bond over former NASA technical equipment. Dale Cornish: vocals, words, additional music; Phil Julian: electronics.
Anonymous Sextet For Perverted Piano
Ben Glas (b. 1992) is an experiential composer based in Berlin. Through ephemeral compositions Glas' work questions preconceived notions between the acts of passive hearing and active listening. In seeking to discover open ended forms of music and pragmatic listening perspectives, Glas' compositions focus on the realms of subjective perception and cognition, via the use of acoustics, psychoacoustics and space as tools for sonic composition.His work has been exhibited and performed internationall…
Alone Inside the Walls of Night
Based in rural New Mexico, William Fowler Collins (b.1974) is a composer, recording artist and performer. His music extends across and beyond many genres including drone, minimalism, and free improvisation. He records and performs in both solo and group contexts. Collins has released music on the SIGE, Type, Blackest Rainbow, Handmade Birds, Sicksicksick and Root Strata record labels. In addition to his work as a solo artist, Collins has several collaborations including Thalassa with Aaron Turne…
Psychic Architecture
Marsha Fisher is a Minneapolis based composer and sound artist. Originally from Nebraska, they participated heavily in the Lincoln DIY scene. They bring the DIY ethos into their experimental music practice by using consumer tape players and cassettes to replicate musique concrète techniques in a context more similar to harsh noise. Fisher also runs the tape labels Gay Hippie Vampire and Activated Skeleton and has recent releases on Orb Tapes, Falt, and Full Spectrum Records.
Giving Water To The Dead
*In process of stocking.* The four tracks that comprise "Giving Water to the Dead" were composed using sound materials originally recorded for the sound installation Histories of the Present, a public artwork commissioned by the City of Berkeley in 2019. But where the installation was about a melding of practices and sounds into a single gesture, Crouch and Novak wanted to take the opportunity of a split release to exploring divergent paths starting from common ground. For "Giving Water to the D…
For The Vagus Nerve
*In process of stocking.* “In the face of whatever it is that is breaking our names apart” – Sean Bonney Score for as many players as you like – the recording is for nine. Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits. If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them. Imagine a pink nerve inside your gut…
Black Earth Tongue
Bill Thompson is a sound artist and composer. His work is concerned with various aspects of perception and embodied presence. Using found objects, field recordings, repurposed electronics and digital media, his installations encourage active attention to each moment. He applies this same strategy within his compositions which often include sustained tones, densely layered textures and indeterminate or improvised structures.Although trained as a guitarist, Thompson has worked primarily with live …
No Water Recordings 2011
Evan Lindorff-Ellery is a visual and sound artist based in Kingston, New York, and co-owner of Notice Recordings. "No Water Recordings 2011" was created in Ravenswood, Chicago using a hydrophone against a bridge, above water, and a contact mike and ceramic insulator against a brick. The recordings were captured to cassette which was transferred 10 years later by Branic Howard. This album exists as an antithesis of much of Evan's recent fascinations with water, yet accommodates similar poetic end…
Requiem For Haunted Starship (Tape)
Cut A Lonely Figure is the (mostly) solo project of Blue Tapes founder David McNamee. Previous releases include Sugimoto Seascapes (Fractal Meat Cuts), Rothko Horizons (Bloxham Tapes), and In Sea, In Circles, In Concrete (Pan y Rosas Discos).  "For this release, recorded at home during Lockdown 1, 2020, Cut A Lonely Figure was: Sarah Angliss (theremin), Maria Marzaioli (violin), Rosie Reynolds (clarinet), Andrew Smith (saxophone), and David McNamee (everything else)."
Push For Night (Tape)
Push For Night is the New York City based duo of Oliver Chapoy and James Elliott. Trafficking in dark, liminal electronics, the duo's sound is an ever shifting morass of psychoacoustic textures and spectral utterances. Evoking eerie, unnatural, and hidden spaces, this is music that exists in the threshold – locked in a constant push and pull of thwarted expectations and sublime release, hovering in a trance state of the always in-between. These seven tracks reference dark ambient, post-industria…
Electric Fauna
Leif Elggren and Kent Tankred, 3 September 1999, Fylkingen, Stockholm – a small chamber play where The Sons put the small animals on pasture and let them live their own lives, but under strict supervision and with a fixed eye so that no accidents may happen, so that no one is injured, so that no one is ill-informed, or how it might be if not everything is organized and supervised in a well-structured society. "You can't just let things be without direction, then there would be nothing at all (or…
Johnny remember me
Further proof that anything goes when it comes to the Tapeworm series, this latest installment is a short story penned by novellist, crime/noir fiction writer and critic Cathi Unsworth, read by the author herself (on the A-side) and by her musical collaborator Pete Woodhead (on the B-side). Set in 1950s Soho, the tale concerns itself with London's burgeoning rock & roll scene, the seedier, underworld elements of the city and Joe Meek. … Limited to 250 copies. (Boomkat)
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