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Kicking off what will be an Alice Coltrane year with more releases to come in the next 12 months, is a previously unreleased, killer live recording from 1971. Recorded live, by Impulse! at a charity gala given at Carnegie Hall for the benefit of the Integral Yoga Institute in 1971, this incredible set never saw commercial release until now. The gala concert was one of two halves with the first two transcendental tunes by Alice taken from the album she had just released on Impulse! and then two …
The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.
Now, in a landmark publicat…
2024 Repress. First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. From 1970s Hawaii on to modern day New Jersey, Don Slepian has enjoyed a reputation as one of new age’s most respected and technologically-advanced synthesists. Slepian’s 1980 landmark Sea of Bliss is frequently cited as one of new age’s greatest albums, and is one of the genre’s most legendary tape-only recordings. Two side-length Alles synthesizer tracks transport listeners to personal paradises…
*150 copies limited edition* "For years, fans of Connecticut’s post-industrial doomgaze two-piece Have a Nice Life have restlessly awaited the band’s second gloom-fueled, autobiographical meditation. Now, San Francisco label The Flenser is proud to unleash The Unnatural World. With eight songs clocking in at 47 minutes, The Unnatural World is Have a Nice Life’s most monumental release yet—a colossal, perfectly orchestrated work that leaves listeners comatose on the ground beside their record pla…
Archie Shepp, a saxophone tenor icon, collaborates with keyboardist Jasper Van't Hof - of Toto Blanke's Electric Circus (it was while with Blanke that van't Hof co-founded a group called Association P.C.)in a creatively innovative record. Jasper incorporates elements from his 70s electronic work into the song, blending them with acoustic piano in a way that resonates well with Archie's spirit, a departure from his previous style.
This lovely session from the 1980s features saxophonist Archie Shepp and pianist Horace Parlan, who both initially recorded in the United States but eventually discovered a more accommodating environment in Europe (they crossed paths many times while recording in Europe) Shepp began his career as a dedicated avant-garde player, but he eventually discovered the joy of applying his modern approach to more conventional material, such as these well-known ballads that Parlan paints with delicate, sou…
German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…
An incredible early German bop session! In the 1950s, pianist Jutta Hipp recorded straighter sides for Blue Note in the US, but this first album features her with German contemporaries Joki Freund on tenor sax and Emil Mangelsdorff on alto, creating a dark, sharper sound than expected! Hipp leads, but Mangelsdorff and Freund's horn interaction on several song intros, slashing back and forth like a double-edged blade and then bursting forth into lovely compact solos, makes the record sparkle.
In 1981, the legendary Japanese punk band The Stalin performed in an event called "Answer 81" at a venue called "Taku Taku" in Kyoto,and the previously unreleased live recording has been unexpectedly unearthed and now available from P-VINE RECORDS. This remarkable find emerged from a vast collection of tapes stored by Jojo Hiroshige (Hijokaidan / Alchemy Records). The live recording features the early members, Michiro Endo, Shintaro Sugiyama, Atsushi Kaneko, and Jun Inui, delivering an intense p…
The album called "Fish Inn" was originally released in 1984. The leader of the band Michiro Endo anticipated departing from punk rock and created this work, exploring a sound inclined towards psychedelic music, a challenging move that seemed to self-denounce The Stalin's previous style. Higo Hiroshi from Friction was also involved in the band as bassist during this recording. Endo reminisced later about the album as: "More specifically, the main theme was how to kill The Stalin." Following this …
Here we have an early live recording of the legendary Japanese noise band Hijokaidan, commonly known as the "King of Noise," which was made during their performance at the "Answer 81" event that took place in 1981 in a location known as "Kyoto TakuTaku." Although the recordings of this event were originally featured on their first album, "Zouroku No Kibyou," even though it was only a section of the album, it has now been finally made accessible as an independent work together with the entire rec…
"Favorite Recordings returns with the second edition of its compilation series: Fusion Global Sounds. Comprising eight rare and hidden tracks produced between 1976 and 1984 in various parts of the world, this hot-off-the-plate comp delivers a mighty-fine array of dynamic, soul-feeding jazz, soul, disco, jazz and funk delicacies. As a fine collector of jazz-funk and fusion for many years, curator Charles Maurice can be credited for sourcing the ingredients for and cooking up this fine spread of f…
Continuing Four Flies' dedication to delving into lesser-explored periods of Italian music, Africamore takes us on a captivating journey into the intersection of Afro-funk and the Italian soundscape during the six years between 1973 and 1978 - a time when disco was looming on the horizon and the nightclub market was rapidly expanding. Before reaching Italian shores, the infectious sound originating from African and Afro-Caribbean roots traversed both the Mediterranean and the Atlantic, landing o…
A collection of music for the various films and theatre plays by Mirko Krsticevic, Croatian and Yugoslavian composer and musician active since 1970s. All and Nothing at All (Film and Theatre Music 1978 - 1988) focuses on his work for the underground and avantgarde cinema from the era: directors Ivan Martinac, Svemir Pavic, Lordan Zafranovic, Aleksandar F. Stasenko and Vanca Kljakovic are all part of the Split Cinema Club association; their work explores art, death, sexuality and eroticism. Pavic…
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…
264 pages. The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor. Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking reco…
Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar…
Red vinyl. An early release from the often imitated but never duplicated Melvins. Lice-all, from 1992, previously known as self-titled, and also previously known as something else we're all not gonna talk about, thank you very much. This was the Melvins' last release before signing their Atlantic label deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It's one long, slow, loud blob of drones, moans and fuzztones. The opening endless p…
Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…