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"Beyond the Crying Era is one massively immersive and entrancing score built on ominous, eerie soundscapes of darkly, grainy, and slowly moving elegance. Winter-Light is an indie label based in Netherlands and specializing in deep electronic soundscapes and any related genre coming from the shifting ambient music galaxy. They are active since 2014 and notably renowned for having released materials from Rapoon, Seetyca and Inner Vision Laboratory - clear veterans of dark drone textures and eerily…
**180 grams clear vinyl** “A man wakes up in the middle of the night. Is there something there? Or has something disappeared? Outside are clouded constellations of stars, inside the radio plays idle sounds from beyond and the phone is dead. It seems as if something had been accompanying him already all the time, hiding in the corner of his eye, stealing his identity by being a double. Trying to escape this mirror phantom he leaves the room. Outside on the stairs he happens upon more reflections,…
**Edition of 400 copies pressed on Silver vinyl** Yeah that's what we’re talking about; supremely dank, occult dark ambient and submerged black metal atmospheres from Jim Mroz aka Lussuria, properly harrowing recordings pierced by occasional shafts of blinding light and choral arrangements that take us to exceptionally weird places. Huge recommendation If you’re into anything from Hildur Guðnadóttir’s isolationist soundscapes to Kevin Drumm or Thomas Köner's frostbitten classics.On the forebodin…
Alex Barnett (Champagne Mirrors, Oakeater, SCRAPES Recordings) and Faith Coloccia (Mamiffer, Mára) developed a friendship based on a fascination with the world just outside the limit of our understanding - the world where magic and mystery hold equal footing with science. On their third collaborative album VLF, the duo draft a soundtrack to the mapping of the unknown realms in both their private lives and the communal world around them. It’s a premise embedded in the album title, an acronym for …
After their highly-acclaimed debut album Decadent Yet Depraved (R-M 178CD/LP, 2018), Berlin and LA-based producers Belief Defect invited a variety of artists to join their Remixed project. Remixed 01 is about transferring the pieces back into abstract space, and each remixer does it in his very own way. Alessandro Cortini's one-take live recording is a lesson in classical ambient music. Telefon Tel Aviv's remix is timelessly modern and extremely delicate sound design. Rather opposite concepts ar…
"A truly mystical exploration of sound, René Aquarius creates shimmering worlds with Transmutation. Forgoing traditional melody and rhythm, instead René Aquarius lingers about with pure texture. The clever drone work recalls Thomas Koner’s darker impulses, while the metallic sheen further gives the two elongated pieces a feeling of ominous dread. Keeping things quite minimal, René Aquarius ensures that at no point is anything overdone, but rather made to be infinitely eerie. Ghostly imagery cros…
2015 release ** “OU” is the result of the collaboration of two atypical creators. Electronic composer Bob Meanza (“Cicadas”, 2013) meets sitar player Filipe Dias De in a cycle of musical performances in which they fearless blend improvisation, experimental electronics, drones and beats. In Berlin, city of electronic music, the two musicians are moving through different languages: Mediterranean background and Indian roots, with a Mitteleuropean perspective. Their music is the sound of a hypotheti…
The album combines both the live recording of the first ever Larsen & Z'ev In V.Tro live performances with extreme aural-mixes of Larsen's In V.Tro studio sessions by Z'ev.
Larsen and Z'ev In V.tro is a soundtrack for micro-cinematic images of cellular studies captured by professors Dario Cantino and Antonio Barasa of the Istituto di Anatomia Umana Normale (Basic Human Anatomy Institute) between 1935 and 1985. Cantino and Barasa wanted to review the history and techniques of in vitro cultures as…
2008 release ** Limited edition of 100 copies. "Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone."