All Life Long
Created between March and May 2020, Does Spring Hide Its Joy is an immersive piece, positioned as a “study in harmonics and non-linear composition with a heightened focus on just intonation and beating interference patterns”.
For Bunita Marcus (1985)
Proudly co-produced with Teriyaki records, this volume is simply Unique!
Série Réflexion 1
A mysterious entry in the canon of Japanese minimalism, Série Réflexion 1 was the debut and swan song of Oscilation Circuit, a short-lived ensemble helmed by composer Kenichiro Isoda. Released in 1984, the album was intended to launch a new series for Satoshi Ashikawa’s Sound Process label, whose Wave Notation albums had already heralded a new phase of ambient composition. Where composers like Ashikawa and Hiroshi Yoshimura took ques from Satie, Eno, and Budd, Oscillation Circuit’s interests lay…
Of Shadow and Substance
Acclaimed NYC composer, producer and saxophonist Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion Of Shadow and Substance.
Empyrean Traces
*300 copies limited release* With Empyrean Traces, De La Catessen Records focuses on another aspect of Adelaide composer David Kotlowy’s career – his works for trio. It follows the 2021 release of Final Fragments: Piano Music of David Kotlowy, where Kotlowy’s solo piano compositions were performed by composer and scholar Stephen Whittington. The three compositions on Empyrean Traces are brought to life by the Benaud Trio, whose ability to carry the gentle poetics of such work allows for bravura …
Octet
*2023 stock. 250 copies limited edition* On this album, works composed in 2018 and '19 by Tokyo-based composer/guitarist Taku Sugimoto are performed by musicians based in Berlin. Sugimoto has in recent years been working on a series in which pieces written as scores for solo performance can also be played as ensembles, with each musician using their respective solo score. For example, a score for guitar solo and a score for cello solo can be played as a duo performance by a guitarist and a celli…
And / In
*2023 stock. 300 copies limited release* And / In is the Amsterdam/Berlin-based duo of Heather Frasch and Koen Nutters creating music with objects, text, and vibrations. Shadows and light, audible and inaudible movement, air, liquids, and solids. They conduct musical investigations of objects, bodies, agents, sounds, actions, text and silence. Objects and/in silence. Text and/in sound. Reading and/in actions. A spatio-vibrational theater workshop approaching the meaning and the life of objects a…
Förnimmelser
Deluxe 2LP, inc printed inners & download of the album dropped to your account. Composed by Lo Kristenson 2017-2018. Recorded + mixed by David Granström, mastered by Mats Erlandsson. Artwork by Julija Morgan, sleeve design by Stephen O'Malley
Kanon Aonami Composed Works: Performed by Sean Colum, Kanon Aonami and Fumi Endo
Born in Yokohama in 1994, Kanon Aonami is an alto saxophonist and composer who plays jazz and improvised music at performance venues mainly in Tokyo and Yokohama. She is also a talented composer, and at Ftarri she often performs her own compositions in addition to improvised music. In June 2021 Aonami started appearing periodically at Ftarri; she has performed with musicians including pianist Fumi Endo, alto sax player Masahide Tokunaga, and British guitarist and Tokyo resident Sean Colum.
Focus…
Piano, Violin, Viola, Cello
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
A History of Musical Pitch
This album contains three works by Seamus Cater, including his creative response to the work of Alexander John Ellis (1814-1890), who presented a paper 'The History of Musical Pitch' to the Royal Society in 1880. Ellis was a mathematician, collector, philologist and musical enthusiast, who spent a lot of time measuring the exact frequencies of contemporary and ancient musical instruments, and so is remembered as one of the founders of comparative musicology. Two of the pieces on the disc are 're…
parallaxis forma
"There are many things that for me make Catherine Lamb's music special. I guess first of all, it's music I turn to if I want a certain feeling/mood or experience, of time, and of sound. I've been lucky to hear a few of her recent pieces live, like the Jack Quartet playing her 'divisio spiralis' at Wigmore Hall, and of course the concerts of Explore Ensemble where we've played 'parallaxis forma' with vocalist Lotte Betts-Dean, when I also played electric guitar. For me it's this balance between a…
String Trio
"I wrote the piece on a commission from the Concertgebouw Brugge, and it was premiered by the Goeyvaerts Trio as part of the 2019 Slow Festival. The trio played the piece again after the festival, but I always had the feeling that it hadn’t yet arrived at its final destination. So when the plan emerged to have Apartment House record the trio, I sat down again and worked some more on the piece. It’s not the first time I’ve re-worked ‘finished’ pieces. This is mainly due to my basic way of working…
Arrival
*200 copies limited release* Following his duo with Jeff Tobias (Tributaries), Jack Cooper’s latest foray into experimental composition—Arrival—is a stunning new piece showcasing Cooper's mastery of patience and restraint. Delicate harmonic textures that recall the work of composers such as Michael Pisaro, Jürg Frey and Antoine Beuger, it features three extraordinary players from the experimental scene: pianist Alexander Hawkins, alongside Anton Lukoszevieze (cello) and Heather Roche (clarinet) …
Éliane Radigue: Occam Delta XV
Much-needed repress. "I was very honoured to receive this request from Quatuor Bozzini, whose immense talent I already knew. The first meeting was very warm, friendly and familiar, like a reunion of old friends after a long separation." —Éliane Radigue Thus began the collaboration between Quatuor Bozzini and Éliane Radigue. In the hospitable atmosphere of her apartment, the composer conveyed the intricacies of her sound to QB. Her entire career, Radigue has been dedicated to building a body of w…
Semèia Kài Tèrata
"The Septuagint is the name in which the first Greek translation of the Old Testament is identified, datable to the 2nd century A.D. According to Aristea's letter to Philocrates, in which the genesis of this version is mentioned, 72 sages from Alexandria commissioned by Ptolemy II were responsible for the translation. Within the text, the term "prodigy" (τέρας, tearas) is never found alone but forms an inseparable binomial with "sign" (σημεῖον, semèion), thus forming the expression σημεῖα καὶ τέ…
Four Full Flutes
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
The Diary Of The Unforgotten - Selbstportrait VI
*2023 stock* A beautiful collection of recordings from 1972 to 1978, first released in 1990 (with different artwork). "Selbstportrait VI" contains compositions Roedelius did in addition to his work with Cluster, Harmonia and Brian Eno in the legendary Forst years. In the booklet Roedelius looks back on this personal and artistical important period of his life. He explains the magic of the idyllic place and its influence on his music.
Wie Das Wispern Des Windes ... / Like The Whispering Of The Wind...
*2023 stock* If we can agree on 1969 as the year of Cluster's inception, then Roedelius needed a good 17 years to discover the aural qualities and musical beauty of the grand piano for his own compositions. Rarely has the title of a Roedelius album so poetically and yet so accurately described its content. On "Like The Whispering Of The Wind" from 1986 Roedelius expands his Études towards amorphousness, then suddenly a disarmingly familiar melody appears, from a completely different source perha…
of rain
*2023 stock* "The four works for piano recorded on this CD were written between 2017 and 2021. All were composed using a random number method. More precisely, each of the sonic components of sounds made from random numbers was changed, based on my own sensibility, into another sound that I was happy with. This transformation was carried out little by little every day, like writing in a diary, resulting in the creation of each individual sound. I always write similar things in explanatory notes a…