New Arrivals
Les Espaces Acoustiques
Gérard Grisey’s Les espaces acoustiques is a groundbreaking work which defies assumptions about what music “ought” to be. Not for nothing did the composer describe it as “a great laboratory”, exploring the way we listen.The “Acoustic Spaces” cycle, begun in 1974 and completed in 1985, consists of six instrumental works that may be played consecutively, since each acoustic space extends the previous one. The unity of the whole is based on the formal similarity of the pieces and on the two acousti…
Macbeth
The unspeakable evil in three nameless acts: We proudly present Salvatore Sciarrino’s Macbeth, recorded at the 2011 Salzburg Festival, released for the first time as an audio document!The infiltration of microorganisms of sound, restless reticence, ephemeral slitherings, whisperings, whizzings ... – and all of it develops a kind of intensity only the great Italian master is capable of creating. Salvatore Sciarrino’s opera Macbeth was presented in the fifth, and final, year of the Kontinent serie…
Elegy for Native Tongues
Heavy, ominous psychedelic free-improv from Tokyo, Japan. Julian's Cope album of the month . Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised…
Excision
Essential collection of previously vinyl only Nadja tracks which work brilliantly as a 2CD album. All of these tracks originally appeared on limited vinyl or cd releases between 2007 and 2009 and are now out of print. 'Jornada del Muerto' originally appeared on the Trinity CD (Die Stadt Musik) and 'Perichoresis' on the Trinitarian LP (Important Records), both of which releases featured solo tracks by Aidan and Leah and one Nadja track. 'Spahn' appeared on Tumpisa (Accident Prone Records), a …
Songs About Nothing
Stunning double disc collection of mind-erasing loops, avant classical drone and minimal cold wave threat from Jason Lescallett, presented as a back-handed tribute to Big Black’s notorious 1992 album Songs About Fucking: Songs About Nothing is the sound of pure entropy, moving from ear-scalding feedback sculptures through nod-out minimal synth repetition through scrambled choral works and widescreen soundtrack drones. The first disc unfolds in a series of stately movements linked by a form of ob…
Crippled Symmetry
orton Feldman's music continues to exert its fascination on listeners and record companies alike. After releasing its highly successful recording of the more than three-hour-long For Philip Guston, Bridge once again returns to the California EAR Unit for Crippled Symmetry, at only 87 minutes a mere bagatelle in terms of Feldman's late output. Well, maybe not. Scored for flutes, mallet percussion, and piano/celeste, Crippled Symmetry does exactly what the title says: it toys with not quite exact …
Creative Orchestra (Köln) 1978
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
(1975-1991)
Just arrived! The research-performance group kiva was created in 1975 by the American trombonist John Silber and the French percussionist Jean-Charles François as part of a research project at the Center for Music Experiment at the University of California San Diego. During the period of its existence (1975-91) various members (often graduate students from UCSD) joined the two permanent musicians, John Silber and Jean-Charles François, to contribute to the groups artistic production. Two persona…
Tramp (Deluxe Edition)
2CD deluxe edition includes the album, demos for each album track, plus a bonus track demo. Repackaging includes a self-portrait & liner notes about each song taken from VAN ETTEN's journals. A startling collection, filled w/ as much defiant rock as pious, minimal beauty. There are declarative hymns, & remarkably sultry numbers. Guest appearances from Jenn Wasner (WYE OAK), JULIANNA BARWICK, Zach Condon (BEIRUT). NO CANADA/NO EXPORT(SAKI)
Nova Psychedelia (1975-1985)
"Outside of his native Pennsylvania-West Virginia stomping grounds, Todd Tamanend Clark remains one of the least known North American underground artists in the lost music DIY field of his era, considering he has collaborated with and shared time with many of his peers over the years (Cheetah Chrome, Allen Ravenstine, Stiv Bators), as well as progenitors (Dorothy Moskowitz of United States of America, Robert Moog, William Burroughs), his significant body of recorded (and printed) work was always…
Mali: essential recordings of Carnatic bamboo flute (1969-1970)
Gorgeous double CD issue of two crucial albums by "the greatest living flutist of South India", T.R. Malingham or Mali to millions of South Indians, presented in respectfully opulent stye by Japan's EM reissue imprint. This is meditative, spiritual, and exotic music of the highest order, combining his two most revered recordings from 1969 and 1970 over two very special discs. Mali is said to be able to commune with birds via his playing and that's quite understabable. His virtuoso use of …
Essence of Ellington/Live in Milano
Preeminent jazz composer/bassist William Parker has been working with large ensembles from the very beginning of presenting his own work as a leader in the mid-70s. His Essence of Ellington project is the very latest manifestation of his orchestral concepts, following in similar form on the extraordinary Inside Songs of Curtis Mayfield project which was definitively presented on record by the acclaimed 2010 release, I Plan to Stay a Believer (AUM062/63). The Orchestra here interprets selections …
Rework
One of America’s greatest ever composers gets the remix treatment. What is it with remix albums this week - are they back? Anyway it’s always an odd thing the remix album, basically it’s just an excuse for the great and good to strut their stuff and do something decent on a high profile record.It’s a mixed bag of collaborators from Tyondai Braxton to Cornelius to Beck (who gets an entire side to himself) to Johann Jonannsson to Peter Broderick (still no doubt weeping from our review of his recen…
W2 (1998-2008)
"We think that we « make a journey » but soon enough it's the journey that makes – and unmakes - us." (Nicolas Bouvier, "l'usage du monde"). When I listen today to these pieces, I hear, of course, a geographic inventory of all the places I encountered. Above all, though, and as if by default, I hear the sonic journal of twelve years spent recording sound.My relation to the sites wasn't based on a desire to « document » but it is worth noting, however, that a « sound story », more trivial perhaps…
Open Strings: Early Virtuoso Recordings From The Middle East
'Superbly stylish in conception and packaging, it shows that small independent labels can still be an inspirational force' (Daily Telegraph); 'definitive and essential' (Brainwashed); 'stunning in its historical interest and musicianship' (Boston Phoenix); 'phenomenal and mesmerizing' (Dusted); 'one of the major phonographic salvage operations of our time' (The Wire). 'The archival finds are, without exception, phenomenal – and mesmerizing. The oud, the santour and spike fiddle dominate. There a…
Life Review (1993-2003)
The Shadow Ring formed in the seaside town of Folkestone, England in 1993. Over the course of a decade, and through eight LPs, Graham Lambkin, Darren Harris and later Tim Goss scraped out a unique musical pathway for themselves, armed with only the barest of tools. With each release the Shadow Ring presented themselves as a group in constant flux. Naive acoustic improvisations, dour bedroom sci-fi epics, cryptic D.I.Y. theatre and glacial electronic soundscapes all became fair game in the…
Desertshore/The Final Report
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …
Quit Having Fun
Amazing ambient/experimental compilation Track list: disc 1 01.  ANDREA MARUTTI - A Depressing Study in Wandering Wonders 8:43 02.  FRANGO - As Formigas Incompletas  7:30 03.  INHIBITIONISTS - Lament For D.N.  4:43 04.  ANNELIES MONSERE' - New Home  2:36 05.  ARBDESASTR - Other Floors  5:13 06.  WIZARDS TELL LIES - The Correlator  3:56 07.  LE REVE REVEILLE - L'avenir  7:48 08.  LUST - Illusions Å
Spiral I & II, Pole, Wach, Japan, Zykus,
amazing (an cheap) double CD set featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…
ØØ Void
Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of bending low end and v…