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*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
*2024 stock* Elliott Schwartz plays four of his compositions for solo piano and pre-recorded tape, a project that remains "a continuing attempt to enhance, expand, obscure, develop or otherwise modify the piano sonority and the act of piano performance, through electronics." In his improvisatory piece "Grand Concerto" he uses fragments from the Grieg, Tchaikovsky No. 1 and Liszt No. 1 piano concertos; it is as epic in scope as the classical favorites.
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
Huge Tip! Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after. One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name!
The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some moments,…
*2024 stock* "What could be more classic for all you horror-soundtracks-on-vinyl heads out there than a compilation of Hammer Horror themes eh? This release, spanning the years 1958 to 1974, features works by a variety of composers, from films like The Mummy, Quatermass and the Pit, and Taste the Blood of Dracula. Stacks of dramatic bloody fun on Silva Screen." - normanrecords.com
*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …
*2024 stock* "Silva Screen repress the soundtrack to 'The Living Planet', the sequel to David Attenborough’s groundbreaking 'Life On Earth'. Scored by Elizabeth Parker who joined the BBC in 1978 her synthesizer-led score for The Living Planet received an Emmy nomination at the time, and it was released the same year by the BBC on vinyl. Now, the Silva Screen label has unearthed this rare album, and have re-issued it on limited arctic pearl coloured vinyl. (Recorded at BBC Radiophonic Workshop)."…
*2024 stock* "Mention The Avengers to people above a certain age - let’s be kind and say over 40 - and the famous Laurie Johnson theme music will get mentioned almost immediately. It’s as much about the show’s iconic status as Steed’s bowler hat or Mrs Peel’s fab outfits - all Biba and Quant.
But as with all the best spy shows of the 1960s - and the strike rate was amazingly high - the music wasn’t just about having a great opening theme. Incidental scores also played a major role in developing …
*2024 stock* 1"‘The Devil Rides Out’ is a 1968 Hammer horror film. The score, by James Bernard, perfectly amplifies the film’s scary nature, moving from sparse string and woodwind arrangements, emphasising the creepy bits, to full on orchestral power to aid the film’s more dramatic, edge-of-the-seat moments." - normanrecords.com
*2024 stock* "Carol Reed’s classic post-war mystery, The Third Man, hardly lacks for admirers. If in 1949 it was merely a well-received thriller, “a bang-up melodrama” as one New York Times reviewer put it, at some indeterminate moment it became a masterpiece – a cherished grandfather-clock in the Academy attic. In 1999, a BFI poll declared it the No. 1 greatest British film of all time. In 2018, Time Out rightly criticised this list’s lack of diversity and ran its own poll on the subject. They …
A dream come true! *2024 stock* ** 6LP - Strictly Limited Vinyl Box Set with 20 Page Booklet. Original Broadcasts by Barry Bermange, Delia Derbyshire, and the BBC Radiophonic Workshop. Only 500 copies worldwide ** A long standing ‘Holy Grail’ release for fans of Delia Derbyshire & BBC Radiophonic Workshop. The first ever official Release of Inventions For Radi, with a full (lidded) boxset containing 6LPs + 20 Page Booklet. The BBC’s Third Programme aired four radio broadcasts between January 19…
*2024 stock* John Carpenter’s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker’s atmospheric synthesiser score has long been a soundtrack favourite and this double album features a 20 track LP of the entire score, drawn from the original tapes, remastered by long-time Carpenter collaborator Alan Howarth on the A/B sides and the original album which featured 20 min…
*2024 stock* In 1981, prolific film director John Carpenter made Escape From New York, a near-future dystopian action film which has inspired a whole generation of movie producers and musicians. Mr. Carpenter also took care of its soundtrack, originally out on Milan Records and reissued in 2000 by Silva Screen, and again now. If you haven't heard it before, it's a true journey into the depths of electronics. The double LP contains 27 songs, all representative of the chilling scenes in the film, …
Lothar Jahn’s "February '75” single was released by the German label Sound Records in 1977 — a very unusual record, somewhere between psychedelic, folk, and Krautrock. That single was reviewed thus on Discogs: “A mysterious journey through Cosmic Psych Folk Kraut, whatever you may call it. Fantastic, from beginning to end. Another Kraut on 45 milestone.” This newly recorded album, “Dreams of ’75,” is an extended riff on the original single, taking that smaller vision as a starting point and th…
Not many albums can get you in the mood to blow out your speakers quite like Kath “1”, the hideously rare and expensive 1974 low-fi, semi-ramshackle DIY psychedelic LP made by members of Maryland band Badge, recorded in the home of band leader Val Rogolino (and, yes, dedicated to his girlfriend and their pet monkey!). What Patrick the Lama said in Acid Archives about Kath, is equally applicable to Badge: “Obscure and impressive melodic basement garage/psych with a lo-fi atmosphere that would hav…
Beat poetry influence free form jazz collective, formed in Montreal in 1967, L'Infonie existed officially until 1974. Lead by composer Walter Boudreau (aka retlaW uaerduoB) and poet, singer, trumpeter Raôul Duguay (aka luôaR yauguD) this very loose collective featured up to 33 artists from various backgrounds ranging from free jazz, classical, contemporary, rock, visual arts and poetry
*Limited Edition CD in Digipack with Liner Notes.* "The Illuminations are a collection of solo and chamber works with a shared compositional language, written between 2016 and 2021. The pieces are composed as software scores, which build the musical work in real-time during each performance. Notes are introduced to the players on animated staves, slowly fading into view and then away again. Using opacity as dynamic, the musicians perform the animated staves as slow loops, with motives and contra…
*Warehouse found* 180g vinyl, 2024 repress - digital download included "I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. …