New Arrivals / Last 2 weeks
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection—a rediscovery of autumnal warmth and luminous craft.
The Midnight Hour
The Midnight Hour by Adrian Younge and Ali Shaheed Muhammad is a lush confluence of soul, jazz, and hip hop that bridges eras with analog warmth and orchestral finesse. Rooted in the duo’s shared reverence for Black musical heritage, it unfolds as both homage and renewal—a nocturnal suite of rhythm, poetry, and craft steeped in the elegance of timeless sound.
Twelve Reasons to Die
The Twelve Reasons to Die by Ghostface Killah and Adrian Younge is a darkly cinematic concept album that fuses Wu-Tang grit with the operatic scope of Italian horror and soul symphonies. Executively produced by RZA, it tells a revenge myth steeped in vinyl and blood, pairing Ghostface’s vivid storytelling with Younge’s analog psych-soul production in a seamless homage to genre and myth.
Abaete
Abaete by Abaete is a cult classic and one of the rare treasures from the 1970s Bahian scene—a masterfully woven tapestry of jazz-funk samba, built by a mysterious vocal trio whose only full-length album is now finally gaining renewed attention through reissues. Recorded in 1977 and originally veiled by obscurity, the album is celebrated for its supple grooves, innovative synth lines, and a distinctly Northeastern Brazilian flavor.
Quarteto Novo
Quarteto Novo is the only album from the collective Quarteto Novo, released in 1967. Renowned for fusing northeastern Brazilian baião styles with bebop and folk, the album has earned a reputation as a masterwork that shaped Brazilian jazz’s global evolution. Its acoustic ethos and inventive arrangements forged a bridge between regional tradition and modern jazz, influencing a wide array of subsequent artists and genres.
Le Pont Suspendu
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
Uchidome
Uchidome by Seijiro Murayama is a three-part solo percussion album released by Hitorri in October 2025. Recorded in France earlier that year, it represents Murayama’s fifth solo project on the label, extending his lifelong inquiry into rhythm, resonance, and silence through an ascetic focus on timbre, texture, and spatial tension.
To(r)ri Infranta
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
SSI Solo 2024
SSI Solo 2024 by Junji Hirose distills five extended explorations of sound and silence recorded in Tokyo, merging mechanical invention and corporeal intensity. Created with his distinctive Self-made Sound Instrument (SSI) and including a striking “No-Instrument” piece, it pushes the limits of sonic improvisation and acoustic perception.
Altered Fetes
Altered Fetes is the most focused work to date from A'Bear, carving a distinctive space in contemporary electronic music through its innovative, rhythm-driven fusion of dance, psychedelia, and experimental sound textures. The album stands out for its coherent progression and inventive reshaping of genre boundaries, making it a remarkable entry in the artist's evolving catalog.
The Velvet Underground & Nico (LP)
*2025 Reprint. Edition featuring the album’s artworks directly printed within the vinyl surface.* Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Mo…
Penthouse
*Edition of 200* With Penthouse, the long-running American collective Idea Fire Company extend their singular language of restraint and spatial tension into one of their most compelling statements. Formed in the late 1980s by Scott Foust and Karla Borecky, the ensemble has continually blurred the line between composition and atmosphere, merging experimental music’s austerity with an almost cinematic tactility. Here, their focus turns inward: the record unfolds like a diary written in reverberati…
Desolation
Decomposed at Emoptyc studio in Opera between the spring and the autumn of 2024. Audiochemical treatments by Pharmakustik. Cover by Miguel Angel Martin.
Hyper Vigilance
SGG is thrilled and honored to announce the impending release of the new studio album by Ramleh, a band whose longstanding, uncompromising artistic trajectory is rivaled by none. Birthed from the early 80s UK post-punk and industrial ecosphere and finding footing in the embryonic power electronics scene before incorporating rock instrumentation to further explore the landscape of what would come to be described as “bleak psychedelia”, Ramleh continue to challenge and reward even the most adventu…
Bluebeard
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Le Trio Infernal
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.
Per le Antiche Scale
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
La Disubbidienza
With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.
Culvert Dub Sessions Four
The Birmingham master, Mick Harris, arrives with his first vinyl installment of his "Culvert Dub Sessions" series. Mick has taken to the studio desk with his live hands on mixing approach and conjured up 8 tracks of classic, deep, slow rolling dub techno in the traditions of the greats. Think heavy nautical dub outs, windswept delays, low ends to make you seasick, high freqs cutting through the scenery, this is Harris at his finest. No holds barred, sincere electronics from the gut in pure form.…
Group Theory: Black Music
Group Theory: Black Music is a stunning new statement from South African drummer and composer Tumi Mogorosi. Standing in the lineage of South African greats such as Louis Moholo-Moholo, Makaya Ntshoko and Ayanda Sikade, Mogorosi is one of the foremost drummers working anywhere in the world, with a flexible, powerful style that brings a distinctive South African inflection to the polyrhythmic tradition of Elvin Jones, Max Roach and Art Blakey. Since his international debut on Jazzman Records in 2…