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Natural World by Laurence Crane offers an expansive and quietly subversive study in sonic ecology, blending piano, soprano, and field recordings. Written for Juliet Fraser and Mark Knoop, the piece unfolds over three movements, combining encyclopedic…
The Pankow-Park Sessions Vol.1 is a striking documentation of collaboration between Ernstalbrecht Stiebler and Tilman Kanitz, offering a series of works that blur distinctions between composition and improvisation in an acoustic setting. These record…
Adjacent Sound positions Gabriel Paiuk as a composer attuned to the phenomena of perception, proximity, and the thresholds where listening itself becomes the subject. Rather than presenting a collection of isolated pieces, the album unfolds as a unif…
Discreet Angel brings to light the uniquely understated voice of Mark Ellestad, gathering three chamber works composed between the late 1980s and early 1990s. What unifies the album is its atmosphere of meditative quiet and fragile resilience, qualit…
With Hlaholika, Adrian Democ offers a collection of chamber pieces unified by a focus on stillness and the unhurried unfolding of sound. Rather than chasing after overt drama, Democ’s writing reveals itself through the subtle layering of sonorities a…
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. …
Unfurling introduces a trio where established voices in contemporary experimental music - Angharad Davies, Klaus Lang, and Anton Lukoszevieze - are brought together in an environment shaped as much by deep listening as by compositional foresight. Bor…
UK ensemble Apartment House performs two landmark works for the same instrumentation of violin, cello, clarinet and piano: Olivier Messiaen's Quatuor pour la fin du temps (1941) and Toronto based composer Linda Catlin Smith's Among the Tarnished Star…
Oltreorme stands apart in Osvaldo Coluccino's chamber output—a suite performed entirely using acoustic objects, with no conventional musical instruments. Created between August and December 2012 and recorded in the composer’s own Italian home, the fo…