New Arrivals
In My Dreams
In My Dreams brings Bill Frisell together with a circle of long-time collaborators for a rare sextet performance. Featuring Jenny Scheinman (violin), Eyvind Kang (viola), Hank Roberts (cello), Thomas Morgan (bass), and Rudy Royston (drums), the album captures musicians whose connections stretch back decades, now meeting in this configuration for the first time.
Moving freely across Frisell originals alongside jazz and Americana standards, the group plays with an ease born of familiarity and mutu…
Blackpool Cool
Head’s Blackpool Cool was self-released in 1977 on the band’s own Head Records, marking the Scottish group’s third and final album. Long prized by collectors, it stands as a distinctive entry in UK jazz-rock and fusion, driven by an inventive interplay of trumpet and keyboards and a sharp, forward-moving sense of rhythm.
Influenced by the exploratory edge of groups such as Nucleus, the album showcases the band’s creative confidence and the multi-instrumental talents of John Davies. The sound is …
Never Let It End
Jazz enthusiasts rejoice: the legendary Never Let It End by Albert Mangelsdorff Quartet, a seminal 1970 album hailed as one of the most important in the European jazz canon, receives a fresh vinyl pressing from MPS Records. Originally recorded on March 23, 1970, at Walldorf Studio in Frankfurt under producer Joachim Ernst Berendt, this free jazz masterpiece captures Mangelsdorff's innovative trombone mastery alongside Heinz Sauer on saxophones, Günter Lenz on bass, and Ralf Hübner on drums.
The…
Am I Conscious Now ?
You will be aware of the work of James McKeown and his Hawksmoor project. A catalogue of 13 significant and substantial records made in less than a decade. James can be said to be operating in the realm of ambient music. There are song structures and often beautiful melodies deployed - and more often than you might expect. He can be psycho-geographical, and woozily hauntological at times. There are shades of Eno, Tangerine Dream, Cluster and Michael Rother - but nothing is ever copied. It's deta…
Sweet Sister Funk
Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s…
Expreso Ritmico
Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies. Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library m…
Touching Your Feelings (LP)
We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow west coast …
The Gaia II Space Corps
Motorpsycho has always been of the opinion that the most interesting stuff happens in any art form before it is formatted and settled. In rock music, this phenomenon peaked in and around 1970, and it is in this period that the best heavy music was made, simply because the rules weren’t set, there were not ropes yet, and there were no clichés to fall back on.
The Gaia ll Space Corps is an album of tunes that don’t quite sound like heavy metal or hard rock, but clearly is reaching for some of the …
kdi dctb 295 {e} — Le Libre
*170 copies limited edition* "It was looking at the map—in 2013—that led me to the Libre Valley. The name itself, "Le Libre" is rather unusual and certainly catches the eye. The map also reveals large, uninhabited areas far from transportation routes—particularly the entire area between St-Martin-des-Puits and Villerouge-Termenès—rocky, arid regions where the ruins of old sheepfolds can still be found, and even a chapel perched atop a hill.
I had just finished my work on the Taurion River — kdi…
LIve at Oblicuo #2
Live at Obliquo, recorded in october 2025. This performance by nara is neus has been taking listeners to their different but indeed so close intimate worlds. The tracks in this album are not so straight anti climax textures evolving into some kind of emotional noise that stays well beyond your spleen and ideal.
The Sound Leaves
"The Sound Leaves" began as an interactive sound performance and installation based around humans’ impact on the environment and how that impact is altering the sonic landscape of our world. As ecosystems change due to climate collapse, the sound of those ecosystems changes too. "The Sound Leaves" used an amplified collection of autumn leaves to encourage participants to listen closely to how their actions alter the sounds of the fallen leaves by walking on and through them for a period of time.…
Pendulum
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. They were subsequently sent to Japan for mixing. Then, back to California, and then to Australia, where the final designs for the artwork were created. The final version was then multiplied and spread all over the world until it reached your ears, the…
Ipotesi
*60 copies limited edition*
All tracks composed / edited and mixed by Lorenzo Abattoir and Federico Dal Pozzo, September 2024
Sound samples by Michelle Anelli (Double Bass on track 2),Mauro Sambo (Saxophone on track 4),Riccardo La Foresta (Drums on track 5).
Millesuoni
In Millesuoni, Deleuze Guattari e la musica elettronica (2008), Emanuele Quinz distills some of the key ideas on the nature of sound formulated by Deleuze and Guattari over the course of their work. Central among them is the dynamic of territorialization and deterritorialization—a strategy of appropriation and subsequent release, activated in the alternation between refrain and music.
A child humming alone to ward off the fear of the dark is engaging in a process of territorialization, marking a…
Automation Studies Volume 1
This triple disc release documents Stefan Goldmann's earliest electroacoustic works. These clear-cut algorithmic compositions, mostly created between 1999 and 2001, were built entirely with the TC Fireworx processor's internal synthesizer and effects. Generated and recorded anew for this release with the original programs, a central component of Stefan Goldmann's sound aesthetic is revisited and becomes available in pure form for the first time. His proprietary Fireworx algorithms feature pr…
Follie del Divino Spirito Santo
Huge Tip! Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussotti, Pietro G…
Rex
*350 copies limited edition* Rex is a solo cello record written and recorded while I’ve been living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed for acoustic and electric cello, the record reflects the solitude and intensity that shaped both Brasher’s vision and my own process. Rex is not a portrait, but an echo—of a person, a place, and a way of seeing the world. Thank you to Matthew, Munawar, Cynthia & the RBA for…
PRN2_M15t
NYZ (David Burraston) presents this collection of generative music pieces carefully extracted from a PreenFM2 gifted to him by Aphex Twin. PRN2_M15t is being released at the same time as an LP titledStria from Dr. John Chowning who invented the original FM synthesis algorithms which were sold to Yamaha and used in the creation of the DX series of keyboards. An interview with Chowning, conducted by David Burraston, will be published at the same time.
David Burraston is an award winning artist/sci…
Oda
Vic Bang's "Oda" arrives quietly - it was waiting for the right moment. The eight tracks are shaped by listening, by circling around sound instead of chasing it... you can definitely hear patience in the pacing, a willingness to let ideas linger, to let all the small motifs breathe.
The album moves with a softer and more deliberate rhythm than much of Vic's earlier work, as the sound world here feels concentrated and cohesive, built from a limited set of elements that gradually reveal themselves…
Tsuki?
Kin Gajo is a Brussels based electro-acoustic jazz trio drawing inspiration on the one hand from J Dilla and Flying Lotus, and on the other from the sound of British jazz artists such as The Comet Is Coming, Yusef Dayes, and Alfa Mist. With their atypical instrumentation-accordion, saxophone, and drums-the trio has developed a sound entirely of their own, with the accordion often resembling a heavy analog synthesizer.
DJ and producer Lefto featured Kin Gajo on his compilation Lefto Presents Jazz…