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Electronic /

Backpfeifenphaseshift
Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …
The Pruttipal Index
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
"HEALING"
ugne&maria is the duo project of Ugnė Vyliaudaitė and Marija Rasa Kudabaitė, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaitė’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elem…
Issue 102
With her debut solo album rocketing into the UK Top 10 on the week of its release, we are delighted to have Alison Goldfrapp on the cover of the new Electronic Sound. We have a fantastic red vinyl seven-inch by the always stylish and often elusive singer to accompany the issue too.
Crowning
Crowning is adapted from John Dowland’s Midnight. Accordion by Erin Schneider. Recorded 2020 by SAZA. Mastered by Will Kreppel
Bonn Route
«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius
Euphoric Attempts
«While focusing on the current conditions we find ourselves in and bracing for what seems like the collapse of humanity, I made this collection of music in an attempt to ignite the essential remnants of my inner euphoria, and perhaps yours too» - Feldermelder
Dual | Duel
«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder
Live Performance 2019 - 2020
«The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it.» - Svetlana Maraš
Return To The City Of Djinn
* Double album housed in a wonderful sleeve designed by Oleg Galay. Including one 12'' color insert. High quality pressing * The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture. We…
Ramuntcho Matta
Wewantsounds is delighted to announce the vinyl reissue of Ramuntcho Matta's rare first self titled album from 1985, mixing funk, no wave and ambient soundscapes. The album released on tiny French label Mosquito was conceived as the soundtrack for French choreographer Regine Chopinot's play "VIA" with costumes by fashion rising star Jean-Paul Gaultier. It was recorded at a buoyant time in Paris when Matta - who had just spent a few years in New York following the death of his brother Gordon Matt…
You Really Should Come to the House
*2023 stock. Limited edition.* Magie is the title of a poem by Henri Michaux where the protagonist spent twenty years struggling to put himself into an apple in pursuit of serenity. Beijing-born, Paris-based musician P. Murk pictures writing an imaginary letter to his friend before fixing himself in an apple. The letter guides its recipient, step by step, to the musician’s room and to his table on which placed the apple, P. Murk’s new humble abode. You Really Should Come to the House is the late…
Hearing Ghosts
*2023 stock. Limited edition.* Producer and film composer Keju Luo further explores electroacoustic possibilities on his latest album. During a period of writer's block, Keju resorted to “stealing” and sampled public domain recordings of works by a wide range of composers from Marais to Liszt to Debussy. These decades-old materials performed by the now deceased were edited and processed until barely recognizable while maintaining their orchestral and melodic nature, and then carefully layered wi…
The Silence that does not Exist
Reverse Image is a sound artist from Kuala Lumpur, Malaysia. She builds her works using analogue and digital equipment looking for the intersection between repetitive motifs and disjointed incidences.The title is inspired by the search for moments of silence amidst the discord. Recordings from 2022-2023. 'The birth and brief existence of Mirror Tapes, a Malaysian label devoted to sonic traffickers not necessarily winking at the mainstream’s avant-garde, will be recalled by collectors with good m…
Zero One Seven
Blackfilm is an anonymous Hungarian artist who introduced himself with his self-titled debut in 2008, sold out in a few months and later reissued on both CD and vinyl format via Denovali in 2010. His debut has garnered widespread attention - "Evolving from downtempo electronic music to orchestral paroxysms and, insanely, passing from down-pitched nothingness to frozen urban landscapes, it becomes inevitable to resist." / "Dark and brooding, Blackfilm envelopes you like a thick fog creeping off a…
Considerable
*200 copies limited edition (hand-numbered).* Ned Milligan is a New York based elementary school teacher and occasional musician. He’s behind the great small-run label Florabelle since 2015. This is his sixth solo album. "My work in the past five years has been grounded in recording and playing outdoors, trying to communicate the meaning of being in a particular location and finding meaning in interacting with whatever sounds or elements are equally present. I'm still excited by all of it! This …
Traces
A limited edition of 300 copies of this 1985 masterpiece, remastered and presented in a renewed artwork. Berlin School synth sequences, American minimalism vibes, new age and oriental influences, guitar-synthesizers, genius arrangements... A masterpiece exploring the emerging MIDI technology of the time. A transportive selection of calming ambient soundscapes punctuated by glassy synth work and meditative drum patterns.
EARTH
Marc Richter aka Black To Comm released his debut record 20 years ago. In 2023 he is still busy releasing music under various disguises and is currently signed to the Thrill Jockey label. To celebrate this anniversary his own Cellule 75 label is re-releasing some classic out-of-print vinyl albums that originally came out on the defunct Type and De Stijl labels. The LP will feature a full-colour lyric sheet / poster exclusive to this edition.
Fabrique
Restock 2023. In 2001, on a rainy November Sunday afternoon, a performance took place on the Brisbane Powerhouse Turbine Platform. It was a crowded affair, some 600 people turning out for DJ Olive Meets I/O3, a performance since released as 'Powerhouse Sessions' (EDRM400). Whilst the actual shape of the series was yet to take form, this event was the genesis for a series of events curated by Lawrence English.Titled Fabrique, the series ran for eight years and produced 40 events - each celebratin…
For Those Who Hear Actual Voices
Restock 2023. 'Someone a long way off, or in the next street on a still day, or in the office across the hall in the rain, might be playing something that sounds a bit like music.'