Reissues
The Pain of Separation: Turkish Gazels, 1926-1935
A collection of spellbinding, melismatic vocal improvisations taken from 78s cut between the mid 1920s to mid '30s - a period defined by the aftermath of the Ottoman Empire’s partition, the Greco-Turkish War and the compulsory population exchange that followed. This same period also represented a time of intense efforts, following the establishment of the Republic, to westernise the new nation's music - coupled with a ban on traditional music education in schools, and later a complete ban on bro…
Jesus Hits Like the Atom Bomb: Gospel Quartet Singing in Jefferson County, Alabama
"Jefferson County is the heartland of black American a cappella gospel quartet singing. For more than [a century] black quartets have thrived in Birmingham and Bessemer, and they have provided immeasurable spiritual uplift and musical enjoyment to a large portion of the local population. The tenacious survival of black quartet traditions in Birmingham and Bessemer preserves a cultural and historical continuity that informs and enriches many lives. The older singers share a sense of brotherhood, …
Bury Me In A Corner Of The Yard
Death Is Not The End issue a 14-track tape of vintage and archival Cajun ft. tracks from Segura Brothers, Amede Ardoin, Blind Uncle Gaspard, Sydney Landry & more.
Curse You, Foreign Lands
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
All Thoughts Fly
Sacro Bosco (“Sacred Grove”) is the starting point for Anna von Hausswolff’s All Thoughts Fly. Here in solo instrumental mode, the entire record consists of just one instrument, the organ, and represents absolute liberation of the imagination. All Thoughts Fly radiates a melancholic beauty, and is distinguished by fluid transitions of contrasting elements; calmness and drama, harmony and dissonance, much like the place that inspires the music. Sacro Bosco is a garden, based in the centre of Ital…
Geträumt Hab Ich Vom Martinszug
Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…
Il Sesso Degli Angeli
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Stato Interessante
Edition of 350. Built from three episodes, Stato Interessante turns on the experiences of women facing pregnancy and abortion in an Italy on the edge of profound change, the country's debate over reproductive rights reaching its height in the months before the 1978 law. Nasca, working from a script co-written with Maurizio Costanzo, frames intimate character study against broader social observation, with a cast including Janet Agren, Monica Guerritore, Duilio Del Prete and Turi Ferro.
Morricone …
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.
In Reggae Time
Cinedelig/Jamdung proudly presents the first repress of the rare UK compilation In Reggae Time (originally 1970) as a limited-edition 12" picture disc. Unearthed from original 7" single sources issued around 1967 on Ember Records and its sub-labels, this repress collects exceptionally rare UK tracks that sit at the crossroads of late‑’60s British youth culture—only marginally reggae, they instead deliver a vivid fusion of mod, R&B, ska and northern soul with the era’s restless energy preserved i…
Novos Baianos F.C.
“Novos Baianos shaped an entire generation of Brazilian music — their sound is pure freedom.” — Caetano VelosoOriginally released in 1973, Novos Baianos F.C. captures the band’s communal lifestyle and fearless experimentation. After the success of Acabou Chorare, the group expanded their sound into a vibrant mix of samba, choro, folk, psychedelia, and electric street-soul.With the unmistakable chemistry of Baby Consuelo, Pepeu Gomes, Moraes Moreira, Paulinho Boca de Cantor, and Dadi, the album r…
Stepson
US Heavy rock band Los Angeles-based, active in the 1st half of the 70s. Stepson was formed in 1972 by Bruce Hauser (bass), Jeffrey Hawks (vocals), Vern Kjellberg (aka Joey Newman) (guitar) and Len Fagan (drums). Hauser, Hawks and Newman hailed from cult psych-rockers Touch (one album in 1969), whilst Fagan had been member of the country-rock group Wichita Fall (one album in 1968). The music of the band is a powerful and high-energy hard blues rock, a cross between MC5, Bloodrock , Mountain and …
Hard Attack
Released in 1972 on Kama Sutra, Hard Attack is a heavy rock burner from New York trio Dust. Packed with searing riffs, wild energy, and the powerhouse drumming of Marc Bell (later Marky Ramone), it’s a raw, intense listen that still hits with full force. A true cult classic.
Clube Da Esquina
Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
Adonia
Recorded across a single sweltering Paris summer in June 1978, Adonia - the lone album credited to Ose - captures a rare alignment of intellect, imagination, and emerging technology. For decades it has lingered as one of the great half-secrets of French electronic music's most fertile decade, traded between collectors who understood exactly what they were holding.
At just twenty-six, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the Frenc…
Conal
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Sowiesoso
** 50th anniversary Limited Edition ** The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster having already recorded two albums with him under the name of Harmonia. 1976 saw the duo looking for new musical forms. More than any other Cluster album, Sowiesoso represents the utopian …
Iskra
*2026 repress. 200 copies limited edition* Iskra is the debut album by Polish multi-instrumentalist and composer Olga Anna Markowska. Starting at “Dawn” and ending at “Dusk”, it is a journey of melancholic depth and true beauty filled with warm memories from what was & what could be.
Using zither, cello, electronics and occasional wordless voice, Olga weaves together something so affecting and under the skin beautiful that it is hard to shake, bringing to mind classics from artists like Jacaszek…
Music for Real Airports (Box set 2)
Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…
At the Earl of Old Town
On At the Earl of Old Town, Terry Callier steps out of legend into living presence: a 1967 Chicago club set where his folk‑soul‑jazz blend arrives fully formed, intimate, unadorned, and quietly epochal, just before the world catches up.ì