Reissues

This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…

A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…

The classic 1976 album remastered from the original tapes plus 11 unreleased recordings! Formed in the early 1970s, The Residents have been charting a unique path through the musical landscape for over 45 years. From far-out, experimental curiosities to highly conceptual, multi-album projects, the band has refused to stand still, and continues to move in several different directions at once. Produced with the involvement of The Cryptic Corporation, and with full access to the band's extensive ta…

In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, “Enclosures 2011-2016”, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and com…

Sound Poetry is discipline which developed over the course of the 20th century. Firmly located between the worlds of fine-art and music, it places its emphasis on the sound and structure of words - the phonetic aspects of human speech, over explicit meaning. Of all the avant-garde and experimental creatives practices, it is unquestionably the most neglected. Its efforts remain almost entirely unknown beyond circles of devoted fans. Despite this, its has been remarkably influential. The Beat poet…

2024 repress: The third studio album of the British industrial-band Throbbing Gristle, was originally released in 1979 and is often referred to as the band's masterpiece. Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristle's pop-influenced masterwork. It's hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this album's front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Lov…

Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…

Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and there is no flow or continuity. Each track could exist separately. This is one of the Crims least beloved lineups even tho they were capable of more free-jazz improv than any previ…

Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…

Sole release by this Colombian band that surfaces briefly after the Speakers, Young Beats, Ampex and Time Machine era comes to an end. The band boasts an Italian jazz-rock drummer Roberto Fiorilli and legendary Genesis Bassist Humberto Monroy. The record consists of one theme divided into two long experimental progressive ventures (Viaje I and Viaje II) of fierce, fluid and free collective improvisation with spacey feels and a rich texture of Hammond organ, guitar, bass, tenor sax, percussion an…

Scored for a large jazz orchestra, this highly-collectable 1971-recorded album also contains two vocal settings by Ardley, remembered also for his ground-breaking work leading the New Jazz Orchestra, these being the earliest example of his vocal music. The first is a setting of Edward Lear’s famous nonsense poem “The Dong with a Luminous Nose”, wonderfully and uniquely told by Ivor Cutler backed by an unusual chamber orchestra containing keyboards, vibraphone, harp, violin and cello that prov…

2017 repress. This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic unity and …

Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …

Four Flies Records is proud to present the first vinyl reissue of the original soundtrack to Io Emanuelle, Cesare Canavari’s 1969 erotic-drama starring Italian scream-queen Erika Blanc.The score was composed and arranged by maestro Gianni Ferrio, who created one of his most famous and iconic soundtracks ever, with music that perfectly follows the neurotic character of the young protagonist – from moments of intimacy and introspection, to those of insanity and madness.The result is a terrific coc…

Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.

**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly underground music, almost entirely unknown beyond the borders of the country from which it sprang. Across the ensuing decades, this scene - among the most ambitious, rebellious, and experimental of its day, has offered an unparalleled wealth of inspirat…

With deluxe four-page insert. Limited to 1000 hand numbered Picture Discs. Top sound quality. Nobody liked it at the time. Alfred Kersten, owner of the Kerston label, had discovered Gäa at one of their early gigs in the Saarland and promised them a record. By the time the band arrived at his Stuttgart studio in the summer of 1973 - with almost no money, camping in tents outside the building for days until Kersten relented - his enthusiasm had curdled into obligation. The sessions were rushed. No…

What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band had dissolved. The title, Alraunes Alptraum - Alraune's Nightmare - reaches into German earth mythology: the Alraune, or mandrake root, is an earth spirit pulled unwillingly from the ground. The name mirrors that of the band itself, named after Gaia…

Some records exist outside of time not by design but by circumstance. Magic Theatre was recorded in the spring of 1972 in the Stuttgart studio of pianist Horst Jankowski, submitted to MPS, and promptly shelved. It sat untouched for three decades, until Jankowski - shortly before his death - returned the tapes to their rightful owner. What emerged was one of the most genuinely unclassifiable documents of the European underground. Drum Circus were a Swiss percussion ensemble anchored by Peter Gige…

Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…

Transport rushes through all sorts of unholy rituals and improvised excesses – from Tanz um den Melkeimer to the Ekelzentrum and on to the Traumbaum. A Space Odyssey without rules or certainties, apart from the filthy power of an uproar of etheric synthesizer washes and motoric drum pulses. On their Milchreise, they boldly stimulate cosmic regions of your brain that no band has stimulated before (probably apart from Amon Düül, Ash Ra Tempel and Boredoms). Milchreise is their thundering, …

Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…

From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums. Proto-techno/industrial/minimal synth galore...

Reissue on 180-gram opaque white vinyl. Originally released in 1965. The transitional "Bells" was just under 20 minutes, released originally as one side of a clear vinyl LP with the other side empty of music. It was recorded at a May 1, 1965, Town Hall concert of ESP artists, displaying Albert Ayler's new group, which added Albert's brother Donald and Charles Tyler. The denser sound of "Bells" shows Ayler moving towards the bigger sonic statement made on Spirits Rejoice (ESPDISK 1020CD/LP), h…

When Oscar Peterson moved from Montréal to New York in 1949, then-17-year-old Paul Bley took over Peterson's residency at the Alberta Lounge on Peterson's recommendation; in his 20s, Bley played with Charlie Parker. Bley incorporated maverick pianist Lennie Tristano's approach to improvisation and collaborated with Charles Mingus, and in 1958 in Los Angeles famously put together a band with Ornette Coleman, Don Cherry, Charlie Haden, and Billy Higgins. His move into free improvisation in the gro…

All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…

Limited Edition of 100 copies. It started again the CDR series, with a historical name of the ANTS catalog: Albert Mayr. This work dates back, like the previous "Suono Ambiente" of the same series, to 1978.A research project on a hypothesis of a "community rhythm" well described by Gillo Dorfles in his notes of the time:"The time-space musical analysis performed by Albert Mayr in February 1978 in the tiny village of Brdo, in Istria, is the result of long meditations and deep practical experiment…

"In the third volume of the Same Animal, Different Cages series, American composer David First does a 180 from the purely sound-for-sound's sake explorations of the first two volumes and gives eleven emotional outpourings performed exclusively on solo harmonica. Despite this minimalist single-instrument approach, First makes each of these songs sound fully realized; anything more would simply be crowding the sonic space. First has produced perhaps one of the first folk-music responses to …

Corbett Vs. Dempsey present The Lost Eddie Chatterbox Session, a reissue of Eugene Chadbourne's album, first released as a cassette on No Prestige Records in 1988. Dateline: Christmas Day, 1977, San Francisco. On an ailing quarter-track tape deck, in a marathon session, Eugene Chadbourne recorded a series of slide guitar solos playing compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, along with a few standards and originals. Although the record…

In celebration of The Infinite Mix, The Vinyl Factory release the soundtrack to ‘Thanx 4 Nothing’ by John Giorno. Ugo Rondinone’s immersive video installation features legendary beat poet John Giorno performing THANX 4 NOTHING. In this poem written on his 70th birthday, Giorno looks back at his life – and the people and events that shaped it – with humour and compassion. Performing in a tuxedo and bare feet on an empty stage in the Palais des Glaces theatre in Paris, as well as in a brightly-lit…

First-generation American Primitive guitarist Richard Osborn studied with Robbie Basho in the late 60's. 40 years later, Osborn finally recorded, appearing on Tompkins Square's 'Beyond Berkeley Guitar' comp in 2010. 'Endless' is his first widely available solo guitar album.  [Osborn has] an unhurried, quiet spirit of adventure, a love of ringing strings and slowly revelatory meditations on the natural world. - Acoustic Guitar Magazine "He's a student of mine and he's better technically t…

Mad grab of styles from “Athens’ Best Kept Secret”, 2 Katara - including a handful of wicked, mutant disco bits, and an epic, 17 minute piece of prog funk ‘Greek Lady’ that’s practically worth the admission alone for any cosmic nuts.. “‘Break at Home’ is the collected recordings of the mysterious group ‘2 Katara’ which was formed in Athens, Greece in 1978 by George Theodorakis (keyboards, percussion, vocals) with his close friend Dimitris Papangelidis (bass, guitars, percussion, vocals). T…

If Patrick Cowley, Tangerine Dream and Prince recorded the soundtrack to an educational documentary on the homoeroticism of wind sailing, it might well have sounded something like this... “Tradewinds” The Wavesailing Film is the new LP of unreeled rot yok on Spencer Clarke’s outrageous Pacific City Sound Visions. This is a masterclass in sub-sub-genre study, chuffed up on so much positivity and salty bliss that it’s hard not to charmed by its blazing white toothed grin. Read on for an equally ma…

Mental Experience present a reissue of Kozmonaut's Fleig, originally released in 1986. Ultra-rare DIY minimal/synth-pop/industrial/dark wave album. Kozmonaut was the personal project of a young and talented Canadian musician called Michael Gutierrez, who moved to San Francisco in the early '80s. Influenced by Kraftwerk, German culture, and electronic music, Michael recorded the Flieg album all by himself at his garage studio, using the pseudonym of Hans Schiller. 1000 copies were pressed on …

Luigi Nono's Risonanze erranti, the 1986 song cycle for Massimo Cacciari on texts by Melville and Bachmann, for mezzo, flute, tuba, percussion and live electronics: Ensemble Prometeo and the SWR Experimentalstudio. SACD.

A bone-fide underground legend, Witcyst has been creating completely unique noise music from the isolation of smalltown New Zealand since the late eighties. For three decades Witcyst has been an infamous prol yet mysterious force of the deep noise underground, sharing handmade cassettes, lathe cut singles, CDRs and art objects via the post, but never touring or appearing live. Witcyst’s mysterious career is marked by a complete absence of live performances and a massive prolificness in rec…

Limited edition of 100 copies. Tetsuo Furudate aided by Lars Akerlund, Carl Michael Von Hausswolff, Leif Elggren and Dror Feiler. Recorded at EMS in Stockholm in Feb. 2016. Many thanks to EMS and Minoru Sato. Tetsuo Furudate is born and lives in Tokyo. He started his career in experimental film and video art in 1981, and then he gradually turned toward music through performing art, contributing to the development of the Japanese noise music in its early period. He has spread his activities throu…

First official CD repress of one of the most extreme cassettes coming out of Italy in the 80s. Rmastered edition. Lyoto Music was a terrific collaboration between Pietro Mazzocchin (The New Sadism, Observation Clinique and Swastika Kommando) and Pierpaolo Zoppo (Mauthausen Orchestra) which flows into a unique cassette published in 1984 by Aquilifer Sodality. Mastered from original master tape kindly provided by Andrea Cernotto with the full permission of Pietro Mazzocchin. “As far as I remember,…

**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…

In November 1977 and May 1978, months before drummer Phillip Wilson recorded his great LP Duet with trumpeter Lester Bowie for the Improvising Artists label, Wilson hit the studio for Esoteric, a recording of solos and duets with cornetist Olu Dara. Wilson (1941-1992) was one of the keypercussionists in creative music, the Art Ensemble of Chicago's early trapsman, one third of the fusion band Full Moon, and an all around fount of invention and sensitivity. In addition to his work in the jazz and…