Reissues
Vita Matata With African Fiesta
'The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid-1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congol…
Jenifer
This exclusive vinyl edition features the haunting soundtrack from Jenifer, the unforgettable episode directed by Dario Argento for the acclaimed Masters of Horror series. Composed by maestro Claudio Simonetti (Goblin). The score fuses dark electronic tones with terrifying orchestral strings, perfectly capturing Argento's signature blend of beauty and terror. A must-have for collectors and fans of Italian horror cinema.
Huellas Entreveradas
** 2025 CD Repress ** Beatriz Ferreyra has been at the forefront of electroacoustic music composition since 1963 when she joined the Groupe de Recherches Musicales as one of Pierre Schaeffer’s research assistants. She is one of very few composers still performing who was instrumental at the beginning of Schaeffer’s theories of sound objects and reduced listening techniques. She continues to compose commissioned works and perform around the world in a career that has spanned some sixty years.From…
Home Thoughts
Home Thoughts is the late, luminous farewell from Michael Garrick, written for his Lyric Ensemble and recorded in 2011. Working with poetry by Shakespeare, Browning, Blake and others, he fashions 12 song-like pieces where jazz harmony, chamber textures and spoken or sung verse fuse into an intimate, autumnal meditation on memory, love and mortality.
Tone Poems
Tone Poems sees Michael Garrick orchestrating textures and images in a powerful display of big-band colour. Released in 2011 and performed by the Michael Garrick Jazz Orchestra, the suite of eight pieces draws on myth, landscape, and autobiography - each composition unfolding as a miniature drama of shifting harmony and luminous ensemble interplay.
Green and Pleasant Land
Green and Pleasant Land finds Michael Garrick turning the English landscape into chamber jazz, writing for a luminous string-based group with piano at its centre. Across live performances from the early 2000s, he folds folk melody, hymn fragments and knotty improv into quietly radical miniatures that make the countryside feel haunted, restless and very much alive.
The New Quartet
The New Quartet introduces Michael Garrick in close-up, stripped of choirs and orchestras and thrown into agile, conversational post-bop with Martin Hathaway, Paul Moylan and Alan Jackson. Across standards, Garrick originals and nods to Joe Harriott and Jaco Pastorius, the 2002 session turns lyricism into a pressure test, revealing how much drama four voices can conjure in a small room.
Down on Your Knees
On Down on Your Knees, Michael Garrick revisits his sacred-jazz obsessions through the language of a modern small big band, setting hymns, blues, and standards in luminous, late-20th-century colour. With vocalist Anita Wardell alongside Martin Shaw, Steve Waterman, Jim Tomlinson and others, the 1999 album feels like a devotional songbook rewritten for restless, metropolitan believers.
Lady of the Aurian Wood: A Magic Life of Duke
In Lady of the Aurian Wood: A Magic Life of Duke, Michael Garrick salutes Ellington not with imitation but with a gleaming fever-dream of big-band narrative. Writing for the Michael Garrick Jazz Orchestra with Norma Winstone in a central role, he turns characters, ghosts and side-stories from Duke’s orbit into a 12-part, 75-minute suite of blues, prayer and hall-of-mirrors swing.
Gigs: Introducing Michael Garrick
Gigs: Introducing Michael Garrick catches Michael Garrick on the bandstand rather than in the chapel, a pianist still forming his voice through standards, ballads, and early originals. This live-feeling 2008 release frames him with a tight trio setting, revealing a restless, harmonically alert player already bending the jazz canon toward his own lyric intensity.
Yet Another Spring
On Yet Another Spring, Michael Garrick enlarges his sacred-jazz universe into a full-scale orchestral meditation on birth, loss, and renewal. Scored for the Michael Garrick Jazz Orchestra with recurring features for Norma Winstone, the 2006 suite moves from intimate prayer to blazing big-band catharsis, treating the life cycle as both liturgy and drama.
Inspirations
Inspirations finds Michael Garrick turning inward with his New Quartet, distilling a lifetime of big ideas into melodic, small-group conversation. Recorded in 2006, it honours John Coltrane’s legacy without mimicry, letting Garrick, Martin Hathaway, Paul Moylan, and Alan Jackson reimagine spiritual intensity as supple, lyrical post-bop.
Children of Time
On Children of Time, Michael Garrick stretches his sacred-jazz imagination into cosmic scale, writing for the Jazz Britannia Orchestra and reuniting with vocalist Norma Winstone to explore creation myths, Eucharistic ritual, and his own visionary texts. The result is a 2006 suite that feels like a liturgy drifting through deep space, turning theology into glowing, unsettled sound.
Jazz Praises at St. Paul's
With Jazz Praises at St. Paul's, Michael Garrick welds liturgical grandeur to jazz improvisation, conjuring an atmosphere as reverent as it is free. Featuring the Michael Garrick Sextet, John Marshall, and the St. Paul’s Cathedral Choir, this 2005 release radiates both spiritual inquiry and creative boldness, transcending boundary with every motif.
The Unicorn / The Garden Of Love
Urban hillbilly one-man-band “outsider artist” private press album from 1974. “The first psychedelic country concept album." Features bluegrass mountain music Americana from the twilight zone mixed with tape effects, musique concrete, fuzz guitar, surreal lyrics imagery and themes from religion, death, sex and other timely concerns. ”If you want to go as far out as it gets, this underground cult album from a NYC visionary provides a map. This is one of the more remarkable LPs I‘ve heard. The van…
Steiner - Das Eiserne Kreuz II
*2025 stock* Following the immensely successful and profitable School Girl Report movies producer Wolf C. Hartwig could afford a much bigger international production: Steiner – Cross of Iron, based on a World War II novel, should be directed by none other than Sam Peckinpah. The music was supposed to come from the pen of Peter Thomas. Unfortunately, the two did not get along (interview with Peter Thomas in “Der Filmkomponist Peter Thomas” by Gerd Naumann, 2009 ibidem Verlag). In the end, the Ame…
Ecophony Rinne
One of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.
Collision Drive
Collision Drive is Alan Vega's second solo studio album, originally released in 1981. If his debut laid the groundwork for a raw, minimalist take on rockabilly and blues, Collision Drive expands the palette with a grittier, more layered, and unfiltered energy. Here Vega's lyrics channel universal themes rooted in his fascination with street life, science fiction, politics, comics, love and the mysteries of the universe. It's a record that pulses with feeling and rebellion, displaying the full sp…
Alan Vega (Deluxe Edition)
Alan Vega's self-titled debut solo album, originally released in 1980, marked a bold new chapter for one of New York's most influential and uncompromising voices. On his solo debut, Vega dove headfirst into the roots of his personal sound, fueled by blues, rockabilly, and his enduring love for Elvis Presley. Stripped of Suicide's confrontational electronics but retaining Vega's outsider energy and voice, the album translates early rock `n roll through an art-punk filter and stands as a cult mast…
Alan Vega
Alan Vega's self-titled debut solo album was released in 1980 during the same period Suicide released their second album, Suicide: Alan Vega and Martin Rev. While Suicide's label ZE Records was interested in pushing the duo toward a synthetic disco sound inspired by Moroder's production on Donna Summer's "I Feel Love," Vega felt a pull in a different direction. He wanted to dig deeper into the roots of his own sonic identity, fueled by blues, rockabilly, early rock n roll, and his enduring love …