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The debut LP from eccentric ambient-psych pair Sherri West and Taylor Clark was recorded at a self-described "mountain fortress" in California, despite the couple generally residing in Tulsa, Oklahoma. And like their disparate locations, the duo dabbles in varying forms of weirdness, from the amateurish, Deerhoof-esque racket of opener "I Am A Pony" to the dreamier blips and bleeps of songs like "Particles," which evoke a Hawaiian vacation as narrated by Rod Serling. LAVA CHILDREN strikes a uniq…
LP version. Sub Rosa presents this cult album that has not been available in years. Re-released with new artwork, this is the 1980 version of Symphonie Pour Le Jour Où Brûleront Les Cités (the original version was released in 1976 and was later re-recorded). Pioneering Rock In Opposition filled with clashing percussion, frenetic orchestral motifs and apocalyptic brass. Not for the squeamish. It features the line-up of Thierry Zaboïtzeff (cello), Alain Eckert (guitar), Gilles Renard (saxoph…
Strictly limited edition on vinyl: Listen through Sir Richard Bishop’s six readily available solo albums, and you get the picture that the worldview of the former Sun City Girls’ guitarist is not only complex, but also more than a little ambiguous. What exactly is Richard Bishop? A dealer in the exotic? A dabbler in esoteric mysticism? A “traveling salesman”? The Freak of Araby doesn’t make Bishop’s worldview any simpler for us, but it does clarify it some. He is, first and foremost, a traveler,…
A new collection of killer, tempered synthesizer workouts from Darren Ho on Spectrum Spools. The seven tracks featured have are have the kind of fragile beauty - and playfulness - that we associate with the early electronic music of Wendy Carlos, Daphne Oram, Raymond Scott and their ilk. There's a strong narrative arc to the album, but each track explores distinct territory: 'Slow Sum' parts one and two' are playful agglomerations of phased analogue patterns, 'In Peru' a Budd/Roedelius-style amb…
The Parasites of the Western World are a band from Portland, OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail it's loud excursions for the…
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electronic glitch and bits of buzz in general. The contrast between downcast guitar playing and the physical claustrophobia-inducing weight of sound is equally perplexing and intriguing. It's all presented in a decidedly lo-fi environment but the sound constr…
12" version. Certainly not a group to rest on their laurels (especially difficult when they have new songs burning a hole in their collective back pockets), Deerhunter delivers five new tracks on this extended play. This is not some stop-gap release between albums, or mere leftovers from their most recent Microcastle album, but an all new session. The band loves the EP format and thinks it does not get the respect it deserves. Hell, some bands arguably work best in the EP format, think Cocteau T…
2015 Repress. The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalis…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests…
When Chris Corsano turned 6 years old, I already begged him on my wounded knees to record an LP for Ultra eczema. He played it cool, was clearly annoyed but remained polite. From then on (he is now 46) I would email him the same question daily. I slept in a tent in front of his house, sent him letters every week, had all his different cell phone numbers, I even gave him new clothes, though he kept wearing his fully blue outfit. Much like Michael Jackson, corsano, the last drummer on earth, alway…
"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the pre…
“The revered beard brandishes pick ‘n’ mix. Carrion Hut collects five very different pieces recorded between 2003 and 2007. “The Frosted Growth” finds Nyoukis in Dubbletwee mode, snarling and barking at his multitracked self. While on the side-long “Late Night Vocal Gravy”, Nyoukis is at his most composerly. The real diamond, though, is the text piece “Strange New Ache”, originally written for Inside Wino Lodge but left off the final cut. The text – read out loud, inverted and mangled, by…
Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…
What's been described as a trumpet player trapped in a two dimensional universe is in fact the unique work of Justice Yeldham (aka Lucas Abela), a maverick musician with an unhealthy obsession with sheets of broken glass. In his infamous show that has astonished and bemused countless people in over 40 countries, yeldham ecstatically purses his lips against sheets of amplified glass whilst deftly employing various vocal techniques ranging from throat singing to raspberries, turning discarde…
Upon setting out to score the music for the play Englaborn by Havar Sigurjonsson, Johann Johannsson, co-founder of the Icelandic arts organisation Kitchen Motors, came upon a text by the Latin poet Catullus which roughly translates as, I hate and I love. Why do I do it, you might ask? I dont know, but I feel it happening to me, and it's tearing me apart. This poem concisely bridges the emotional opposites which clashed within the play itself. As the play's content was extremely violent and distu…