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Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.
On Yet Another Spring, Michael Garrick enlarges his sacred-jazz universe into a full-scale orchestral meditation on birth, loss, and renewal. Scored for the Michael Garrick Jazz Orchestra with recurring features for Norma Winstone, the 2006 suite moves from intimate prayer to blazing big-band catharsis, treating the life cycle as both liturgy and drama.
Inspirations finds Michael Garrick turning inward with his New Quartet, distilling a lifetime of big ideas into melodic, small-group conversation. Recorded in 2006, it honours John Coltrane’s legacy without mimicry, letting Garrick, Martin Hathaway, Paul Moylan, and Alan Jackson reimagine spiritual intensity as supple, lyrical post-bop.
On Children of Time, Michael Garrick stretches his sacred-jazz imagination into cosmic scale, writing for the Jazz Britannia Orchestra and reuniting with vocalist Norma Winstone to explore creation myths, Eucharistic ritual, and his own visionary texts. The result is a 2006 suite that feels like a liturgy drifting through deep space, turning theology into glowing, unsettled sound.
With Jazz Praises at St. Paul's, Michael Garrick welds liturgical grandeur to jazz improvisation, conjuring an atmosphere as reverent as it is free. Featuring the Michael Garrick Sextet, John Marshall, and the St. Paul’s Cathedral Choir, this 2005 release radiates both spiritual inquiry and creative boldness, transcending boundary with every motif.
By no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert …
*40 copies limited edition* Nazlo Records proudly presents Cras, the latest tape release by the enigmatic experimental artist Pakhom. Known for pushing the boundaries of sound and texture, Pakhom dives deep into immersive sonic landscapes with this captivating work. "Cras" weaves layers of spoken word, haunting melodies, and visceral atmospheres, embodying the spirit of nomadic experimentalism that defines Nazlo Records.
Recorded and released in limited edition tape format, "Cras" invites listen…
*2025 stock* Following the immensely successful and profitable School Girl Report movies producer Wolf C. Hartwig could afford a much bigger international production: Steiner – Cross of Iron, based on a World War II novel, should be directed by none other than Sam Peckinpah. The music was supposed to come from the pen of Peter Thomas. Unfortunately, the two did not get along (interview with Peter Thomas in “Der Filmkomponist Peter Thomas” by Gerd Naumann, 2009 ibidem Verlag). In the end, the Ame…
Collision Drive is Alan Vega's second solo studio album, originally released in 1981. If his debut laid the groundwork for a raw, minimalist take on rockabilly and blues, Collision Drive expands the palette with a grittier, more layered, and unfiltered energy. Here Vega's lyrics channel universal themes rooted in his fascination with street life, science fiction, politics, comics, love and the mysteries of the universe. It's a record that pulses with feeling and rebellion, displaying the full sp…
Alan Vega's self-titled debut solo album, originally released in 1980, marked a bold new chapter for one of New York's most influential and uncompromising voices. On his solo debut, Vega dove headfirst into the roots of his personal sound, fueled by blues, rockabilly, and his enduring love for Elvis Presley. Stripped of Suicide's confrontational electronics but retaining Vega's outsider energy and voice, the album translates early rock `n roll through an art-punk filter and stands as a cult mast…
Alan Vega's self-titled debut solo album was released in 1980 during the same period Suicide released their second album, Suicide: Alan Vega and Martin Rev. While Suicide's label ZE Records was interested in pushing the duo toward a synthetic disco sound inspired by Moroder's production on Donna Summer's "I Feel Love," Vega felt a pull in a different direction. He wanted to dig deeper into the roots of his own sonic identity, fueled by blues, rockabilly, early rock n roll, and his enduring love …
Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.
With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tones of electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience. The project album Ancient Moment mark…
Zach Tenorio invites listeners on an immersive auditory adventure with his latest release, Field Trip. This captivating album showcases a rich tapestry of sound, blending ambient textures, intricate rhythms, and evocative melodies that transport the audience through vivid emotional landscapes. Field Trip exemplifies Zach Tenorio’s innovative approach to music production, where organic elements seamlessly merge with electronic flourishes. Each track unfolds with a cinematic quality, encouraging l…
*100 copies limited edition* "Will and I have been playing together for a very long time and in a lot of very different contexts. Our musical history goes back to playing basements and art galleries in Providence in 2008, wanders through a years-long informal residency playing as a sax and guitar duo in Bushwick and Ridgewood, and brings us up to just last week when Will joined Taper’s Choice at a sold out Brooklyn Bowl to celebrate Relix Magazine’s 50th anniversary—more on that again later. In …
Following years of activity in the UK scene and beyond, and a debut tape in 2020 on don't drone alone, Rekem is proud to present the new release by Leeds based artist, Helen Papaioannou.
Kar Pouzi is Helen Papaioannou’s solo project of electronics, baritone saxophone and vocals. Best Wishes, spans the past two-three years of Kar Pouzi’s output, featuring both longer standing pieces from her live sets alongside new tracks. The album reflects Kar Pouzi’s fascination with repetitive tasks, sounds, …