New Arrivals
Spaces Speak, are You Listening?: Experiencing Aural Architectur
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relation…
Exposition of Music
In 1963, Nam June Paik created a new genre of exhibition with his first solo show, The Exposition of Electronic Music-Electronic Television at Galerie Parnass in Wuppertal, West Germany. Fresh from his studies with John Cage and Karlheinz Stockhausen, and already a Fluxus veteran, Paik created a disorienting environment that foreshadowed much of what was to come in the 1960s: visitors, greeted at the entrance by a freshly slaughtered ox head, were not only confronted with the newness of the elec…
See this Sound. Audiovisuology
A totally essential real sound art bible, 452 pages! A companion volume to 2009's See This Sound, this all-embracing compendium brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific …
Noisers
Tracce, percorsi e geografie del nuovo rumore USA: All’alba dei 2000, l’universo delle musiche indipendenti americane è stato invaso da un’inattesa, temibile generazione di estremisti sonici. Nomi come Black Dice, Wolf Eyes, Lightning Bolt, sono solo la punta dell’iceberg di un movimento ramificato all’inverosimile, tra discografie in cdr, festival, fumetti, performance, concerti negli scantinati e inattese canonizzazioni mainstream. In queste pagine si raccontano le storie, i protagonisti, i lu…
N°2
bilingual edition (English / French). 21 x 27 cm (softcover). 144 pages (color & b/w ill.)Second issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history, around the problematics of voice and oralness. Featuring: monographs (Anthony McCall, Vittorio Santoro, Loreto Troncoso Martinez, Benjamin Seror, Anna Barham), analysis (Radiotopia by Manuel Cirauqui, From verbivoco-visual poetry to the spatial…
Surface Tension Supplement No. 1
Edited by Ken Ehrlich and Brandon LaBelle. Essays by Jennifer Gabrys, Robin Wilson, Michael Rakowitz, Claudine Isé, Octavio Camargo, Kathy Battista, Brandon Lattu, Simparch, e-Xplo, James O'Leary, Kristin Kreider, et al. 'Following the success of Surface Tension: Problematics of Site, Surface Tension: Supplement No. 1 presents contemporary site-based practices in art, architecture and performance through writing, documentation and projects. It offers readers a string of moments when artist…
Issue 6. September 2012
the sixth issue in a series of monthly magazines collecting activities and changes in general.Every visit to antwerp by the icelandic showmaster Sigtryggur Berg Sigmarsson in the last few years has been spiced by up and down outbursts of colaborative drawing sessions.This issue of mss meesterd collects over 200 colab drawings by dennis tyfus and sigtryggur Berg sigmarsson, which were done in 2 days! this issue is way thicker than the other issues of mss meesterd, it's printed on newspaper paper …
Issue 10. January 2013
the tenth issue in a series of monthly magazines collecting activities and changes in general! MSS MEESTERD issue 10 was made in Vienna and on the Rigi mountain in Swiss during the end of last year, it collects mostly landscape drawings i've made in the mountains, or at least on top of one mountain, covered in snow and in snot. it possesses a rather frozen feel over all, printed mostly in deep blue on jan matthé's risograph machine! 20 pages, limited to 120 copies" (label info)
Scultori di suono
"Scultori di suono: percorsi nella sperimentazione musicale contemporanea" raccoglie una serie di percorsi attraverso i grandi cambiamenti avvenuti nella sperimentazione non ortodossa e nel modo di fare e di pensare il suono negli anni Novanta: la glitch music e la rivoluzione ‘riduzionista’, i primi segnali di ‘dissenso’, il ritorno della melodia, il rapporto tra suono e spazio, le poetiche della frammentazione, della decadenza, della memoria."Scultori di suono" comprises a number of paths thro…
Issue 4. July 2012
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
26 September 2007
Arthur is back! "On the cover: Born Again! A talk with Becky Stark of Lavender Diamond. Features: One Man, Goofing Off: Journalist Joel Rose visits 80-year-old Zen humorist/media innovator Henry Jacobs. Plus, an appreciation of Jacobs' radio and TV work by filmmaker Mike Mills; Scream At The Sky: 'Bull Tongue' columnists Thurston Moore & Byron Coley have an audience with Yoko Ono. Discussed: The Peace industry, Fluxus, Sarah Lawrence and her life/art before Lennon. Plus: 'Yoko Tanka,' a r…
The Cloud of Unknowing
For fans of acoustic guitar music, James Blackshaw's The Cloud of Unknowing is a gift that's long overdue. Blackshaw's fourth album gracefully glides over the same sonic ground that his contemporaries generally tread with reverential obedience or dilettante tactics. Growing into his prodigious own at the relatively young age of 25, Blackshaw has finessed his 12-string acoustic guitar into a veritable solo symphony that's as schooled in uncommon beauty as it is in complex 20th century composition…
Chimeric
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …
Instance
Thembi Soddell's second solo release continues her exploration of dynamics, abstracting various sound sources, from field recordings to instrument textures, into sonic interpretations of her dreams.
For Adolphe Sax
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…
Soil Creatures
The name under which Melbourne singer, songwriter and multi-instrumentalist Paddy Mann records and performs, Grand Salvo has quietly and unassumingly developed a body of work that has inspired both hardcore devotion and more recently, wider recognition, stemming from his previous album, Death. The ambitious fairytale orchestration received rave reviews from all over the country. With Soil Creatures, Grand Salvo has returned with no less scope but sits within quieter surroundings. This gorgeous s…
Fire And Frost Pattern
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
Close Up
With the saxophonist player Bertrand Gauguet, the trumpet player Franz Hautzinger and the analogue synthesizer player Thomas Lehn, this is a trio with three european musicians who are invested in the improv and new music. Gauguet-Hautzinger-Lehn works to surimpose different sonic spaces : acoustic, amplified, natural or electronic, works to build temporal structures or architectures and works to generate the modulations of an open and combinatory 'chamber music'.
Serpentement
The very old catfish, covered in moss, that live in the depths of the lake, never go up towards daylight and disdain any bait that nature offers them.They are only attracted by the oddest shapes that fishermen can invent, shiny and silvery blades in the shape of a human hand that, attached to their line, dance a jig; or also a bat made of red glass with hooks treacherously sewn inside their wings'. G.Meyrink. Instruments: mechanical metronome with bell, harmonica reeds, six string banjo, amps, m…
Vessel
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.' Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands. For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …