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Beside the usual noise- and experimental-projects there were also great new-wave-bands like The Misz. Eddy Merckz is a good example for the extreme high quality of the 80′s cassette-culture-scene. Their very catchy sound is comparable to early Virgin Prunes with some more pop-appeal; fine harmonies and male/female singer made this band to remarkable milestone in european new-wave, although they unfortunately never reached a bigger audience. And “Eddy Merckz” is in my eyes their best wo…
Very cool compilation of unreleased BeNe GeSSeRiT tracks. The husband & wife duo of Alain Neffe & Nadine Bal counted as one of the most frivolous & quite impressive live acts around during the eighties. On top of a catchy but minimal synth basis created by B GHoLa (Alain Neffe) runs the strange, & playfull voice by BeNeDiCT G (Nadine Ball). This is minimal synth pop for the crazy ones among us, but aren't we all a bit mad? Limited edition of 400 copies. Cover sleeve & insert by B GHoLa
Kuruki was a Belgian minimal synth-pop band project spearheaded by Ghent-based musician Gerry D’Haeyer and Alain Bureau. The band was founded early 1980’s and shortly after it’s conception a first release was recorded. The single “Crocodile tears” immediately hit the charts and became a hit.
Afterwards the band released 12 inches including maxi single “Such a liar”. After intensive touring a new single “Just a cat” was spawned in 1983. As a live band at that time Alan Gevaert, from dEUS, and Chr…
RESTOCKED Hans Dens second vinyl offering on Aguirre with more synthcrapings and zonked adventures in lo-fi music. Following up his 7 inch on NNA tapes and an LP on Release The Bats Hans continues to search and destroy. Loads of damaged audio and otherworldy synth bubblles spread over 11 tracks. No need to look at your watch, time has become infinitive.
This deluxe 3 CD set presents Floating Frequencies/Intuitive Synthesis in its completed three part entirety. Intuitive Synthesis/Floating Frequencies takes full advantage of the low noise floor and clarity provided by the digital medium. Mastered by Eleh specifically for the digital environment. This box is not intended to be a replacement of the analog records but an entirely different experience. Each disc contains two to three tracks, and the packaging is a silver print on matt black jac…
Complete set, originally published between 1965 and 1967, the Great Bear contributors were a who's who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on v…
Cien Fuegos presents live recordings circa 1970 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brötzmann and Dutch jazz drummer and percussionist Han Bennink and pianist Fred Van Hove. Instrumentation: Peter Brötzmann (tenor saxophone), Fred Van Hove (piano), Han Bennink (drums, gachi, shell, voice). Recording: Recorded by Wolfgang Bukatz on August 17th, 1970 in Berlin. Supervision by Hans-Dieter Frankenberg. Produced by Jost Gebers. This album was origi…
Cien Fuegos presents live recordings circa 1975 Berlin from the legendary free music duo of German free jazz saxophonist Peter Brötzmann, Dutch jazz drummer and percussionist Han Bennink and pianist/accordionist Fred Van Hove. Instrumentation: Peter Brötzmann (clarinets, alto, tenor & bass saxophone, vocals), Fred Van Hove: (piano, accordion), Han Bennink: (drums, cymbals, Schwirrholz, accordion, clarinets, floor, walls, megaphone, etc.). Recorded by Jost Gebers on Sunday afternoon, September 14…
Mindblowing 1971 Nuova Consonanza unpublished work from the legendary ensemble, here with a series of lengthy improvisations haunting whirls of electronic glitch, skronky horns, pounded piano and weird tape experiments to droney spaced/drugged out free jazz. A timeless masterpiece, I'd say...Unfortunately it is strictly limited to 500 copies only."Describing the feelings is a constant challenge that, we regret to say, is almost never successful. The description of the topic that we are dealing w…
De Stijl's excavation of The Parasites Of The Western World turns up the lead single for their second album in the form of an exact reissue. Originally released circa 1980-81, 'Politico' opened the B-side to Substrata with a rippin' new wave roller full of glam stomp, proggy arrangement and punky attitude. The synth-fueled instrumental B-side was exclusive to the single, and as tradition dictates, far more interesting, featuring Terry Censky and Patrick Burke in an ebullient symphony of s…
Stellar release!! ""The first disc features "Conduction No. 43: The Cloth". The first thing I noticed about this disc is how well it is recorded and perfectly balanced. We can hear Zeena Parkins's acoustic harp, the strings, guitar, oboe, vibes and other assorted percussion just right. You can tell that Butch Morris has rehearsed with this ensemble as the swirling lines they play together are so tight and instantly connected. Certain solos, like the oboe, rise above the rest of the ensemble like…
Subtitled: The Fonotone Years 1958-1965. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and '70s, John Fahey. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from Joe Bussard's reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includ…
Black Phoenix Blues is the third Roaratorio collection of the best of Rodd Keith’s vast output. Dating from 1966 to 1974, the sixteen previously unreissued songs showcase the scope of his work: the should’ve-been-a-hit “You And I”; the elegant exotica of “I Love Lovely Chinese Gal”; the history lesson of “The Explosion Of Holden 22 Mine”; the harrowing psychokiller musings of the title track; “I’m Proud To Be A Hippie From Mississippi,” the stoner’s answer to Merle Haggard’s “Okie From Mu…
Recorded in 1978, Grosses Wasser was the fifth album by kosmische musik pioneers Cluster (their seventh if you include the two Eno collaborations). At this stage in the band's lifespan Cluster was a duo, manned by Hans-Joachim Roedelius and Dieter Moebius, although Tangerine Dream's Peter Baumann acts as co-producer, helping craft some of the group's most experimental material since they swapped their 'K' for a 'C' in the early seventies. Nowhere is this air of sonic exploration more apparent th…
Between August 1980 and March 1981, Les Rallizes Dénudés (or The Naked Larryz, as the long-lost acetate they are rumored to have recorded for Virgin Records in the mid-'70s dubbed them) played seven concerts in and around Tokyo. Never officially released, illicit ninth generation cassette copies circulated in Japanese fan circles for many years, attaining a whispered, Holy Grail status amongst initiates to the Rallizes cult. High quality soundboard versions were finally released by the se…
Tone Yasunao's lifework, "MUSICA SIMULACRA," planned and produced for 14 years, has finally been completed. ATAK releases a limited edition box set (limited to 500 in the world) including more than 2000 hours of 4516 Manyosyu poems recreated in sound using Tone's original software on CD-ROM, over 60 minutes of 12 pieces extracted from the CD-ROM and edited by Keiichiro Shibuya on audio CD, a 47 pages booklet written by Tone himself and a limited edition autograph. This is the intersection …
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
A colossal encounter of drummer William Hooker and the late wind player Thomas Chapin performing at the 9th Street Gallery in NYC in 1992, 3 massive improvisations from the jazz underground. This is a monster duo! One of the greatest duo events of all time. There were a series of weekly duo encounters with William Hooker and different saxists at Jerome Cooper's loft during the summer in the early nineties. I caught two of these with Louie Belogenis and Thomas Chapin and both were incredible.I re…
**restocked, few copies left** Almost sold out in pre-sale, act fast! As this album is a treasure, a minblowing reissue (dated 1972) of an intense, spontaneous droney improvisation and the complex Michael Ranta's chiming rhythms interlaced with trance-alike collective passages. It’s a monster! ""...tomorrow i will send you the CD of a very strange anarcho spontaneously improvised sound tableau. it is one of the very first musical projects with Ranta, when we met in Egypt in 1972. i didn't listen…