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"Flutist Roberto Fabbriciani continues his releases dedicated to the flute repertoire of single composers with works by Belgian composer Henri Pousseur (1929-2009). Previous releases on Mode featured Aldo Clementi and Bruno Maderna.As with Fabbriciani’s preceeding Clementi and Maderna releases, this Pousseur release marks the first time Pousseur’s works for flute have been collected in one recording. It is important to note that Fabbriciani had a long working relationship with the composer.The s…
"This piece and group developed over the course of a year. It was presented in concert over three initial phases. The concert recorded here (second phase) occurred six months into this process. However, this is not completely accurate; in different forms, the group continues to develop. This recording documents one of many possible manifestations."With: Marcia Bassett, Barry Weisblat, Ron Stabinsky, Che Chen, Laura Ortman, C. Spencer Yeh, Michael Bullock, Andrew Lafkas, Rick Brown, Ryan Sawyer, …
**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …
British composer Frank Denyer presents seven beautiful chamber works dating from 1974 to 2018, opening a door to his unique soundworld. Released by Another Timbre in November 2019, The Boundaries of Intimacy features sublime, unexpected pieces of delicate intimacy performed by a variety of artists including Luna String Quartet, Juliet Fraser, Elisabeth Smalt, Jos Zwaanenberg and Nobutaka Yoshizawa.
"Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listeni…
Point/Wave represents a rare confluence of precision and open inquiry, as Catherine Lamb’s composition for Cristián Alvear translates the enigmatic condition of sound into tactile experience. Commissioned by Alvear and realized on Another Timbre, Lamb’s score meditates on her signature just intonation, deploying the Secondary Rainbow Synthesizer to generate four environmental chords that breathe around the guitar’s modally tuned strings. The electronics hum and fade - reflecting timbral shifts f…
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzantine liturgy exist contemporaneously alongside modern and (arguably) post-modern materials and techniques, all shaken loose out of the same experiential block, much as strata emerge as tectonic plates fold one time over another. Long, beautiful, to…
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
In this episode, a number of short recordings of household objects and curious instruments become the core thematic material for a range of exquisitely conceived and realised pieces in which the recordings are shaped, stretched, tuned, combined and otherwise manipulated before being folded into a variety of musical structures with additional elements or parts added. Much use is made of rhythms derived from gravity – that is, dropping and bouncing - embedded into microtonal, poly-rhythmic and dee…
2013 release **
"11 Micro-Exercises were invented by Christian Wolff in response to a commission from the Miniaturist Ensemble. For Wandelweiser Editions, other miniaturists perform these eleven pieces (plus two bonus pieces): Beat Keller and Reza Khot. Keller and Khot are two electric guitarists who pierce the ivory (sometimes tear it) and respect the principle of a musical art free from preconceptions. Nine seconds, twenty-two, one minute and thirteen, or eleven minutes and forty-seven… The le…
2007 release **
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…
1995 release ** Special members-only edition for the sponsors' circle of dacapo. Music by: Anton Webern, Morton Feldman, John Cage, Hans Otte, Malcolm Goldstein, Dietrich Eichmann, Yoshikazu Iwamoto.
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
Recorded after performances at New York's prestigious 92nd Street Y in 1996 with the participation of the composer, Ensemble Music 2 is the follow up to the initial, critically acclaimed and best selling volume of Iannis Xenakis' Ensemble Works on Mode. This disc contains the first recording of Xenakis' memorial work A la Mémoire de Witold Lutoslawski, to the great Polish composer. A literal monument in sound, comprised of massive blocks of brass arranged as a dirge-like fanfare. Composed in 199…
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
2009 release **
The score of "Stones" consists of just a few lines of text:Make sounds with stones, draw sounds out of stones, using a number of sizes and kinds (and colours); for the most part discretely; sometimes in rapid sequences. For the most part striking stones wfth stones, but also stones on other surfaces (inside the open head of a drum, for instance) or other than struck (bowed, for instance, or amplified). Do not break anything. Christian Wolff, STONES, (from: Prose Collection, 1968…