We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*Limited Edition of 99 copies. Purple vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Framed by Almodóvar’s saturated, performative world, Ryuichi Sakamoto’s score for Tacones Lejanos (High Heels), newly reissued by Quartet Records, layers melancholy minimalism and luminous melodrama, offering ornament rather than excess, with bolero and chanson threading through Sakamoto’s reflective atmospheres. The soundtrack’s architecture is subtle, emotionally surgical, quietly powerful in its dialogue with Luz Casal’s iconic voice.
Deluxe 2LP Three-sided with etched artwork on Side 4. Raven Chacon begins by listening. The Diné composer, born in Fort Defiance, Arizona within the Navajo Nation in 1977, describes himself simply as a listener, but the attention he gives to sound encompasses far more than what's immediately audible—it includes what has been deliberately silenced. Yucca Alta Records now presents the first vinyl edition of Voiceless Mass, a three-sided double LP featuring Chacon's 2022 Pulitzer Prize-winning titl…
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that it ceases to b…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Another Muslimgauze discovery in Staalplaat's reissue series, with eight rare tracks from the mind of Bryn Jones. Hefty slabs of beefy beats are seasoned with spicy South Asian melodies while mouth numbingly hot bass lines are smothered in distortion chutney; Souk Bou Saada was broiled in Machester's finest tandoor and is now served by Staalplaat. If you love East Indian flavors with a neo-bhangra beat, this disc will not disappoint, equally at home on the dancefloors of Bradistan, UK or Mumbai,…
When Sun Ra released his debut Saturn release in 1957, he signaled the Arkestra’s mission for the future. The cover declared the album a "21st Century Limited Edition." The compositions on Supersonic Jazz conveyed optimism and hope, bringing a message auguring the World of Tomorrow. Ra declared this the first dimension of a fresh art form, as he set about evolving a new American music — a composite of the past and future, the known coalescing with the unknown. The album, not very well received u…
Edition of 150. This ultra-limited 7" presents the first audio documentation of Henning Christiansen's Potato Opera, a conceptual masterwork that stands among the most radical gestures in Fluxus history. Originally performed in 1969 at the Kunstakademie Düsseldorf, this piece embodies the radical questioning of musical convention that defined the post-1968 avant-garde. The inaugural performance in 1969 brought together Henning Christiansen with artist Lene Adler Petersen and painter Ursula Reute…
Originally released in 1972 on Polydor, Reaction is a raw, high-voltage blast of Hard Rock, Blues Rock, and Heavy Psych from Hamburg’s loudest and most electrifying trio.Forged in post-’60s Germany and driven by Peter Braun’s searing guitar work and vision, this overlooked gem finally gets the recognition it deserves. Reissued by Yunque Records, the album delivers a tightly wound, riff-heavy assault that hits hard from the first note to the last—no filler, no compromise. Reaction made a name for…
Música Urbana was a short-lived Spanish jazz‑rock band formed in Barcelona in the mid-70s by composer and multi-instrumentalist Joan Albert Amargós. Their aim was to forge a distinctly Catalan progressive-rock identity—rooted in Mediterranean and Andalusian traditions rather than Anglophone influences. The band assembled top-tier musicians (Lucky Guri, Carles Benavent, Salvador Font, Luigi Cabanach…) piece by piece, ultimately becoming a sort of local supergroup. Their sound blended jazz‑rock, t…
Charming atmosphere & dreamy twin female vocals, mixing traditional tunes with interesting covers and superb original songs featuring a slight psych/folk edge. Named after the fabled ghost ship, Wolverhampton folk group Marie Celeste left behind just one rare recording: the 1971 private-press album And Then Perhaps. Pressed in only 200 copies without a proper picture sleeve and recorded live in a single session, it has since become a collector’s treasure – a haunting message in a bottle from the…