We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
"The performers in Kurzwellen react to the completely unforeseeable events which they receive on short-wave radios while performing on their instruments. But this is not improvisation. Stockhausen’s score instructs them how to transform what they hear: how they imitate and modulate it, make it longer or shorter, how to rhythmically articulate it, higher or lower, louder or softer, darker or more playful. Whether they should play and as solo, duo, trio or quartet, etc.Though not so familiar now, …
This release brings all of Morton Subotnick’s piano music together on one album for the first time, along with four first recordings, all supervised by the composer.Liquid Strata is an important work in Subotnick’s oeuvre. Here the electronic component is what he calls “ghost electronics,” and this is the first of 11 Ghost Pieces. In these works, Subotnick sought to address technology in a way that highlights rather than compromises the inherent features and strengths of acoustical instruments. …
"Working with forces unknown to me has always been an exciting challenge,” says Elliott Sharp, “especially when those forces are in the form of younger musicians, highly skilled and enthusiastic.” For his work with the musicians of the Veni Academy, he chose three previously composed works that would be easily adaptable to a large ensemble whose instrumentation was not the result of prior design plus one newly composed for the occasion. The chosen pieces were based on well-defined processes that…
"The main focus of Gerald Eckert’s music is frequently not placed on a centrally triggered event or center of action, but on what has been triggered by this event and how the consequences are subsequently developed. In other words, he focuses his sights on what an impulse is followed by. For Außen, von tief innen (Outside, from Deep Within), the consistent subtle and quiet tonal structure of the work is the fine delineation of multiphonics in bass flute and double bass clarinet alongside the ton…
"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
"This piece and group developed over the course of a year. It was presented in concert over three initial phases. The concert recorded here (second phase) occurred six months into this process. However, this is not completely accurate; in different forms, the group continues to develop. This recording documents one of many possible manifestations."With: Marcia Bassett, Barry Weisblat, Ron Stabinsky, Che Chen, Laura Ortman, C. Spencer Yeh, Michael Bullock, Andrew Lafkas, Rick Brown, Ryan Sawyer, …
**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …
British composer Frank Denyer presents seven beautiful chamber works dating from 1974 to 2018, opening a door to his unique soundworld. Released by Another Timbre in November 2019, The Boundaries of Intimacy features sublime, unexpected pieces of delicate intimacy performed by a variety of artists including Luna String Quartet, Juliet Fraser, Elisabeth Smalt, Jos Zwaanenberg and Nobutaka Yoshizawa.
"Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listeni…
Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lamb’s score meditates on her signature just intonation, deploying the Secondary Rainbow Synthesizer to generate four environmental chords that breathe around the guitar’s modally tuned strings. The electronics hum and fade - reflecting timbral shifts f…
Three discs, three distinct worlds - each one a landmark. Vol. 5 of Earle Brown's Contemporary Sound Series may be the most dramatically varied installment in the entire programme, arcing from the handmade electronic circuitry of four American mavericks to one of the great piano sonatas of the 20th century, and closing with the golden tone of the most celebrated flutist of the post-war avant-garde.
The first disc is Electric Sound, the only album the Sonic Arts Union ever released as a group. Or…
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzantine liturgy exist contemporaneously alongside modern and (arguably) post-modern materials and techniques, all shaken loose out of the same experiential block, much as strata emerge as tectonic plates fold one time over another. Long, beautiful, to…
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
In this episode, a number of short recordings of household objects and curious instruments become the core thematic material for a range of exquisitely conceived and realised pieces in which the recordings are shaped, stretched, tuned, combined and otherwise manipulated before being folded into a variety of musical structures with additional elements or parts added. Much use is made of rhythms derived from gravity – that is, dropping and bouncing - embedded into microtonal, poly-rhythmic and dee…
2013 release **
"11 Micro-Exercises were invented by Christian Wolff in response to a commission from the Miniaturist Ensemble. For Wandelweiser Editions, other miniaturists perform these eleven pieces (plus two bonus pieces): Beat Keller and Reza Khot. Keller and Khot are two electric guitarists who pierce the ivory (sometimes tear it) and respect the principle of a musical art free from preconceptions. Nine seconds, twenty-two, one minute and thirteen, or eleven minutes and forty-seven… The le…
2007 release **
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…
The sixth and final volume in Wergo's acclaimed series of recordings, Earle Brown - A Life in Music completes the label's reissue of the eighteen LPs of Earle Brown's legendary Contemporary Sound Series, recorded between 1960 and 1973. The first disc in the set contains works by John Cage and Christian Wolff from the early 1960s. Disc two presents violinist Paul Zukofsky accompanied by pianist Gilbert Kalish in works by Crumb, Yun, Wuorinen and Cage. The final disc contains works by South Americ…
The voice as instrument, the temple bell as orchestra, the piano as detonator. Vol. 3 of Earle Brown's Contemporary Sound Series traces three radical propositions about sound and its sources - each originating from a different continent, each redefining what was possible within its medium.
The first disc belongs to Cathy Berberian. Originally issued on Time Records in 1962, it captures the American mezzo-soprano - then based in Milan and married to Luciano Berio - at the height of her extraordin…
Few figures of the American avant-garde wore as many hats as Earle Brown. Composer, graphic notation pioneer, member of the New York School alongside John Cage, Morton Feldman, and Christian Wolff - but also, and crucially, a record producer whose ear shaped one of the most important document series in 20th century music. Between 1960 and 1973, working first for Time Records and then Mainstream Records, Brown curated the Contemporary Sound Series - 18 LPs presenting works by 49 composers from 16…
"Wergo's reissues of the legendary Earle Brown Contemporary Sound Series have been a big hit with fans of contemporary music around the world. Each set is a treasure-trove of works by a wide range of composers, performed by some of the finest musicians of the time. The three CDs of volume four feature string quartets by Boulez, Scelsi and Earle Brown, works for chamber orchestra by Xenakis, Aldo Clementi, Bo Nilsson, Wlodzimierz Kotonski and Yuji Takahashi and works by Milko Kelemen, Niccolo Cas…