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The second and last Il Baricentro album reinforces the jazz-fusion trend that had already been dominantly relevant for the band's debut effort. Here, in "Trusciant", it is quite clear that the combo led by the Boccuzzi brothers has a strong focus on the funky jazz framework that was at the moment functioning in the limelight of American NE and NW coasts' musical scenes. The resulting sonic amalgam is adequately augmented with an exotic swing by two guest percussionists, which help Il Baricentro …
**Edition of 250, wooden box edition** Along with Merzbow and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barrelled named for Masonna. Yamazaki “Maso” Takushi created Masonna in 1987. He started recordings on cassette tapes for his own label: Coquette. His plentiful productions were prese…
Souffle Continu Records present the first ever reissue of Jean Cohen-Solal's Captain Tarthopom, originally released in 1973. "Nothing can stop a flutist. We can do whatever we want, whatever we feel. My flute, is a mirror of myself. I express feelings more easily with the flute than with language." This is what Jean Cohen-Solal said on the cover of his first album released in 1972, Flûtes Libres (FFL 044LP), renowned for its adventurous overdubbing of alto, piccolo, and bass flutes, in treble or…
Third issue of CRU Magazine, the annual magazine of the Berlin art space La Plaque Tournante ran by french composer Frédéric Acquaviva and english mezzo soprano Loré Lixenberg, which states what has happened or could have happened in the last year at La Plaque Tournante. This issue, printed at 500 copies, includes this time 3 catalogues under the form of affiche + postcard + list of material exhibited + poster of the 3 main exhibs of last year, featuring Frédéric Acquaviva, Lieutenant Caramel, J…
Jeanne Dielman presents a reissue of a collection of Iannis Xenakis's work titled Electronic Music, originally released in 1997. Some of the earliest works from a truly groundbreaking composer in the realms of electronic music, musique concrete, electro-acoustic, 20th century classical, and more. The Romanian-born, Greek-French composer Iannis Xenakis was instrumental in the introduction of mathematical models into composition and helped revolutionize electronic music in the middle 20th century.…
Exact LP repro edition of The Can iconic hi-energy debut LP, privately self released on their own Music Factory imprint in 1969. A grey-area edition of this stone classic. "Though Monster Movie was the first full-length album in what would become a sprawling and often genre-defining discography, Can were on a level well ahead of the curve even in their most formative days. Recorded and released in 1969, Monster Movie bears many of the trademarks that Can would explore as they went on, as well as…
Hugely tipped debut LP from Jasss; a measured, rugged blend of industrial dub, African and dark jazz inspirations that comes highly recommended if you’re into more abstracted and experimental electronic/dancefloor excursions or the work of Christoph De Babalon, Toresch, Mecanica Popular, Throbbing Gristle etc. Very much an antecedent of Spanish industrialists such as Diseño Corbusier, Xeerox / Krishna Goineau, or Mecanica Popular/Randomize, Jasss firmly builds on that heritage with a uniquely pe…
Unsung West Coast maverick Carl Stone is subject of a necessary 2nd retrospective on Unseen Worlds following their Laurie Spiegel and Jacqueline Humbert & David Rosenboom releases. As revelatory as the first volume Electronic Music From the Seventies and Eighties, the temporal shift into the ’80s/‘90s in this 2nd collection opens four hallucinatory new planes of ambient enquiry yielding some of the most beautiful electronic music we’ve never heard before. Progressing farther along Stone’s timeli…
Hardback cover edition, 1070 pages (!) Cornelius Cardew was a musician of genius for whom Life and Art were as one. He was a radical, both artistically and politically, becoming a tireless activist and uncompromising Marxist-Leninist. Passion and imagination governed all he did: his boldness and humanity continue to intrigue and inspire.
John Tilbury, whose close friendship with Cardew dates from their first concert together, in January 1960, has worked for many years on this biography, and brin…
**Edition of 192 hand-stamped numbered copies ** Reissue of an ultra-limited cdr that popped out quietly on absurd in 2007, this record finds Tetuzi Akiyama and Michel Henritzi joining strengths for a singular set of guitar music recorded at the Alchemy Music Store in Osaka.Captured during the heyday of stylised and pensive improvisation, the music here breaks protocol by avoiding some of the more polite mannerisms of the genre. What starts as a coarse yet beautiful duet of sparse melodic fragme…
CD edition. Buchla synth supremo Todd Barton’s hyperstitious soundtrack to Always Coming Home, an ‘80s American sci-fi novel by author Ursula K. Le Guin, is yet another ingenious recording dug out for reappraisal by Pete Swanson and Jed Middleman’s Freedom to Spend label - a division of RVNG Intl. Expect alien folk songs in made-up language, set to richly evocative backdrops of location recordings subtly gilded with self built instruments and synth contours. Properly immersive, otherworldly - th…
**Unreleased recordings: 2001 – 2004. Includes 8-page 9″x9″ booklet. Edition of 300** The Ivytree, as some may know, is the project of San Franciscan musician Glenn Donaldson. In the early 2000s Glenn was a founder of the Jewelled Antler Collective, forming such projects as The Blithe Sons, Thuja, and The Skygreen Leopards, among many others. The range of projects he is associated with all beautifully web together. Between 2001 and 2005 Donaldson published a handful of discs under the names The …
Livebatts! is the result of the eclectic approach to music and sound of John White, the experimental composer better known for his early work with Cornelius Cardew and the Scratch Orchestra and for his formidable output of piano sonatas (now counting almost to 200).Everything started out from his passion for those cheap battery driven keyboards which appeared on the market of musical instruments in the 80s. Much more similar to toys than to proper instruments, these did interested so much Mr. Wh…
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
Compilation of never-before released theme songs from John Waters' early films Female Trouble (1974) and Polyester (1981), with ultra-rare punk 45s from stars Divine, Tab Hunter, Edith Massey, and the Evidence on one side, and psychedelic soundtracks and unpublished outtakes from Kenneth Anger's short movies -- Puce Moment (1949), Invocation of My Demon Brother (1969), Lucifer Rising (1972) featuring Jonathan Halper, Mick Jagger, and Jimmy Page -- on the other.
Sommor Records present the first ever vinyl reissue of The Bridge's Overdrive - Rock/Jazz - Party,
originally released on the budget Tempo label from Germany in 1972. A
fabulous kraut, jazz-funk, fusion, rare grove, library album with lots
of fuzzy distorted organ and Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club) on drums. Master tape sound. Original artwork; Includes insert with line…
Sommor Records present a reissue of Fusioon's Farsa Del Buen Vivir,
originally released in 1974. This second album by Fusioon is one of the
masterpieces from the '70s Catalan/Spanish psychedelic and progressive
scene. Produced by the great Josep Llobell, you'll find here
plenty of Hammond, Moog, effects, a solid rhythm section, distorted lead
guitar, and highly inventive arrangements. RIYL: Soft Machine, Egg, King Crimson, Gentle Giant, The Nice, Focus, Goblin.
Master tape sound. Original …
2018 Repress. Originally released in 1971 on John Peel's Dandelion Records, Creation is the second album by underground folk troubadour Trevor "Beau" Midgley. Influenced by Tom Paxton, Lead Belly, and Dylan, Beau started to write his own songs in the late '60s. After trying to secure a contract with Elektra Records with no success, he was approached by Clive Selwood (Elektra) and Peel as they were launcing Dandelion Records. Beau signed with them and released his eponymous debut album in 1969. F…
Double LP version. The genesis of Havenstreet goes back to 1969, when Phil Ridgway and Jeff Vinter played in The Gas, an experimental psychedelic band heavily influenced by Barrett-era Pink Floyd.
The two friends started to write songs their own songs, ending up as a
folk duo. With the offer to record some of their material at a friend's
studio, they recruited more musical friends, so Havenstreet was born.
The influences had expanded now to bands and artists such as Peter Hammill, Strawbs, T…
LP version. Sommor presents the first ever legitimate reissue of Oberon's A Midsummer's Night Dream,
one of the rarest psych-folk albums from the UK, originally released in
1971 in a private edition of 99 copies. Oberon consisted of seven young
musicians who met while studying at Radley College in Oxford. Drawing
upon such influences as Fairport Convention, The Pentangle, King Crimson, The Incredible String Band, and Sandy Denny,
the group created a stunning piece of progressive folk. Fanta…