New Arrivals
This is no fun acid 02
'In the beginning there was Roland's founder Ikutaro Kakehashi and an arsenal of computer controlled analog jock boxes designed specifically to outmode the trad rock (read: human) rhythm section... the circuitry was so tightly wound however, so rooted in synthesis that it failed to meet its promise. It wasn't until the mid-80s that the TB-TR system took novel form as acid house; a simple but novel attitude shift that saw an embrace of extra-terrestrial machine funk aesthetics converging with the…
Spectrum 008
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
Blue eyes are my reward
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
Nero\'s Expedition
Tetuzi Akiyama - guitars. Johan Arrias - saxophone, electronics, no input mixingboard. Leo Svensson - cello, organ. Henrik Olsson - drums, electronics, piano. Artwork and screenprint by Peter Larsson. Mixed by Giuseppe Ielasi. Mastered by Daniel Karlsson. Produced by Johan Berthling. Album and songtitles are inspired by the lyrics of Moondog (Louis Thomas Hardin). Recorded in Stockholm 2006. Limited edition of 250 hand numbered copies. The cover is hand printed by its author on recycled covers c…
Another Dull Dawn
When Chris Corsano turned 6 years old, I already begged him on my wounded knees to record an LP for Ultra eczema. He played it cool, was clearly annoyed but remained polite. From then on (he is now 46) I would email him the same question daily. I slept in a tent in front of his house, sent him letters every week, had all his different cell phone numbers, I even gave him new clothes, though he kept wearing his fully blue outfit. Much like Michael Jackson, corsano, the last drummer on earth, alway…
Ancestral Songs
Daniel Higgs has an unparalleled presence in both body and voice. This, combined with hypnotic repetition, gives the material on Ancestral Songs both a loose discipline and an immense yet serpentine power. Ancestral Songs is comprised of apocalyptic tunes, a banjo raag, mellifluous birdsong, and the sci-fi-sounding duet of a searing Jew's harp and toy piano. "Are You of the Body?" brings out the electric tamboura tone and an accompanying acoustic guitar to melt the spine. A distorted motorik gui…
The Weinberg method of non-synthetic electronic rock
Reissue of an obscure electronic music album, originally released in 1968, with bonus tracks. another historic event for fans of experimental exotica: Martin Denny, Bruce Haack, Pierre Henry, Dick Hyman, Perrey & Kingsley, etc., described as "a synthetic sound revolution with great songs, like bruce haack with a psychedelic touch." from the lp's original liner notes: "the weinberg method of non-synthetic electronic rock (or the electronic rock method of non-synthetic weinberg) is a revolution in…
The Ghosts Of Bush
Special Edition - White Vinyl. 3rd and final pressing limited to 400 copies for the world** Having already created a huge amount of interest, 'The Ghosts Of Bush' is finally here on a limited vinyl pressing and is easily one of the most pertinent and interesting Radiophonic and hauntological artefacts we've had the pleasure of stocking in recent years. Created by World Service studio manager Robin The Fog, 'The Ghosts of Bush' Consists entirely of nocturnal location recordings made by him at Bus…
C-Section
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…
Hiranya
Another excellent installment in the Noiseville series, this time featuring the master of Japanoise! Limited to 1000.
And In The Endless Pause There Came The Sound Of Bees
A flop-eared rodent frolics in a lush field. In from the horizon sweeps a black cloud, kicked up by an army of similar-looking rodents. That's the basic set-up of Varmints, a 24-minute film by Studio AKA animator Marc Craste, based on a book written by Helen Ward and illustrated by Craste. Jóhann Jóhannsson draws the title of his latest album from the book, and this is the music he composed for the film's soundtrack. There's quite a bit of extra material-- the album is a full 1…
Gangnam Basement
Songs and field recordings from up and down the Korean peninsula and under the ground during 2006-2007: native winds and bells, charismatic tongues, mountain shamans, fauna, charms, university innards, resurrected ancestors, missteps, ceremony, morning, winter, night, glass rooms beneath Gangnam, totem + taboo; concluded with nitrous-damaged pop songs, Bowie cover and cellphone karaoke. Handmade art,
The Violent Blow
After a long time out of print Sacred Trails 7", a new release from Altar Of Flies for Wendy.Minimalistic textures, tape loops, field recordings and junk abuse, all mixed in an unique cruel sound. AOF explores line between man and nature, with analog machines he transforms in sound the cold of his lands, the feeling of no light, the man perfection in loneliness. The result is the must organic, deep and dark AOF release ever.A new start for this criminally underrated artist, a new powerfully soun…
Cymbals
restocked, but very few available...LP art edition of 310 numbered copies, recorded on 1973, NEVER previously issued on vinyl, this is a jewel from saturn: try to find it in the cosmo if you can. This albums originally intended for release by Impulse! in the early 1970s, Cymbals is very a much a continuation of efforts like The Night of the Purple Moon, with an overall extended sax workouts, and built out with plenty of welcoming grooves. An highlight from a fertile period when Sun Ra and his…
Swing Low Sweet Spiritual
Following a few years spent living and playing in Scandinavia, an unknown saxophone player by the name of Albert Ayler returned home to the USA to begin imposing his revolutionary style of jazz on the world. Having recorded his debut album, My Name Is Albert Ayler for the Danish label, Debut Records, this session (which took place in New York City on 24 February 1964) was his first American effort, resulting in the eventual release of two albums: Spirits (released in 1964 on Debut) and Swi…
White Bird Release
Vinyl! The sixth album from Mark Nelson's longtime solo project following Quiet City. A mix of warmth & foreboding expansiveness, neither of which is minimal nor overdone.
Mekanïk Destruktïw Kommandöh
This is an identical 180-gram vinyl reissue of the 1973 Vertigo release, wich is possibly Magma's great opus. Whether one prefers one of their other studio or live releases to it, there is no doubt that Mekanik Destruktiw Kommandoh is the most original, definitive Magma album around (although this reviewer personally prefers the Mekanik Kommandoh version!).Featuring a cast of thousands including a choir, brass section, flute and tuned percussion, Mekanik Destruktiw Kommandoh marries the stripped…
Badlands
If you think something’s wrong with your speakers, you are mistaken. No, you can’t turn up the bass. You’re just listening to the raw, stripped down wail of Alex Zhang Hungtai, better known as Dirty Beaches. His MySpace describes the music as “minimalist rockabilly,” and those are probably the two best words I could think of to describe his newest LP, Badlands.At times, Hungtai’s vocals sound quite Elvis-esque; at other times, you can barely make out the mumbling echoes over the subdued drum bea…
Discovery
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
Human Taste
Portland, OR-by-way-of-Michigan garage gang Little Claw first tripped our radar with their self-released Why Not 7 inch, which was/is raw and physical and swingin’ in all the ways you want a 7” to be. Their LA live shows proved even more ripping and charged; we were sold. So we sprung at the offer to enshrine their latest (and best) album, Human Taste, on vinyl for the world’s turntables to adore. Packed with classic, cracked anthems (“Frozen In The Future,” “Colors You Drown”), basement weirdo …