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Le Grand Couturier debuts with a self-titled album that threads together imaginary exotica and daring contemporary experimentation. The trio crafts a distinctive palette of analog warmth, improvisational spirit, and whimsical elegance, resulting in a record that both intrigues and soothes with its lush arrangements and unpredictable textures.
Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…
Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.
Dylan Henner’s album "Star Dream FM" is an experimental ambient suite woven from choral textures, marimba, processed voice, and impressionistic electronics. Presented as a fictional radio transmission of Henner’s adolescence, its 41 minutes blend memory and invention, immersing listeners in shimmering sonic vignettes that blur the boundaries between personal nostalgia and collective dream.
Bilders' Neverlasting, released in October 2025 via Carbon and Grapefruit, is an album of literate, restlessly inventive art-rock led by New Zealand poet and songwriter Bill Direen. Blending hard psychedelia, gothic folk, and lyrical commentary on personal and planetary adversity, the record’s 15 songs showcase Direen's songwriting at once timeless and deeply rooted in the underground spirit of Aotearoa.
Tempo Livre is a collaboration between Pedro Tavares (funcionário) and Luís Neto, where progressive rock, ambient folk, experimental electronics, and pop intertwine in compositions that explore themes of memory, fear, and transformation. The album Terra Nova is a sonic journey divided into nine tracks that drift between ethereal passages and rhythmic explosions, where the delicacy of traditional acoustic instruments like santur, nyckelharpa, and duduk contrasts with eclectic drums, elastic bassl…
You Need This!: “World Jazz Grooves Volume 2” is a double LP/CD/digital compilation curated by Jean-Claude and Victor Kiswell for BBE, released October 3, 2025. Traversing jazz experiments from Denmark, France, Brazil, Canada, USA, and Jamaica, the album uncovers rare and unreleased tracks, including contributions from Mary Lou Williams, Dadje, Cedric Brooks, John Tchicai, and Kahil El’Zabar, revealing a deeply international, cross-genre approach that celebrates the global diversity of jazz.
Black Industrial Research Group delivers a limited edition self-titled 12" vinyl, handmade and numbered in an edition of just 100 copies, released in conjunction with live shows in London, Bristol, and Cardiff during November 2025. This rare artifact anticipates an extensive box set featuring original works by Dubmorphology, Klein, Nkisi, and Kodwo Eshun, further consolidating the project’s singular approach within the experimental industrial landscape.
Isabella Gellis’s The Dissolute Society Comprised of All Sorts is a formidable debut for solo piano, performed by Joseph Havlat. Drawing inspiration from Biber’s baroque suite and cannibalizing its gestures, Gellis interweaves the surreal, the silly, and the tactile, forming a musical tapestry that refracts historical tradition through a vividly modern, sometimes absurd lens.
Benjamin Tassie’s Earth of the Slumbering and Liquid Trees is an immersive 70-minute composition featuring performances by Zubin Kanga on keyboards, blending sampled historic organs, analogue synthesizers, and real-time digital processing. The work, part of the ‘Cyborg Soloists’ research project, was recorded live in Amsterdam and surrounds listeners with a multi-layered soundscape exploring themes of ritual, memory, and environmental transformation.
Theo Alexander’s Stable Processes with Slow Ornaments, released by Flung Records in 2025, is a 36-minute single-movement work for viola, bass clarinet, and eight tape players. The composition fuses acoustic and electronic textures, unspooling as a patient meditation on resonance, memory, and the slow shifts of sound in space.
Eden Lonsdale’s Clear and Stormy Horizons is a contemporary chamber mini-album released in 2025, featuring five compositions that drift between melancholy, tension, and delicate lyricism. Written and recorded during lockdown, these works showcase Lonsdale’s evocative use of varied instrumentation and emotional clarity, marking another intriguing chapter in UK-based new music.
Refracting beatifically through realities and mirages flickering along his aural parade route, Animal Collective’s Geologist rides the high country on a hurdy gurdy of many colours. Via the mystery science of musical engagement, we take his sonic kaleidoscope of encounters into our own experience as we listen. That’s the beauty of Can I Get a Pack of Camel Lights?, the debut solo transmission of the heart and soul and life and times of Geologist.
H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
The genealogy of Céleste Boursier-Mougenot's aquatic, immersive, multisensory installation, developed in over twenty versions over thirty years. Clinamen is published on the occasion of the installation of a monumental version of Céleste Boursier-Mougenot's work in the Rotonde of the Bourse de Commerce – Pinault Collection during Summer 2025. "These blue islets, their surface dotted with floating white porcelaine emispheres, like the atoms of an endlessly renewed musical form - drifting, collidi…
Moriuo Agata's “Submarine” and ‘Airplane’ from the 1980 landmark masterpiece and globally significant work “Illustrated Guide to Vehicles” are released as a single! Side A features the Joy Division-esque classic “Submarine,” while Side B is “Airplane,” which uses a collage of Inagaki Ashihō's actual voice as its intro. Released as a single for the first time in its 42nd year.
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
Ghost Story, by Ron Geesin, is a previously unreleased, wildly inventive soundtrack to Stephen Weeks’ cult British horror film of 1974. Blending traditional folk motifs, modern electronic experimentation, and eccentric studio craft, Geesin’s score is at once haunting, playful, and profoundly original - characterized by spectral atmospheres and surreal sonic storytelling.
The Birds of Marsville, the seventeenth album from Friendly Rich, is a whimsical and experimental sound guide to 76 imaginary birds inhabiting the fictional island of Marsville. Featuring orchestrion, chamber ensemble, and a playful mix of genres, the work brings together carnivalesque sonorities, witty narratives, and a centuries-spanning tradition of birdsong composition.