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Definitely one of Nucleus' lesser known albums, Alleycat nonetheless maintains the exceptionally high standards that Ian Carr & Nucleus had set for themselves over the course of numerous albums before this one. It's true that there's little here which is a departure from any of their previous releases, but with a quality of of both songwriting and playing this high, who could blame them? Once again we have fast, intricate, melodic jazz-rock fusion, with moments of high energy interspersed with s…
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this re-issue, shows off just why this deserves to be back in press. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing…
Born in Queenstown in South Africa's Eastern Cape province in 1938, Patrick Vuyo Matshikiza was raised in a musical family. His uncle Todd Matshikiza was a jazz columnist for Drum Magazine in the 1950s and composed the music for King Kong - the all-black musical from 1958 that played in London's West End and launched the career of singer Mariam Makeba. Pat was educated at St. Mathews, an historic mission school in Keiskammahoek, where he played organ and graduated with a teacher's diploma. He mi…
We Are Busy Bodies announces the official reissue of the seminal 1959 album, The Fascinating World of Electronic Music by the Dutch electronic music pioneers Tom Dissevelt and Kid Baltan. In combining jazz with experimental electronics, the album significantly predates other early renowned popular electronic music productions such as the ‘Dr Who’ theme, realised by Delia Derbyshire at the BBC Radiophonic Workshop (1963) or Wendy Carlos’ Switched-On Bach (1968). Adored by David Bowie and sampled …
**Seminal Spiritual Jazz from South Africa, 1970. Officially licensed and re-mastered re-issue**. With a unique sound founded on a persuasive mix of American and African jazz, Armitage Road, originally released in 1970, was the only studio recording released by South Africa’s Heshoo Beshoo Group. As a highly prized collector’s item, a re-issue and re-appraisal of this lost gem from the apartheid era has been long overdue. Heshoo Beshoo loosely translates from the inter-tribal lingo of the townsh…