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All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A reissue on CD of the 1972 sophomore album by Spontaneous Combustion a late British psych band with progressive tendencies.
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted cardboard sleeve. - See more at: https://www.lpcdreissues.com/item/triad-3#sthash.jWSS6KcV.dpuf
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted…
2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition.
Grains of Voices is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…
2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians.
The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker.
The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …
Bilingual Edition English/German This inspiring book, with texts in German and English, reflects on the aesthetic, cultural and performative dimensions of contemporary (art) music. It opens up and challenges new perspectives in musicological and artistic research with a cultural studies orientation. Texts from the last 15 years are divided into two main chapters: Cultural Practice – including analyses of major festivals such as Warsaw Autumn, Festival d’Automne à Paris and Wien Modern, the impor…
Ikue Mori's album "Of Ghosts and Goblins" is a collection of instrumental miniatures inspired by Lafcadio Hearn's Japanese folk tales, featuring themes of ghosts, goblins, and the supernatural, with tracks like "Fragment," "A Passional Karma," and "Lafcadio's Garden". Lafcadio Hearn is an author who spent much of his life researching, documenting, and preserving the ancient folk tales of Japan. He published a series of books in the late 19th and early 20th century including In Ghostly Japan, Kwa…
"Was Drosselbart a Krautrock band just because they came from Munich like Amon Düül, sang in German and released their first and only album on a major German record label in 1971?
'No,' says Monika Vincent-Gunia aka Jemima, Drosselbart's singer. 'We were the first punk band in Germany. The guys in the band could only play three chords, maybe four, but they were burning with enthusiasm'.
However, Drosselbart's music on the album of the same name has very little to do with the punk of the mid-seve…
'Sexy Tears' is a bold departure from Tristanne's (fka Tristan) critically acclaimed pop-jazz debut Wellif and lets you veer into uncharted territory, from the first tone, the bittersweet and haunting violin tones fade in on opener 'Steady Mouth'. In a split second, Tristanne lets you vanish in a dazzling matrix deep down a rabbit hole, a place where Piero Umiliani's 70s sleazy giallo era sensually resonates with Oneothrix Point Never goldwave frequencies. With a whisper of panting tension, her …
'The fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The ch…
Although Berlin-based musical seekers Jules Reidy and Sam Dunscombe are friends who’ve worked together in numerous contexts over the last decade or so, Edge Games is their first, long overdue collaborative album. Over two expansive, mind-bending excursions the former’s microtonal guitar lines are woven into a gorgeously unstable mass of synthesis, field recordings, and clarinet produced by the latter, but it’s important to note that the recording process was deeply collaborative, with a rigorous…
The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence. Audiomancy—the conjuring of lost s…
Tip! Tip! Tip! Azzurro 80's new album—his first ever on LP—is a beautifully faded Polaroid that, like a true flashback, plunges listeners into the heart of the 1980s. It's a sonic journey that captures the essence of a decade, distant yet vividly etched in our collective memory. The Roman producer unleashes his sonic vision with even greater intensity than before, weaving through dreamy italo-disco, electric atmospheres, soundtrack-worthy synth-pop, and boogie-funk grooves. Each track opens a wi…
Spite Cathedral returns with Unforgiven Thoughts, an album in which the artist delves into an experimental, dark, and deeply atmospheric sonic journey, fusing industrial, noise, drone, and post-apocalyptic textures to create a unique and disturbing soundscape. From the very first track, the album establishes an unsettling tone. Harsh, mechanical industrial sounds clash with ethereal and distorted melodies, creating a sense of controlled chaos. Spite Cathedral demonstrates a masterful command of …
Mutualism is the pure essence of collaboration, an exchange that not only projects but also guarantees the growth of two individuals. In this bond, there is no competition; instead, a natural equilibrium emerges where both parties strengthen and complement each other. It is not about losing one's identity, but about enhancing it, allowing individualities to shine even brighter when united. It is a reminder that when two forces ally, the result is always greater than the sum of their parts. Mutua…
Formed in the mid-1980s, Nostalgie Éternelle is a band that stands the test of time. This duo from Leer, a city in northwest Germany, has based their sound on post-punk, electronica, industrial-pop, minimal-wave, electro-punk and experimental, and although in their first stage they were only active from 1986 to 1992, in 2009 they came back with more strength, recording new material and touring again.
Krummhörn is an album that is released in a limited cassette edition and also on cd, and the rel…
Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales). In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.These fifteen tracks are made with only two synt…
Maciej Śledziecki and Marion Wörle show just how exciting the world of the pipe organ is today as the ensemble gamut inc. The retro-futuristic duo uses self-programmed software to dock onto the MIDI consoles of church organs, control their stops in a manually impossible way and perform sound synthesis with surprising results. Their annual AGGREGATE festival in Berlin is a meeting place for the international “New Organ Movement” scene: electronic musicians, composers and organists from different …
2025 stock The significance of the seven pieces brought together here is that they both generate a striking panorama of the intelligence of the material presented, over a period of four years, from 1939 to 1943, by the composer whom the critic Fred Goldbeck described as “the greatest Giraudouxian of our age”, and clarify in an extraordinarily oblique manner the prehistory of this “automation” of the creative act, towards which one can detect the perpetual temptation in the young Cage.