Reissues
Correio Da Estação Do Brás
A fluid, low-key effort, with less of the challenging, music box melodies of his earlier efforts. This is a record which eases its way past your ears (and I mean that in a good way!) It’s not sappy or unchallenging, but it is a lot smoother and less overtly avant than the stuff David Byrne loves so much.” – slipcue.com
Tom Zé began his career together with Caetano Veloso, Gilberto Gil, Gal Costa, and Maria Bethânia. As a composer, he influenced Caetano and many others and delivered an expressive…
Se O Caso É Chorar
"Wonderful 70s work from Tom Zé! The record's a bit more straightforward than some of his other records from the decade, and has a number of tracks with a samba sound at the base – but there's more than enough fantastic material to keep the record fresh, and Tom's writing is as great as ever. There's a vocal group that sings with Zé on many of the tracks on the record – but they also seem to sometimes act as a Greek chorus, in response to breakaway vocal passages that are dominated by Zé. The wh…
The Grove
Big Blood are Colleen Kinsella and Caleb Mulkerin who live in South Portland, Maine, where they make and record experimental music at home. They have made twenty-something records since 2006. The music is a vehicle for dealing with what is going on in their heads, which runs the gamut from friends they have lost, to frustrations during the day, and the larger world picture. Without sounding insincere, they make music for themselves, that at times can be wildly inconsistent.
In 2007, they releas…
Vibractance
*50 copies limited edition* Originally released in France in 1998, Vibractance is one of the most unique and haunting titles in Merzbow’s vast catalog. It’s unique drone, noise, almost ambient like qualities makes this a great starting point for adventurer ears but also an essential album for the initiated. A true journey into the unknown where pulsating sonar waves swim between a sea of eerie beauty and tangible dreams. Celebrating it’s 25th anniversary, Aurora Central Records proudly presents …
Cantare la voce
* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
Crac!
Temporary nicer price 700 copies, numbered edition. Clear Splatter Vinyl * “Crac!” is Area’s third album, released in 1974 and one of the strongest in their revolutionary canon of political artfulness. The previous album had received some mixed opinions after the explosive debut; Crac! is a departure in style from both of those two records—in a way, more compact and sleek if that is possible to think of with Area. In that aspect, this is the most “accessible” version of the band, and not surpri…
L'Internazionale
* Clear Vinyl * Nice and quality reissue of shis Area's 7" was distributed in the left-winged movement/circuit, as the money from sales financed the legal costs of the trial against the Italian writer and anarchist Giovanni Marini, caught up in Italy's Strategy of Tension and unjustly convicted of the murder. The B-side, Citazione Da George L. Jackson is a strong denunciation against the inhumane conditions of prisoners and inspired by Soledad Brother: The Prison Letters of George Jackson, a com…
L'Abbattimento Dello Zeppelin
* Yellow Vinyl * A great Area 7", quality replica of their L'Abbattimento Dello Zeppelin first single. Kick-ass free-form music recorded in the glorious year of 1973 in Milan, Italy. Blow-out with blasting sax solos played by Victor Edouard Busnello, and a kicking Demetrio Stratos on these two extraordinary tracks
The New Backwards
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
Dusk Fire
Limited 2022 repress. Due to overwhelming demand for Jazzman Records' five-LP boxset, here are the first ever official individual reissues of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell-Ian Carr Quintet. The five albums; 1965's Shades Of Blues (JMAN 107X-LP), 1966's Dusk Fire, 1968's Phase III (JMAN 109X-LP), 1969's Change Is (JMAN 111X-LP), and 1969's Live (JMAN 110X-LP), have reached almost mythical status in the collector's world. Regard…
Jaime & Nair
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
Toshi Ichiyanagi, A Pianist
The composer Toshi Ichiyanagi is, needless to say, also a pianist. We have collected recordings of his performances demonstrating his superb skills and ability. "Music for Piano No. 8," on which he is accompanied by Sumihisa Arima, a frequent collaborator, on electronic devices, is particularly noteworthy. His cool-headed improvisation in the gallery reminds us of David Tudor, with whom he shares a deep resonance as a pianist. A rare recording of Sylvano Bussotti's "Five Piano Pieces for David T…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Warm Up: The Complete Live At The Highwayman 1965
Limited edition double compact disc, in a gatefold digipack, of the never-before-released complete performance of the Don Rendell - Ian Carr Quintet at The Highwayman in November 1965. Includes a 20 page booklet with an essay written by Simon Spillett and previously unseen photographs. Only 1,000 copies available worldwide. The never-before-released complete performance of the Rendell-Carr Quintet at The Highwayman in November 1965.
“Live. Up close and personal. Palpable. Almost within reach. T…
Majestic Noise Made in Beautiful Rotten Iran
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.
Musiki
** 2022 Stock, very last copies. Edition of 400 copies ** Released in 1974 as a private press LP on Intex Records, this cosmic free jazz improvisation by this legendary trio guided by Hüseyin Ertunç - on drums - with his then-regular partners Michael Cosmic and Phil Musra - on saxophones and additional percussion - reveals the primitive and physical approach of the trio, with Ertunç's massive cymbals drumming building a carpet of trance-driving vibe where the reeds can freely dance without any s…