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Like a live concert with no beginning or end, sixty Australian finches dance between the strings of twelve electric guitars in the sacred silence of Le Château in Aubenas. From Here to Ear (v.25), the twenty-fifth incarnation of a work that has been …
Watt’s clarinet-driven soundscapes hypnotize, thicken, and circle endlessly. 2021 collaborations—edited on infinite tapes—blur time and unity in a vinyl collective composition.
Endless Happiness reissues Rahsaan Roland Kirk’s experimental 1973 album, “Prepare Thyself to Deal with a Miracle”—a visionary, layered jazz masterpiece showcasing Kirk’s multi-instrumental mastery and boundary-pushing sound.
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Dominique Pifarély, Lina Andonovska, and Izumi Kimura—three versatile, internationally acclaimed musicians—unite in a unique trio project born from a residency.
Jerome Deupree, Sylvie Courvoisier, Joe Morris, Lester St. Louis unite for an album of explosive solos, profound improvisation—a canyon where all musical worlds collide in boundless synergy.
The Lava Quartet—Berlin to Portugal—unites for free improvisation, blending creativity and extended techniques. Their debut album, "Ethereal Chant," showcases boundary-breaking, unpredictable soundscapes.
Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undisco…
Available for the very first time, the intergalactic icon Sun Ra and his Arkestra’s Lights On A Satellite: Live at the Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society. The limited-ed…
Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singin…
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
Amosphère’s »Cosmogonical Ears« explores time, space, and perception via long-form, minimalist-electroacoustic pieces, merging myth, meditation, and quantum physics for immersive, transformative sonic experiences.
Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it p…
Plume Girl’s ‘Unnameable Glory’ merges Hindustani, ambient, and pop, dissolving boundaries between language, sound, and feeling. Somanath explores the luminous freedom found beyond definition and the joy of shared, wordless experience.
Antonio Borghini and Banquet of Consequences continue on their path of jazz, freedom, and rigor, in which writing, improvisation, tradition, and chaos coexist in a vital and surprising mixture. Well-organized music that uses disorder to its enrichmen…
Tip! Two long pieces, a live performance and a rehearsal at home, make up this work by the Braida Locatelli duo, a new stage in their 30-year journey. Improvised music that often sounds composed. Improvised, decomposed, recomposed, composed? A true d…
Victoria One reissues "Armageddon" by The Maze, digitally restored for new audiences. Featuring original 1968 tracks plus rare bonus content, this release offers the definitive psychedelic legacy of late 60s San Francisco.
Edition of 250 copies. Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other for analog synthesizer (performed by Ryoko Akama).
In Eliane Radigu…