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Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos,…
Uphill Game is an acoustic contemporary jazz quartet based in Bristol, UK, led by double-bassist & composer Riaan Vosloo. Uphill Game play open, dynamic, driving, delicate, exploratory, groove and melody focused music, inspired by the likes of the William Parker Quartet but with its own distinctive collective voice. Currently one of the UK's best-kept jazz secrets, the band is delighted to release its first album this spring, recorded live in the sumptuous acoustic of St George's Bristol.
Riaan …
*2026 stock* Murmurations is an interplay of sonic posibilities between flute and drum. Focused on subtle musical events that come from flute timbres that react on drum skin Taiga explores the realm of low volumes on their respective instruments and creates stories inspired by nature. As silence and calm are a big part of the creative process behind the making of this album, the concept of driving prepared drum with flute resonances, encouraged by feedback loops, is what makes this music uniqe a…
Tip! *2026 stock* The klingt.collective is a viennese music group founded in 2022. it’s nine members are an essential part of Vienna’s experimental music scene and have been collaborating in various groups for many years. Previous collaborating projects include: the klingt.orgestra, Radian, sonic luz, TWIXT, The Vegetable Orchestra... The internet platform klingt.org has been a home for the musicians and many of those projects since the early 2000s – thus the name of the ensemble.
The nine music…
An all-aluminum guitar, 100-watt amplifiers pushed to blowout, two sides charting alternate trajectories through sludge, drone, and ferocious free improvisation.
On Forever Neon Lights, James Adrian Brown swaps Pulled Apart By Horses’ guitar-slinging volatility for luminous, emotionally charged instrumentals, threading analogue synths, tape machines and strings through a glowing meditation on childhood wonder, creative stubbornness and hard-won hope.
On Situations | Useless Mouths, The Mistys pivot from solitude to shared euphoria, channelling restless electronics and Beth Roberts’ shapeshifting vocals into a bright, subversive celebration of joy as fuel, shelter and quietly defiant energy.
On Colonial Vipers, various artists from the Dutch Trumpett orbit condense the 1982 home‑taping surge into 13 rare tracks of minimal synth, DIY cold wave and concrete industrial atmospherics, finally transferred from cassette obscurity to heavyweight vinyl.
Several years after the release of ‘Metamorphosis’ (with Sid Hille), Multicast Dynamics (Samuel van Dijk) reemerges on Astral Industries with ‘Circles’ - an enchanting two-part work venturing into deep unconscious realms. Sonic landscapes unfold in a sequence of hidden spaces and intimate revelations, featuring detailed sound design and rich thematic content.
Circle One initiates the process, opening gently with glassy drones and the patter of distant voices. A faint light shimmers through swir…
*100 copies limited edition* Pursuant to PQR’s reissue of San Michael’s and Gandalf’s albums (both sold out in a flash), and more recently of Midsommar’s debut, we continue digging into the gold reserves of the Swedish 70s underground to unearth the highly collectable album by Kontinuerlig Drift (meaning ‘continuous operation’ in Swedish). Just like Gandalf, this is a versatile album, equally split into ethnoprog, psychedelic and bluesy moments, all of which were indispensable facets of the band…
*100 copies limited edition* First ever reissue, remastered by the band. Long recognized as a one-off gem among Europrog collectors, Coma’s debut Financial Tycoon reflects the proclivity of Danish peers such as Secret Oyster and Burnin’ Red Ivanhoe for producing outstanding jazz-fusion, albeit uniquely blended with prog textures, and a sardonic sensitivity that was engraved across Europe in the releases of the likes of Kandahar, Supersister, Banzai, Brainstorm, Plastic People of the Universe, Pa…
*100 copies limited edition* We are repentlessly thrilled to bring you the first reissue of Tercer Milenio, probably the best hard rock/heavy prog album released in the prolific Argentina 70’s scene. This is a more mature and tighter effort compared to Orion’s Beethoven’s debut Superangel that places them in the spotlight of heavy prog/proto metal. The album’s opening blaster Amistades Desparejas establishes very clear expectations about what is to follow: a tapestry of scorching riffs and acid-…
Deaf Center travel through quiet pathways and grand boulevards in their fourth studio album “Through Time”. Since their last full-length LP, “Low Distance” (2019), the duo has gradually shifted towards a more long-form electroacoustic sound which perhaps makes for their most immersive listening experience so far. Otto A Totland’s piano travels in less frequent rhythms than before, yet is felt even more as a relief in the quieter moments that contrast with Erik K Skodvin’s deep atmospheric worlds…
Kreng transports us through the swirling darkness and into the unknown with “Wormhole”, his first album in over a decade. What does a trip towards another world sound like? We’re about to find out. The master of tension, melancholy, and the deranged is back after a long period working in the worlds of theatre and cinema. Last seen on Miasmah with the grief stricken The Summoner, Kreng now returns with Wormhole, following closer in the footsteps of the cult classics L’Autopsie Phénoménale de Dieu…
With Nothing in this room is new except the dust, Ivan The Tolerable returns not to a room but to a weather-beaten tract of being — a north-facing interior where wind has a voice and the light is a thin animal nosing the corners. The trio who forged Black Water, Brown Earth and An Orphan Form — Oli Heffernan, Mees Siderius, and Elsa Van Der Linden — move here with the patience of creatures that have learned the seasons of each other’s blood. If the earlier records surveyed land, this one digs in…
Flourishing minimal composer Juho Toivonen returns with Kuun Sininen Rinki (‘Blue Circle of the Moon’), a four-track LP assembling recordings from two distinct moments in his recent work. Issued by Infinite Expanse, the release gathers previously unreleased material alongside pieces that first appeared in extremely limited CDr form, offering a glimpse into an early phase of Toivonen’s developing piano practice. If you’ve spent time with Toivonen’s 2023 LP Kasveille ja eläimille, the A-side will …
I first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs. Comelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurit…
Ak’chamel, The Givers of Illness plunged into truly deranged extremes to summon the decayed, otherworldly essence captured on Spiritually Unemployed, embracing unhinged and esoteric methods during the tracking process. Recorded in a makeshift adobe studio amid liminal border-zone ruins. Nocturnal treks along forgotten stretches near the U.S.-Mexico line, through derelict border outposts and sun-bleached vehicle husks, yielded unique recording opportunities: Ak’chamel dragged tape decks like sacr…
Tying every symbol to an idea has made the world manageable, but also predictable. Suspending the pact, delaying to denominate, letting sound remain pre-conceptual for an instant leads to confusion; nameless, all things slip away, lose direction and blend in with the background noise. Here lies the danger of pure indifference where all things are indistinguishable and listening risks becoming pure perception. It is not a question of refuting meaning, but rather of embracing that latency where fo…
*2026 repress* Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltran…