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In the final decade of his life, Morton Feldman turned his attention to the trio format with an intensity that would yield some of the most profound and uncompromising music of the twentieth century. Between 1978 and 1984, he composed three monumental works for flute, piano and percussion that together constitute an immense meditation on time, memory and the irreducible strangeness of sound itself. This landmark 6CD box set from Another Timbre presents all three pieces — totalling six and a half…
Other Minds is pleased to present Ratchet Attach It by the Bay Area composer and impresario Charles Amirkhanian. Commissioned by Errollyn Wallen, the UK’s Royal Composer, for the 2021 Spitalfields Festival in London, Ratchet Attach It continues—and crowns—Amirkhanian's career-long fascination with the noisiest of percussion instruments: the ratchet. "The sound up close of a concert orchestral ratchet can be hair-raising," Amirkhanian writes in his composer's notes. "Also, full of bird-chirping-l…
Two works by Netherlands-based Argentine composer Claudio F Baroni where recorded speech is set against acoustic and electronic pitched sounds. The instrumental material emerges entirely from digitally aided speech analysis, which identifies occurrences of Western scale pitches within the natural intonations of speech.From these pitches, Baroni selects and assigns certain tones to instruments and electronics. The scores consist of the written speech text paired with musical notes, precisely alig…
Buh Records presents Anthology 2: Works for the Experimental Orchestra of Native Instruments, a double album that deepens the exploration of the work of Bolivian composer Cergio Prudencio (La Paz, 1955) and his inseparable bond with the Experimental Orchestra of Native Instruments (OEIN), the project he co-founded in 1980 and of which he is now emeritus director. Like Anthology 1, widely praised by the international music press, this second installment continues to reveal the conceptual, aesthet…
2015 release **
"Two works, Frey's third string quartet (2010-2014) and a piece for string quartet and two percussionists (2004-2006), with Quatuor Bozzini on each, assisted by Lee Ferguson and Christian Smith on the latter. I get the impression that if you half-listened to the string quartet, you might get the impression of stasis and self-similarity though nothing could be further from the truth. In his notes, Frey compares it to "the silence of a square, a room, a wall or a landscape" and tha…
2015 release **
"Eleven songs for voice and lute by the Swiss singer and composer Marianne Schuppe. The instrumentation taps a deep historical channel, back to Dowland and beyond. But Schuppe doesn’t pluck her lute. Instead she uses e-bows to turn a melodic accompanying instrument into an environment, an ancient combination updated to reflect a contemporary preference for objects over stories. The songs are simple melodies, sometimes folklike (ballads and laments more than dances), but with word…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
1991 release ** Works by six composers from new music's acclaimed baritone, Thomas Buckner who's been called "the voice of the new". Works written by: Robert Ashley, Jon Gibson, Nils Vigeland, Peter Gena, Annea Lockwood, and Roscoe Mitchell.
2000 release ** On His Tone Of Voice, Thomas Buckner offers three works about man's spiritual quest for truth and goodness. The central character in "Blue" Gene Tyranny's collection of songs, His Tone of Voice at 37, realizes something that he had always known, but forgot that he knew -- a secret that frees him to search for a place where there are no more wars or suffering. Mel Graves draws his inspiration for Mediations on Truth from the poems of the 15th-Century Sufi poet, Kabir, whose style …
Ying Wang’s RE:Wilding presents five works shaped by sonic precision, cultural awareness, and political urgency. Acoustic instruments and electronics coexist without hierarchy, exposing noise, fragility, and quotation as structural elements. Rather than fixed messages, the music offers a field of tensions—between gesture and abstraction, control and collapse, presence and disappearance. References to social injustice, ecological crisis, and cultural memory are articulated through sharply drawn c…
1990 release ** "Arditti", presents a typically challenging Arditti programme, beginning with Beethoven's Grosse Fuge (1826), which comes over well from their modernist standpoint. Conlon Nancarrow's String Quartet No. 3 (1987) comes next - Nancarrow had said that the Grosse Fuge was the only music he would want his quartet to follow, and they make an illuminating pairing. Ruth Crawford Seeger's magnificent String Quartet (1931) has had several fine recordings, and this one is one of the best - …
Morton Feldman’s Rothko Chapel is a hushed yet monumental soundscape that resonates with the spiritual austerity of Mark Rothko’s paintings. Combining solo viola, voices, celesta, and percussion, the LP explores silence and timbre with a reverence that transforms listening into a meditative experience, while the composition For Frank O'Hara offers a tender lyrical counterpoint to its profound stillness.
Experience the extraordinary sonic journey of Terry Riley like never before with Live In Paris, 1975, an exclusive release from France Musique FM. Captured in these rare French live recordings, Riley delivers a mesmerizing display of his signature psychedelic organ mastery, following closely on the heels of his 1972 landmark work, Persian Surgery Dervishes.
In stunning form, Riley conjures endlessly rippling, dosed organ drones that create a captivating sense of stasis within expansion—a uniquel…
The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the 'Dies Irae', which takes six different forms to embody the in memoriam concept.
*2025 stock* "The latest album by innovative Slovak composer, Barbora Tomášková, offers a unique suite of sounds, where boundaries between acoustic traditions and exploratory electronics dissolve. The Slovak composer and performer’s practice revolves around innovative use of ’objets trouvé’ and western classical instruments via hefty electronic manipulations and many extended techniques. Taking its name from both the less common and stable form of DNA and the Slovak term for “from the bottom”, Z…
This very special CD Book presents John Zorn’s evocative musical setting of the Biblical love poem The Song of Songs, with singer/conductor Barbara Hannigan and film director/actor Mathieu Amalric narrating. Featuring extensive notes, the full text of Jeremy Fogel’s passionate new translation (commissioned expressly for this project), and 35 illustrations by Zorn himself, this limited edition one-of-a-kind CD Book is an absolute treasure.
In Star Trail, José Luis Hurtado sculpts a luminous universe of sound—music that resembles light itself: expanding, reflecting, distorting. Through multilayered “parametric counterpoint,” space triumphs over time, revealing textures that shimmer between structure and spontaneity. Each work—Electric Dust, The Untitled 3S, In the Space of Time, Mutual Gravity, and the title piece Star Trail—unfolds as a sound installation of infinite possibilities, where every gesture refracts into new meaning. Bo…
Sounds, Archaeologies brings together works by Isabel Mundry that understand listening as an active, participatory process. Arising from the experience of a transformed acoustic environment, the composer opens her music to a dialogue with history, material, and cultural grounding. In the title piece for basset horn, violoncello, and piano, Mundry excavates the “sediments of our musical history” – sound becomes an archaeological find linking past and present. Balancing reflection and intuition, s…
In Naturstudium III, Luis Tabuenca, together with Les Percussions de Strasbourg, explores the sonic worlds of the Baschet sound sculptures—resonant bodies of metal, glass, and wood that oscillate between instrument and architecture. From their dialogue emerges a new musical grammar and hybrid notation that seeks to capture the fleeting nature of these resonances. Recorded by Neu Records in immersive sound, Naturstudium III is more than documentation: it is a spatial experience of vibration, reve…