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Oliver Doerell and Roger Doering's Dictaphone might not be the most prolific project around, but what they lack in frequency they make up for in sheer impact. 'Poems from a rooftop' is their third album in ten years, and is the first to feature new member Alexander Stolze on violin. The dusty, haunted jazz of 'M.=addiction' and 'Vertigo II' is still visible, but joined by Stolze's shimmering string tones, giving the already rich sound a further layer of depth.
The title 'Poems from a rooftop' co…
Sunny Crypt reaches double digits on their release catalogue with a fully remastered new edition of the now sought after debut EP from Most Significant Beat.
M.S.B. is an electronic music project active since the early 90s, formed by Maurizio Martinucci and Saverio Evangelista; their first record - originally released by Marco Passarani’s Nature Records in 1994 - is a masterclass in hypnotic patterns, pulsating rhythms and mind-bending leftfield techno. While “Heart Thinks Wide” and “A Flux To F…
Originally released in 1968 on Capitol’s Tower Records sublabel during the vibrant heyday of the hippie revolution, Eternity's Children remains a luminous example of the era's musical innovation. Emerging amidst the psychedelic explosion, the band carved out a unique space with their blend of sunshine pop deeply infused with West Coast influences and folk revivalist sounds.
After extensive touring alongside notable acts like Strawberry Alarm Clock, the Seeds, and the Blues Magoos, Eternity's Chi…
The English blues revival played a crucial role in shaping a new generation of performers and spawning diverse sub-genres. Emerging from this movement, the hard rock revolution ignited with the powerful riffs of Cream and their contemporaries, paving the way for a fresh wave known as the “British invasion.”
Among the impactful yet brief contributors to this era was Bedlam, a four-piece band that released a single studio album in 1973. At the heart of the band was the formidable drummer Cozy Powe…
*2025 repress* After Caetano Veloso broke out with his solo debut, the self-titled 1968 release recognized as the building block for the now infamous Brazilian Tropicalia movement, his friends and musical peers released similar albums, always upping the ante in terms of outrageousness and inventiveness. This release, the second of two self-titled albums released by Gal Costa in 1969, set the high watermark in terms of overall insanity and complete experimental freedom for the entire lot; not Vel…
*200 copies limited edition* In an alternate universe, Italian sound archaeologist Mariolina Zitta would be recognized alongside Bernie Krause's bioacoustic investigations and Pauline Oliveros's deep listening practices. This rare vinyl edition - limited to 200 copies - reveals an uncompromising researcher of prehistoric sound working at her most intimate and visionary best. At the close of the 1980s, Zitta abandoned conventional musicology for a singular obsession: excavating the acoustic orig…
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
"Although alto saxophonist Noah Howard never quite managed to garner the reputation that several of his more well-known playing partners did, to those 'in the know', he was every bit as essential and extraordinary as Archie Shepp and Albert Ayler. A player and composer of direct and emotionally charged music, Howard's career saw him bear witness to some of the most tumultuous periods in jazz, giving voice to the cry for freedom – both musical and political – that characterised the late 1960s and…
*2025 stock* The strength of the Akira soundtrack lies in its unique blend of traditional Japanese instruments and futuristic electronic sounds. Yamashiro weaves together an eclectic mix of influences, creating a sonic landscape that mirrors the dystopian and cyberpunk themes of the movie. The use of traditional chants, taiko drums, and shakuhachi flutes alongside electronic synthesizers and orchestral elements generates a hauntingly mesmerizing atmosphere that perfectly complements the visuals …
Grown Up Wrong! Records is thrilled beyond belief to present the long awaited anthology of material by the legendary Lipstick Killers, who blazed a trail in late ‘70s post-Radio Birdman Sydney before gigging with the likes of the Gun Club and the Flesh Eaters in Los Angeles where they crashed and burned in 1981.
The Lipstick Killers released just one single in their life time – the perfect ’79 Deniz Tek-produced pairing of “Hindu Gods of Love” and ”Shakedown USA” on their own Lost in Space Recor…
Bells, Boots and Shambles by Spirogyra channels existential uncertainty, merging folk roots with progressive and classical flourishes. Anchored by delicate instrumentation and the crystalline voice of Gaskin, the album remains a deeply emotive exploration of loss, hope, and ambiguity, earning its reputation as a pivotal yet underappreciated work in progressive folk history.
Headless Heroes of the Apocalypse by Eugene McDaniels is a singular statement of early-70s soul dissent, bridging the realms of jazz, funk, and political activism. With inventive musicianship and lyrics addressing injustice, colonialism, and resistance, the album remains a powerful, relevant artifact, both musically adventurous and unflinching in its message.
Originally released in 1968. Jerry Moore was working as a folksinger in Greenwich Village when ESP-Disk' artist Randy Burns brought him to the label's attention. Recorded in August 1967 at Impact Studios, NYC, the soulful Life Is a Constant Journey Home (also issued at one point as Ballad of Birmingham, acknowledging its most famous and important song) is so legendary that we'll just let the press quotation below describe it. But please also consider this: that's a heckuva band Mr. Moore's backe…
One the real folk/oddity classics of the ESP-Disk catalog, in a league with the best of Ed Askew. When MIJ, aka Jim Holmberg was found by ESP, yodeling by the fountain in Washington Square Park, on a hot, summer Sunday afternoon, he explained that an auto accident had fractured his skull and impaired his hearing. But it had also altered his perceptions and enabled him to do things that he did not understand, but which worked musically. The next day ESP sent him into the studio. With Onno Scholtz…
Dagored present the first extended vinyl release of Nico Fidenco's soundtrack for the 1966 film, Per il Gusto di Uccidere. This is a classic soundtrack from the great Nico Fidenco, composer of Black Emanuelle (RED 204LP, 1975), for the western movie Per il Gusto di Uccidere from the cult director Tonino Valeri, who also directed My Name Is Nobody (1973) and Day of Anger (1964). Fidenco is linked to the tradition of the great spaghetti western soundtracks such as the ones composed by Ennio Morric…
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass, the album channels the hopes and struggles of Cairo’s youth into a transcendent musical ritual - challenging, inventive, and brimming with emotional intensity.