New Arrivals
The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
Uivo Zebra
When improvisers turn to electricity and imposing volume levels, the results are sometimes as intense as they are tedious, because they forget that it can quickly become a stodgy, lumbering mess that bleeds out way too soon. Not so here, as the musicians of Uivo Zebra have the experience, but also (and more importantly) the awareness that the most enduring results are found when guts, self-knowledge, shared vision and discipline are kept in rigorous balance. Which needn’t imply it becomes safe o…
Conduit
Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-sensory responses…
Swaddling Songs
Classic, highly regarded and sought after acid folk / progressive rock album. Featuring girl singers Clodagh Simonds and Alison Williams, Mellow Candle never achieved commercial success they deserved spawning a legendary psychedelic folk-rock album akin to Fairport Convention or Fotheringay. Touring to support Thin Lizzy (Simonds played on Lizzy's album Shades of a Blue Orphanage) and Horslips, the band had a short lived existence. Clodagh Simonds later went on to play again with Mike Oldfield a…
How To Destroy Angels
LP version. Includes download card. Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle).
Features: "How To Destroy Angels", the complete 23-minute piece; "How
To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John
…
African Rhythms & Blues
Classic and sought after afro jazz. Essential and hard to find album with tons of true killer afro funk breaks: First reissue of original debut LP by African jazz band “Mombasa” led by Lou Blackburn and recorded 1975 at Cornet studio in a Cologne. One of the really shining recordings in the genre - deep spiritual jazz with pulsating african rhythms, funk bass and heavy brass, including nice DJ-spins “Nairobi”, “Kenia” and “Shango”, comes with original cover artwork. Some used to call it “a strip…
4 Geomungo Sanjo Vol II
New compositions for ancient Korean instrument: the Geomungo. Follow-up to Baudouin de Jaer's highly-acclaimed Compositions for Geomungo and Gayageum (SR 373CD, 2012). Baudouin de Jaer tells... his large hands stir the air, drawing soft and assured lines, they connect distant planets and micro-particles in a space that does not exist yet. There is the encounter with the Geomungo. a traditional Korean instrument, the geomungo is an ancient table zither, an improbable association of wood and tense…
Learn To Love Solitude
The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …
Before We Were Foam We Were Unbridled Waves
Erasure of the contradiction between real and imaginary. Temporal layers are juxtaposed with different speeds, creating polyphonies of sound spectrums. The time flux is not regular or linear, it's bent."The latest dispatch from Los Angeles experimental cassette imprint Dinzu Artefacts comes from the duo De Ponti / Moretti. Their tape, Before We Were Foam We Were Unbridled Waves, is out now on its own or as part of the label’s July Batch. The clip, a live studio excerpt, provides a glimpse of the…
Clinamina
His Hubris is saxophonist Yong Yandsen and Sudarshan Chandra Kumar on electronics. The duo is a result of their prior involvement in various other performative configurations and an effort to develop the techniques employed in their craft. Drawing from standard improv conventions, they utilize a synthesis of extended techniques and live audio signal processing to expand the nature of their practice.“Saxophonist Yong Yandsen and electronic musician Sudarshan Chandra Kumar represent the small circ…
Trace Of Voices
A beautiful album of minimalist pastoralism from Japanese composer Masaya Kato, entitled Trace Of Voices. It’s piano based ambiances, with its obscure samplings, field recordings, and overall Japanesesque tones, are the perfect accompaniment to these long, relaxing mid winter evenings!Digipak version , in an edition of 150 copies.
Mellow My Mind, a Sloow Tapes discography
Chronicling the first 10 years of Sloow Tapes, Mellow My Mind gives an overview of all the tapes, broadsides, lp’s and booklets published so far. From Keijo’s desolate avant/acid folk moves to Fursaxa’s spiked organ drones with a short detour by way of Ira Cohen’s Akashic Records. Fully annotated with detailed information about the tapes, promo texts, reviews and a few texts written especially for this publication by Bart De Paepe, Matthew Parry and Louise Landes Levi.
The Horde
Transistor formed in 2009 when Franck Vigroux was performing in NYC where Ben Miller led several projects. Vigroux was in a creative transition suggesting a stripped down electro-industrial sound with the latter as lead singer. Miller had sung in many bands before but never solely as a lead singer. The new challenge was intriguing. Shows were set up with Vigroux’s sub-bass and extreme frequencies blowing more than one PA system. They struck up an overseas collaboration releasing a self-titled EP…
Swimming in Light
Double bass, bass guitar, analogue synthesizer, vibraphone, piano, percussion, field recordings.It’s the Australian composer’s 6th solo album since his debut, Ink On Paper (2008) and possibly the strongest demonstration of his innovative extended technique, deployed in two subtly contrasting yet equally hypnotic sides. Using rapid bowing technique to paradoxically generate ostensibly static, sine wave-like tones, coupled with analogue synth, vibes, piano, percussion and field recordings, Majkows…
I Hate Even Numbers
Parallel universes mangle and mash into a superheated cloud of galactic debris and non-recyclable plastic. After a slew of genre-confounding 7" releases, Our Love Will Destroy The World unravels his own history of nearly everything in this, the mere third full length offering under his world destroying moniker. Smearing the already dotty line between twinkle-toed rave music and excoriating drone cacophony, I Hate Even Numbers weighs in like a three-legged gargantuan in a one-man morris dance. Bl…
The Maadi Sessions
Limited edition of 200 copies on black vinyl. "I visited Egypt for the first time in October 2016, spending a week there, and I went back for a longer period the next February. Both times I stayed at Sara and Alberto’s place, a couple of friends who have been living in the Maadi district of Cairo for about a year. The first impact with the city and its inhabitants was definitely strong: I had trouble in defining the energy which pervades the streets 24 hours a day and the feeling of perpetual mo…
R,R,R
Recorded at Ftarri, Tokyo, 28. Limited edition, 200 copies. Lovingly recorded on acoustic guitar, his improvisations have the spiky quality associated with the elder statesman of the freely improvised guitar, as well as some John Fahey touches here and there, but Masubuchi's lines sound as though coated in oil, possessing a slipperiness and liquidity that peeks back at Japanese traditions
Poetic Infomercial Experimentalism
Poetic Infomercial Experimentalism is a musical piece, consisting of two parts, that arose after Tapage (Tijs Ham) and Espoir (Roald van Dillewijn) found that no one else had ever tried to write it before. Since they both had a strong feeling that the world would be better if this music is available for everyone, they agreed to come together in monthly sessions to start their creative work. In each session, they tried a different approach to making music which resulted in a lot of improvisation …
C6 GIG
Charles-Eric Charrier is one of those musicians for whom it is difficult to sum up the career process with just a few lines; there are curves, digressions, great jumps,doubts, daring since his beginnings with Dreta Lorelie, he has never ceased to explore new horizons, to open up to the world, to look behind the scenes, to question his music, and music in general - and thanks to all this, he has drawn the map of his inner world. We will avoid talking about rock, jazz, ambient, contemporary music,…
Framework 1-4
Murmer (Patrick McGinley) is an american-born sound, performance, and radio artist based in europe since 1996. Since then he has been building a collection of found sounds and found objects that have become the basis of all his work. In 2002 he founded Framework, an organisation that produces a weekly field recording-themed radio show, broad- and podcasting around the world. In 2005, he began working closely with the artist-run organisation MoKS in southeast Estonia, relocating there permanently…