Signals
Huge tip! Following her 2025 minimalist/ambient album ‘just like any other day (어느날): background music for your mundane activities’ on Shelter Press, Okkyung Lee moves in another direction with London’s Explore Ensemble. Flung is proud to present Signals, a release that eludes categorisation while shifting between electronics, acoustic composition, and improvisation. It places Lee’s improvisational language in dialogue with the instrumentalists of Explore Ensemble’s sextet, whom together become …
Given
"The piece given may be characterized as a certain activity, a special kind of practice. We practice as a trio (two players and one producer), hoping that anything might emerge: we gather to share a beautiful time together, exchanging our hopes and longings, our suffering, and our pain. Why should there be music at all? Faced with this question and considering the state of our world, artists could often find themselves drawn toward a sense of meaninglessness. But this is not the end. In the face…
Full Spectrum Voice
1991 release ** Works by six composers from new music's acclaimed baritone, Thomas Buckner who's been called "the voice of the new". Works written by: Robert Ashley, Jon Gibson, Nils Vigeland, Peter Gena, Annea Lockwood, and Roscoe Mitchell.
z DNA
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves around innovative use of ’objets trouvé’ and western classical instruments via hefty electronic manipulations and many extended techniques. Taking its name from both the less common and stable form of DNA and the Slovak term for “from the bottom”, Z…
Drift
James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release—the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi.
The album begins with "Nymphaea" (2020), performed by the GBSR Duo (Siwan Rhys, piano; George Barton, vibraphone), follow…
Undertones
*200 copies limited edition* Undertones is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation. The field recordings, identified as variable, change with each perfo…
High Carbon
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.
She remains true to her personal inside piano world, inclu…
Number Pieces (Piano)
2018 release **
"Two versions of Cage's 'One' and one of his 'One5' performed by pianist Guy Vandromme. 'One' was written in 1987, a ten-minute long piece for solo piano. Per the Cage Works page, the commentary is: "This work comprises 10 systems of piano chords, varying in dynamics, selected by chance. Each system is roughly 1 minute long, and all but one is flexible. Each system contains 2 sets of chords. The order of each set is maintained, but the relationship between the two sets of chords …
8 Automated Works
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Remarks On Process
Tip! Remarks on Process was recorded in May 2024 at Westbahnstudios Vienna. The project was a week-long performance workshop led by Mark Fell with members of the Austrian ensemble Studio Dan. Throughout the week, procedural systems were developed to explore group behaveiours and emergent musical aesthetics. This led to a performance on the evening of the final day which is excluded here. Each day was recorded in its entirety and this cassette contains edited excerpts from the sessions in chronol…
Psychic Resynthesis
Tip! Frozen Reeds is proud to present Mark Fell’s ‘Psychic Resynthesis’, an instrumental work performed by Explore Ensemble. This double LP, with included digital download, is the label’s 8th release, arriving 13 years after its foundation. Fell is a multidisciplinary artist, composer, and theorist based in Rotherham, UK. Renowned for his rigorous and conceptual approach to electronic music and sound art, his work explores the limits of structure, rhythm, and perception through a blend of compu…
Annea Lockwood The Piano Works
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.
Piano XX Vol. 3
1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
Haiku In The Wide World
This is a lovely and surprising treat indeed. Composer andmulti-instrumentalist Tim Hodgkinson (Henry Cow and much more) partners with vocalist Atsuko Kamura (Mizutama Shobodan aka PolkaDot Fire Brigade and Frank Chickens) to present 37 compositions,expanding the usual sub-10-second acoustic life of classic haiku into avaried suite of compositions which place the gem-like poems, spokenand sung in both English and Japanese by Hodgkinson and Kamura,into gorgeous musical frames composed by Hodgkins…
Notturnino / Concierto De Camara / Dibujos / Cinco Meditaciones / Cuatro Fragmentos De Kiu
1991 release ** "Luis de Pablo represents the first post war generation in Spain, a lawyer, his music has graced all the primary festivals of new music in Europe, not so much the USA,nothing at all. He writes incredibly for strings in any genre there, solo, duets or trios. These pieces are more colorful mixtures of winds percussion,piano and strings and reveals a certain surface playfulness, an affinity for the dance gesture I think. The Notturnino has a kind of wispy arid flush of colours, ongo…
Electronic Music
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.
Live
1992 release ** "'Rebonds' (I. Xenakis), 'Akea' (I. Xenakis), 'Epicycles' (I. Xenakis), 'Mania' (C. Tsoupaki), 'Concerto For Oboe And Chamber Ensemble' (D. del Puerto) - Machiko Takahasi (fl.), Ernest Rombout (ob.), Mark Dijcks, Ria Kleinjan (cl.), Jonathan Reeder, Stefanie Liedtke (bsn.), Fokke van Heel, Guillermo Zarzo (h.), Peter van Dinther (tp.), Willie Verdievel (tb.), Jan van der Sanden (tu.), Mifune Tsuji, Izumi Okubo, Paul Hendriks (vl), Susan Bierre (vla), Tadashi Tanaka (cel.), Thom d…
Dust Book
A 50 minute solo for viola d'amore played by Marco Fusi. The piece was composed in 2022-2023, and has six movements.
Imaginary Cycle (Music For Piano, Brass Ensemble And Flute)
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…