We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Library music operated by contract: titles that described a setting, tracks short enough to cut and paste, music made fast and under budget. Ugo Busoni's Valvole, originally released in 1975 on the Nuova Idea label, followed those rules on paper - and then proceeded to ignore most of them in practice. Reissued for the first time on vinyl by Musica Per Immagini, in a limited edition of 500 copies with new artwork, it is one of the more genuinely peculiar records to emerge from that world.
The tra…
By 1982, the partnership between director Bruno Corbucci and actor Tomas Milian had produced one of Italian popular cinema's most beloved characters: Nico Giraldi, the fast-talking, slang-hurling Roman inspector whose misadventures anchored the so-called "delitti" series. Delitto Sull'Autostrada was its third chapter - and Franco Micalizzi, who had been the series' musical voice from the start, returned to take it somewhere new. Musica Per Immagini's reissue is its first ever appearance on vinyl…
The incomparable Piero Umiliani (under his mysterious Moggi moniker) weighs in with another killer library gem of 1979. “News! News! News!” was originally released in few copies on the small imprint Sound Work Shop, both label and recording studio owned by the cult maestro. Musica Per Immagini gave another chance to its eleven amazing electronic and jazz tracks played by some of the best musicians who took part in the golden age of Italian music libraries. This sought-after album is the way the …
**300 copies** By the time the 1980s rolled around, most of the old guard had either hung up their saxophones or sold their souls to the synthesizer in ways that made you want to weep into your Campari. Not Sandro Brugnolini. The man who'd spent the late '50s channeling Miles Davis through the smoke-filled clubs of Rome with the Modern Jazz Gang, who'd scored jungle goddesses and naked panthers for Ruggero Deodato, who'd descended into the psych-fuzz inferno of Underground and Overground when th…
Where Il Mare descends - darker, more electronic, built around the alien geometry of deep water - Mare Romantico stays closer to the surface. Originally released in 1974 on the obscure Pretty label in a pressing so small it had effectively vanished by the time anyone thought to look for it, this is the second volume in Sonor Music Editions' aquatic library triptych: seventeen tracks of analogue synthesizer and electronic lounge, recorded for TV sea documentaries in Amedeo Tommasi's own studio. L…
Ten tracks, one subject. Edmondo Giuliani's Il Mare: Musica Con Strumenti Elettronici was originally conceived in 1972 as the score for an obscure sea documentary, recorded in Amedeo Tommasi's own studio and issued on the near-invisible micro-label Dischi Egede as part of a library series titled "Brani Per Sonorizzazione". The brief couldn't have been simpler - music for the sea - and what emerged from it is one of the more singular electronic records of the Italian library era. Sonor Music Edit…