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Compositional /

Tabula Rasa
*2024 stock* Original CD and all materials from the original booklet. Music scores of all four compositions of the album. Previously unreleased facsimile of Arvo Pärt’s autographs of “Tabula rasa” and “Cantus”. Introductory essay by Paul Grifftiths. Exclusive photographs from the ECM archive. All texts in English and German. In 1984, ECM brought a new sound into the musical world with the release of Arvo Pärt’s Tabula rasa, the first album on the label’s New Series imprint. Now, on the occasion …
No grief without joy
*Limited Edition Handmade CDR in cardboard string sleeve with liner notes and album art.* "A collection of five pieces, made between 2016 and 2019, in a short period that echoes, in part, the grief after my mother’s passing at the end of 2015. These pieces bring together artists from (a.o) Cape Town, The Hague, Toronto, Torino, and Johannesburg. Listening back to these earlier pieces I can discern feelings of emptiness, fleeting moments of joy and play. It is the unending sense of absence versus…
Solo For Cello
The Trilogy Tapes’ first CD presents a studio recording of Jack Sheen’s Solo for Cello, a 35’ work written for Anton Lukoszevieze, the cellist, artist, and Director of the group Apartment House, renowned for their recent recordings of John Cage, Morton Feldman, and Jim O’Rourke, amongst many others.  “Jack Sheen’s Solo for Cello and fixed audio is an extended exploration of the resonant body of the cello, but also a kind of flickering, glitchy and incessant ‘moto perpetuo’, of extreme intensity…
Tuscany
*2023 Repress* Los Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form.Kirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata …
Continuit​é​, fragilit​é​, r​é​sonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
L​’​Occhio Del Vedere
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …
Landscapes and Lamentations
“Music and nature have a long and illustrious history together,” writes violinist, composer, improvisor, hiker, Richard Carr. “It’s been done a zillion times, but I can’t fight it anymore. True, I spend more time than most knocking around the woods and winding up and down the trails. Over the course of six decades, I have explored the major mountain ranges of six continents. This has been long enough to witness first-hand the changes that have been so apparent not only to the naked eye but also …
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Apophany
If you were to connect seemingly unrelated things – Heavy Metal and the symphony orchestra, for example – you might be guilty of apophenia. That friction between opposites has never been a problem for Nick Vasallo, though – his music is equally at home in both worlds. Melding Xenakis, Varese, Extreme Metal, and Dark Ambient with gothic charm, Vasallo conjures up a muscular sonic battle that leads you on an inexorable musical journey to a conclusion where surrender is your best option. Catharsis …
Stay On It
In 1973, avant-garde ensemble Creative Associates goes on a tour of Europe with Eastman’s brand new piece in their repertoire, and in short: “Stay on It” turns the coordinates of avant-garde music on its head. It is minimal, but unashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to the poetic and lyrical. It is strict and demands …
Dilin Dalan
*2022 stock* Ongi, Welcome, Dilin Dalan, Oyez, Sing good people in this encounter with pure tradition, ethnomusicological travel, sound transformation and electroacoustics! The ancestral percussion, Txalaparta, rediscovered by the Artze brothers, dialogue with those of the orchestra and those of Alex Grillo's MIDI xylophone connected to a sampler. Befiat Axiary's singing is inspired as much by tradition as by contemporary creation, both in spirit and in form.
Mixtur 2003 Vorwärtsversion
*2022 Stock.* This recording of an updated version of Mixtur (for 5 ring-modulated orchestra groups, orig. 1964/67) features the Deutsche-Symphonie-Orchester Berlin, conducted by Wolfgang Lischke. In contrast to the original, graphic notation-based version of Mixtur (on The Stockhausen Edition no. 8), all of the orchestra parts for the updated 2003 version are completely notated.- Stockhausenspace.blogspot.com
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
Elektronische Musik Mit Tonszenen Vom Freitag Aus Licht
*2022 Stock.* Elektronische Musik Mit Tonszenen Vom Freitag Aus Licht, this 2 CD set contains the dark ambient electronic music (Weltraum, or "Outer Space") from the opera Freitag Aus Licht (Friday from Light), combined/mixed with the Paare vom Freitag (Couples of Friday) "Sound Scenes" (heard as isolated duets on Paare vom Freitag, The Stockhausen Edition no. 48). In other words, this is the "tape" parts of the opera without the live performers. The electronic music is also used as the ambient …
Kontra-Punkte / Zeitmaße / Stop / Adieu
*2022 Stock.* The best, most efficient way to hear Stockhausen's works is through his official record label and publishing house. The Stockhausen Edition CDs are meticulously assembled with often voluminous booklets in English and German, filled with sketches and other documentary artifacts. Almost all of the recordings originally released on Deutsche Grammophon, Wergo, Nonesuch and other labels were reacquired by Stockhausen, and then remastered and repackaged under the Stockhausen Edition cata…
Música Azul
*Limited edition of 150 copies.* Música Azul is a gulfstream of melodies originally written for Spencer Clark’s Avatar Blue exposition at Het Bos in Antwerp, march 2019. I got the original melody lines from a photoshop mock-up in which Spencer showed his ideas for the expo. I then performed the piece - partly improvised - on the opening night as to activate the several artworks that were displayed in the installation. Afterwards I edited and reworked the composition for optimal home listening.
Halleluja / Alle Vittime Senza Nome
*2022 stock* 'Halleluja, Peter Eötvös’s “stuttering oratorio”, with a text by the novelist Péter Esterházy, was first performed in 2016. It’s built around the historical figure of Notker Balbulus, Notker the Stammerer, a ninth-century Benedictine monk who was a chronicler and composer. But, Eötvös insists, “It is not so much a portrait of Notker as of the times in which we live … At first the choir represents a society that says ‘hallelujah’ to everything: they have to be satisfied with everythi…
Heliogabalus Imperator / Works For Orchestra
*2022 stock* The relationship between Hans Werner Henze and Oliver Knussen was one of great mutual respect. The German composer admired the British conductor and composer for electrifying performances of Henze’s own and other composers’ works. Knussen was an untiring and enthusiastic champion of his friend Henze’s music. The recordings collected here display Knussen’s deep understanding of Henze’s music. Knussen conducts the BBC Symphony Orchestra in sensitive and meticulous performances of comp…
Canti Del Capricorno
*2022 stock* Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power stat…
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