Deafened By The Noise Of Time
Pierce Warnecke’s work springs forth from the nexus of sound and vision. With Deafened By The Noise Of Time, he undertakes a deep interrogation of sound, which mirrors many of his approaches to visual ma-terials. Seeking to test how elements of music are altered through interference and deterioration, he uses a range of methods to reveal new densities, timbres and melodies from within his original source materi-als . Rather than becoming fragmented or overtly degraded though, Warknecke’s work on…
Spectral
Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories, and repositions them; exploding them outward and shifting perspective. Spectral, celebrates the shadows of melody and the after-thoughts of rhythm. It breaths with a sense of calculated intensity that reflects on Cocolas’s focus throughout the proc…
Too Ne
Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…
Private Shell
*Edition of 100. In process of stocking. 2022 stock* Løt.te is Mehmet Irdel, a Turkish-born, Brooklyn based artist and producer whose recent output has consisted of vinyl EPs on The Bunker New York label, and a string of mixes most notable of which is the Resident Advisor podcast from June 2015. His cassette EP, Private Shell, marks the first time Løt.te is branching out from his previous dancefloor-friendly techno output to explore ambient space and atmosphere, which falls somewhere between the…
Brutal
Brutal is sound artist Ben's attempt to apply his practice exploring space, place and sound to a collection of both loved and maligned brutalist spaces across London, past and present. A binaural recording.
Geometría Prohibida
*Limited edition of 200 copies.* Melancholic energy blast from Gran Canaria’s cult trio, MINIATURa, helmed by Eduardo Briganty. Formed in Las Palmas in 2007 and with three records under their belt, "Music Box" (2007), "La Huida Concéntrica" (2012) and "Estrategias de Perdición" (2015), the trio now unleashes its fourth album with a distillation of Briganty's musical and artistic references, coming like a cross of concept album and an unintentional imaginary soundtrack to a David Lynch flick – a…
Anemic Cinema
An "anemic cinema" might not make literal sense, but a renowned avant-garde film bears this title, by French-American artist Marcel Duchamp, focused on images of rotating swirls and discs. Junya Tokuda's latest project takes its name from the film, and its highlight track, "Parallax View" stands out on Anemic Cinema. It's an auditory depiction of a parallax—the perception of an object's position changing depending on where it's viewed from. The continuous thumps create the perception of "Paralla…
X 2017 Remastered
*Released in 6-panel Digipak. Includes a 24-page booklet.* This re-release has some little differences from the formerly available CD version. The former CD of "X." was altered in sound and some tracks were a bit shorter as on the original vinyl album. The music used for this re-release was carefully transferred from original old analog mastertapes to digital format. There is a version of "Ludwig", played and recorded live in concert in September 1978 during a show by Klaus Schulze who was accom…
Picture Music 2017 Remastered
*The CD re-release includes the 33-minute bonus track "C'est Pas La Meme Chose" as well as a 16-page booklet.* "Picture Music" is Klaus Schulze's fourth studio album. It contains two tracks, "Totem" and "Mental Door", which were recorded towards the end of 1974. The LP was released in January 1975 on the legendary Brain label. A British journalist attested to the publication's "hypnotic quality" at the time. In addition to the strong rhythm emphasis, the chirping, rising and falling synthesizer …
Moondawn 2017 Remastered
With "Big Moog" and Harald Grosskopf on drums: The cult album from 1976. For many fans of cosmic music from Germany, Schulze's sixth album "Moondawn", originally released in 1976, is considered a highlight in the musician's oeuvre, which is not exactly lacking in showpieces. Its cult status was due in particular to the use of a "Big Moog" for the first time, which draws attention to itself with a particularly fat sound. Furthermore, "Moondawn" was the first Klaus Schulze production to be made as…
La Vie Electronique 8
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* The eighth part of "La Vie Electronique" contains a selection of titles that were created in the years from 1977 onwards, outside of the productions for the albums "Mirage", "Dune" or "Dig It". These showed a significant change in Klaus Schulze's way of playing and composing. This was not least due to the renewal and expansion of his instrument pool. This gave Schulze the opportunity to play and record his music wit…
La Vie Electronique 7
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* "Re: People I Know" is the first of two long pieces that Klaus played at his concert in Düsseldorf on September 30, 1977, similar to the impressive piece that Klaus Schulze performed in Brussels the same year at "St. Michael's Cathedral". has played. "Avec Arthur": During the long tour in 1979, Klaus played a long solo piece that filled the first half of the concerts as usual. After the break, Arthur Brown joined fo…
La Vie Electronique 6
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
La Vie Electronique 5
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
La Vie Electronique 4
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
La Vie Electronique 3
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
The Flower, The Bird, And The Mountain
During the late 2010s, music lovers around the world began obsessively listening to increasingly esoteric albums on Youtube. More often than not, they’d leave the browser on autoplay. This was how Facundo Arena, the composer and producer behind The Kyoto Connection, discovered the technonaturalistic pleasures of Kankyō Ongaku (environmental music), a distinctly Japanese interpretation of European, British and American minimalist composition and ambient music. “It was a kind of algorithmic magic,…
The Exquisite Corpse Shall Drink the New Wine
*Edition of 300 numbered copies Die-cut cardboard outer sleeve, color print inner sleeve + poly-liner sleeves.* "The exquisite corpse shall drink the new wine", wrote the French Surrealists almost 100 years ago, and from this missive stems the parlor game in which we partake here. Through obscuring the tower itself, they cobble together meandering staircases in which to ascend with absent-minded haste; spontaneous line-weaving amasses figures and phrases into new planes of thought, therefore hol…
R.S.F.
*In process of stocking.* 'Meth.O.Tapes' catalogue opens up on a programmatic framework in the form of Gil.Barte's first LP. Developped as an experimental exploration rather than a narrative, this object called « R.S.F » is a recollection of intriguing sonic pictures. Tracks neither really start nor they finish, pieces of an apparently unreasolvable puzzle like pages of a fantastic bestiary long forgotten.
Voyage de la planète
Marc Romboy deploys his first new material in eight years with the classically computed electronic wizardry of Voyage de la planete. Filtering a vision of abstract synthesis with a well-trained ear for melody, Voyage de la planete's ten tracks brilliantly cross the borders of downtempo-tronica' with a fizzing melodic structure that is sure to place it at the front of the listening habits of everyone from deep house heads to the abstract jazz enthusiasts.