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Wewantsounds is delighted to announce the release of Akiko Yano's cult 1979 album 7 O'Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the…
An Index of Metals, Fausto Romitelli’s final work, is an ecstatic ritual of sound, light, and image—a multimedia opera that fuses electronic music, psychedelic ecstasy, and brutal-poetic texts into an intoxicating sensory flood. Blending techno, pop art, noise, and spectralism, Romitelli propels music theatre into a hallucinatory present: metallic, eruptive, rebellious. The voice is distorted, the image disintegrates, sound becomes palpable material. In this uncompromising fusion of composition,…
Just a few weeks back in a packed-full railway arch deep in South London, Jemima played their debut show and the moment seemed too good not to capture. Their gently lapping, invertedly melancholic sound is instantly recognisable from the first touch of the strings, although now songs, sketches and fragments from the album are elongate to have further room to breathe. Like finding a place of quiet refuge amidst the increasing urban chaos, these two extended live sets lower the pace for an ephemer…
Edition of 50 copies. A magical reading from Marilyn Stablein’s recent book Tantric Song Lines: A Hybrid Sutra (Shivastan Press, 2024) which is derived from an ongoing series of poetic spoken, chanted, written and visual narratives that document and celebrate a seven year sojourn in and around the Himalayas to honor cultural, historical, ritual, geographical, environmental and time and place based encounters with people, animals, habitats, myths and spirits who populate those off the grid ancien…
2025 Stock. French pianist and composer Melaine Dalibert (b. 1979) presents Magic Square, an eight-track suite that synthesizes algorithmic composition with contemplative performance. A professor at Rennes Conservatory and member of Ensemble 0, Dalibert applies mathematical sequences to piano composition, creating works that challenge conventional temporal perception.
Trained at the Paris Superior Conservatoire, Dalibert has established himself as an advocate for minimalist and experimental repe…
Jazz drumming legend Chico Hamilton fundamentally reimagined his sound in 1961, assembling a groundbreaking quintet that would define a new chapter in modern jazz. WaxTime now presents "Drumfusion", the inaugural album from this revolutionary lineup, in a limited edition 180g audiophile pressing with rare bonus material.
Hamilton's revamped group featured future stars Charles Lloyd on tenor saxophone, Gábor Szabó on guitar, Garnett Brown (later replaced by George Bohanon) on trombone, and Albert…
2025 stock. Comes with four page, 12" square insert containing liner notes, lyrics and songwriting credits. The haunting voice that would later grace Fairport Convention, Fotheringay, and Election emerges in pristine clarity on "Overlander", Trevor Lucas' long-lost 1966 solo debut, now receiving its first official reissue through Earth Recordings.
This Australian-born folk legend's earliest statement captures him at his most intimate – weaving original compositions with carefully chosen covers i…
*200 copies limited edition* Overmacht means "force majeure"—a concept that perfectly captures the essence of the electronic music duo of María Pandiello and Jacco Gardner. It represents the uncontrollable forces that shape musical improvisation,where sound unfolds in response to the moment. At its core, Overmacht is musical dialogue with the unexpected, the accidental, and the fragile nature of creation.
“Magonia” is a debut album that blends playful precision with emotional depth, it's about d…
This piece is the newest element in the ongoing Garden Of Instruments project which began in 1997 with Second Site.Since then the project has expanded to include sound, writings, video, virtual photography, printmaking, light-boxes, installations and lenticulars. The new piece, which at one hour and twenty-five minutes is broken across two CDs, further explores the astronomical/architectural phenomena of the Janta Manta instruments. To me they have always stood as monuments that collapse the ill…
Vocalist and songwriter Laura Ann Singh presents her new album Mean Reds, a deeply personal and sonically expansive project that traverses jazz, folk, and global influences with fearless honesty. Known for her evocative voice and ability to blur genre boundaries, Singh brings listeners into an intimate conversation about vulnerability, resilience, and the beauty that can emerge from darker emotional landscapes.
Mean Reds captures a spectrum of moods—from haunting ballads drenched in longing to…
fft_Materialism is a new series curated by Riforma. The projects and subjects involved are invited to reflect on their use of the Fourier Transform algorithms. Can a mathematical formula be considered a living being? What are the relationships between non-human and human entities? Is it possible to expand human narratives understanding the intra-actions within the digital realm? These and other questions are part of an investigation which dresses the shapes of experimental music, in a playful hy…
Often dark, sometimes repetitive or experimental, sometimes rhythmical and exotic, always based on emotion inducted by the Sound. One could define it as dark age music (as opposite to new age music), a sort of minimal come back to the roots and purity of acoustic sound without the cultural background linked to the 'academic' use of some instruments (for example African senzas are transformed and tuned to sound like Indonesian instruments, sitar or harmonium are used as rhythmical instruments, va…
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
Adding to their already singular catalog of releases, Three:Four Records returns with Carnaval 2, a stunning new work by the composer Alessandro Bosetti, performed by pianist Reinier van Houdt. A vividly conceptual and post-modern hybrid, reinterpreting Robert Schumann's Carnaval as a radically reconsidered series of piano and electro-acoustic interludes - forcing the sensibilities and aesthetics of 19th Century chamber music to coexist with those of avant-garde - it's easily one of the singular…
Joseph Holbrooke was a legendary all-star ensemble from the mid Sixties dedicated to free improvisation. Comprising three of the most acclaimed virtuosos from the first generation of British improvisers—Bailey, Bryars, and Oxley—little has been released, but they briefly reformed in 1998 and the studio recordings from that period were made available in 2006 on Tzadik as The Moat Recordings. Last Live 2001 is exactly that—their last live concert ever! Recorded in Antwerp in January of 2001, the e…
Having written and sung in five languages on 2020’s “Uva Ursi”, Urs Graf Consort return to Italian for “Fireproof Sweat”, a record of irresistible charm, innovation and existential lyricism. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and Félix Fénéon specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, ques…
Web Wide World is proud to announce the release of Web Wide World 1.5 game OST, a new collaborative album by sound artist Aliyah Hussain and visual artist/musician John Powell-Jones. Expanding on the sonic universe first created for the Web Wide World project, this soundtrack immerses listeners in a hybrid world where experimental electronics, playful melodies, and immersive sound design converge.
Composed as the audio backdrop to the evolving Web Wide World game experience, the album shifts b…
Is it possible for an instrument to be cursed? Every sound on 'Horns of Death' comes from a replica fox-hunting horn bought online. The album is an open-ended investigation of this replica, exploring how a copy of a tool designed for a specific function could act as an instrument when misused and removed from its intended role. Recorded in a bedroom in a small flat in south-east London then squeezed into a computer, for some tracks the horn is (literally) pulled apart to find what other sound so…
'Engine Songs' is the latest album of improvisations by the duo of Tara Cunningham & Caius Williams, after the release of 'Demo's' in 2022. The album is rich with the harmonics and fluttering oscillations of detuned strings, layered over sprawling textural effects that poke out at moments and shift focus in an instant. They're able to move between tones and dynamics in a way I'd quite happily listen to endlessly - It's exciting to listen to. The album was recorded and mixed by Caius Williams and…
Artist, composer and researcher Max Syedtollan arrives on bison with 34 minutes of merrie-making madness, written for a parade-performance by basketmaker Lewis Prosser and informed by the tradition of masked mummer’s theatre. Written to be blasted off the back of a lorry, ‘Prynhawn Da!’ accompanied a troupe of huge wicker figures - Parsnabler o Grog, Vogum Gertlin, The Woman with The Big Head and Goyle Cornett - as they paraded down the streets of Newtown, Swansea, Cardiff and Caernarfon as part…