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Belt of Orion by Stockholm-based Isak Edberg is the composer’s second solo release on XKatedral, and his first to focus solely on instrumental music in the form of two pieces of extended duration for solo piano.
This album contains three new works by Italian composer Giuliano d'Angiolini, ')))(((', '7 flauti', and '100100', following his previous three albums: 'Simmetrie di ritorno' (Edition RZ, 2010), ‘Cantilena’ (Another Timbre, 2016) and ‘Antifona’ (Another Timbre, 2020). ')))(((' was composed in 2023 for four flutes and sheng or accordion, or six clarinets, and the version here is for four flutes and six clarinets. It is recommended to listen at high volume. '7 flauti' was written in 2010 for seven …
Tip! Explicit isolation is the third album by the international collective E/I, led by composer and percussionist Szymon Pimpon Gąsiorek. The group’s seven core members came together while studying at Copenhagen’s Rhythmic Music Conservatory and the Royal Danish Academy of Music. For this latest release, they are joined by Slovenian musicians Samo Kutin (hurdy-gurdy) and Kaja Draksler (organ), alongside Danish tuba player Rasmus Svale. The three compositions distill sound down to its essential e…
*2024 stock* It's quite unusual for me to take on an existing piece. Since I've been interested in contemporary music, I've devoted myself to commissioning new pieces. This time, it's a bit different. I wanted to extend the ringers' quartet into a form reminiscent of a bagad. In C (1964) consists of 53 ordered patterns. The musicians repeat them freely and move on to the next. Terry Riley simply explains that each musician must be neither too far behind nor too far ahead of the others. This grea…
2024 Stock. Wild Up’s Anthology engages with the complex history of Julius Eastman’s legacy and ideas, including the titles of his work. Each person involved in making this Anthology negotiates their position and relationship to the n-word; thus, the word appears in several permutations throughout. We chose to use Eastman’s given titles in the track listing to honor the composer’s intentions. With this seven-volume project, Wild Up aims to be part of the ongoing social, political, and artistic d…
2024 Stock. Out now, Los Angeles-based musical collective, Julius Eastman Vol. 1: Femenine is the opening entry in Wild Up’s multi-volume anthology celebrating Julius Eastman, the late composer whose amalgamated musical vision was repeatedly dismissed during its day, but is now being unearthed to critical acclaim. Championed by The New York Times for their “boisterously theatrical sensibility,” Wild Up slowly comes alive inside this recording of “Femenine,” the epitome of Eastman’s longform “org…
"When I discovered the simple and powerful black and white pictures by Valéry Lorenzo, in the 90s, I immediately fell in love with them. We became good friends and since then I ask him to let me use one of his photos for most of my album covers, or to make my portrait for press shots. It has become a real collaboration, music and images, for more than 25 years. It was then logical to ask him again for the cover of this box set, like a gentle reflection on my piano and strings era. It's a true ho…
Timothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder). Each piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground). The Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa & Saint Lawrence River…
"Maybe I'm like a still life painter," Linda Catlin Smith says, "looking at the same objects again and again over the years." Yet this survey of chamber works—spanning 1986 to 2024—shows a composer whose perspectives continually shift, finding something fresh in each iteration. Hers is "a compositional voice that never shouts, never draws undue attention to itself, yet creates music of compelling beauty." The Guardian awarded five stars, placing it #3 in their Top Classical Releases of 2024.
Apa…
Inspired by the perspectives and timescales of nonhuman beings and distant orders of magnitude in the universe of life, Rewild seeks new strata in musical parameters, exploring the uncanny zones at which pitch becomes rhythm, harmonic interval becomes beating rate, and timbres morph over time. Like a giant body or ecosystem slowly breathing, Rewild’s constantly transforming sound-world orients temporal perception toward global listening. By offering an aural metaphor for the interacting gradual …
Twilight was Haruka Nakamura’s second album, released in the summer of 2010. The album spawned the Haruka Nakamura classics such as twilight, ongaku no aru guukei, curtain call, faraway and hikari. Upon release it was seen (and still is) as a haruka nakamura masterpiece. twilight marks a milestone not only for the artist but also remains the best-selling album on Kitchen. Label in over a decade. Recorded in a studio overlooking the ocean as a tribute to the sight of the expiring sun falling slow…
Composed by Stefan Thut in 2021Written for Joseph Kudirka's collection of music for music boxlater the score has been read in various other ways
Side a was recorded by Jaike Stambach in Berlin in May 2022.Joseph Kudirka: music box
Side b was recorded by Stefan Thut in Solothurn in May 2023Cristián Alvear: guitarChristian Kobi: soprano saxophoneJoseph Kudirka: synthesizerStefan Thut: celloMara Winter: flute
Georgia Denham (b.1997) draws on anecdotal experience to create her music. She studied with Andrew Hamilton at Royal Birmingham Conservatoire and now with Richard Causton at the University of Cambridge for her PhD. She lives with her husband, a theoretical computer scientist, and their many beloved plants. “This collection of chamber music from 2018–2022 wakes scores I thought were long since sleeping, where I first learned to write the delicate sounds I loved. With music written during my studi…
Catherine Lamb works at the boundary between perception and illusion. In Curva Triangulus (2018/21), the American composer takes Bridget Riley's geometric forms as starting point for "warping" Renaissance materials through geometric musical figures. The result is a 41-minute composition for eight instruments where the distinction between melody and harmony dissolves: one generates the other, rather than existing as separate entities.
The score demands an exceptional ensemble. Bern's Ensemble Pro…
Ian Antonio discovered Jürg Frey via algorithm. About 15 years ago, SoundCloud kept leading him to the same piece, maybe Circular Music No. 2. "I wouldn't notice the piece starting but then realize I was in fact listening to it closely," he recalls. "The stillness and closeness and warmth were somewhat new to me." At the time, Antonio played "a lot of very loud and often very fast music" with groups like Wet Ink, Talujon, Zs, and Yarn/Wire. Frey's music was "very much the opposite."
This double …
*150 copies limited edition* The Finnish composer, producer, and pianist Otto Taimela is ticking at 6000+ monthly listeners on Spotify with streams in the 100s of thousands. His discography covers everything from avant-garde piano to breakbeat, ambient-dub techno back to cinematic contemporary classical music, with releases on labels such as Cold Blow, Ultraääni, Cudighi Records, Reflections by Anjunadeep and Finite Source. Otto has performed in festivals such as Ilmiö and Solstice. Kimmeltie LP…
Closing the achingly long four years wait since her last full-length, the American composer/percussionist Sarah Hennies returns with “Motor Tapes”, her second release with New World Records. Comprising three astounding new pieces, made in collaboration with three acclaimed ensembles - ensemble 0, Talea Ensemble, and Ensemble Dedalus - that simultaneously encounter her moving into new uncharted territory, while remaining rooted in her singular practice, exploring musical, sociopolitical, and psyc…
Piano is an album of three pieces, 'A Luca Marenzio ll', 'Ma fin est mon commencement', and 'Gebrechlichkeit', written by Slovak composer Adrián Demoč between 2018 and 2023. 'Ma fin est mon commencement' and 'Gebrechlichkeit' were written with three performance options in mind: specific instrumentation, open instrumentation with a similar quality of timbre and register, and a "monochromatic polyphonic" instrument, preferably the piano. 'A Luca Marenzio ll' was originally written as 'A Luca Maren…
*100 copies limited edition* In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa. "Organic Music Tapes Vol.3," the third instalment in Tiago’s ongoing series, continues to develop a freeform dual approach to organic and fluid compositions for Piano and Organ - this time adding a real church tube organ to the proceedings.
Evolving from the foundation laid in the first two volumes, Sousa introduces the pipe organ into his signature piano…