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Electronic /

Initiation
Japanese industrial-experimental-synth outfit formed by Tommi Tokyo (synths, drum machines, vocals) and Sayaka Botanic (violin, sampler, tapes). They create a unique mixture of dark minimal synth and avant-noise with striking visuals and stage performances. Group A carries on the very breath of early pioneers such as Throbbing Gristle, Cabaret Voltaire, and the Japanese underground scene from the early '80s. This is the vinyl edition of group A's second self-produced album released in October 20…
Affirm, Deny, Reconcile
Pulsating reconstructions of fragmented piano compositions, melded with gritty peripheral field recordings. Transcending from flashbacks, lingering between natural and industrial landscapes. Broken left-field electronica by Maxim Wolzyn for the third Marionette issue. "...Wolyzn’s work exhibits a decentered and unplaceable aesthetic that sounds very much at home with the cosmopolitanism that Marionette has established." - Inverted Audio "Imagine Nils Frahm going head-to-head with Plaid and Echos…
Cogitate
Cogitate is the first release from NYC local Promoter and an invitation to gaze inward and sit with sound. Borne of hours lost in loops, Promoter calls forth deep, dubby bass rumble, off-kilter rhythms and murky atmospherics, relishing in repetition and evolving subliminally but surely. Disorienting, engaging and engulfing, Cogitate is the 4th release on NYC-based Patience, catching you off guard then inviting you in. Cogitate offers two cuts from the same cloth - one locked into the grid, the o…
Magari
* Edition of 300 * Master synthesists Colin Potter (NWW), Alessio Natalizia (Not Waving), and Guido Zen reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago. PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European syn…
Sign
‘Sign’ is Autechre’s first new album-album proper since ‘Elseq’ and contains some of their most emosh compositions in eons, perhaps since ‘Tri Repetae’. Practically pocket-sized in comparison to their sprawling torrent of live material and radio recordings in recent years, ’Sign’ is a return to the sort of concision found circa ‘Exai’ and their earlier albums. Effectively they’ve gotten better to grips with their live set-up, and the hyper ideas found in their work-in-progress demonstrations on …
Expedition Bahn
Welcome to the curious world of Peter Graf York: a world full of city centre safaris and epic train journeys, Soviet cosmonauts and Oakland rappers, filtered synths and plucked mbiras. It's a wild ride inspired as much by Jamaican dub sorcery as by playful minimalism outta the Pacific Northwest. Many of these tracks were composed on the hoof - literally en route across sections of the ever-reliable Deutsche Bahn network. As such, there’s a certain travellin-without-moving dynamic across this col…
RVNG Intl. At 15: Selects / Dissects
There’s no real reason we decided to acknowledge RVNG’s fifteenth anniversary and not our fifth, or even our tenth. But here we are, a decade-and-a-half later and honestly, not so far removed from where we started. We’re still listening and learning, and we’re still loving every moment of the fabled label life. In the spirit of our very first release, a mixtape from our old friend Julian S. Process (later of Pink Skull) complete with stenciled, spray-painted CD cover, we invited a new(er) frien…
Gateway Summer Sound: Abstracted Animal and Other Sounds
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
Sadaam's Children
Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is pretty much expected from someone who both liked to reuse names and didn’t care for consistency in spelling as Bryn Jones did). While none of the four lengthy tracks found on…
Light Flight / More And More
There are synthesizers, there are guitars, bass guitars, real drums and vocals in the first song. Components of rock and pop unite here in this lone 1977 effort and make way for elements of dark slow funk and soul that take you a couple of years back to the early seventies. The garment of swirling synthesizers keep it all together. The atmosphere can be soft and gentle like the touch of a lover’s hand but it can also become more and more mysterious and gloomy generating a feeling of paranoia as …
La Curva Paralela
Sentuhlà is one of the many aliases of musical jack of all trades José Guerrero, a long standing figure in the already rich underground scene of Valencia. In this solo excursion he explores the vast possibilities of mechanical repetition, the machine funk of dirtbag rhythms and proper boogie DIY synth music, sculpting a syncopated sound that is both modern and atavistic. Coming from a deep knowledge and ability to communicate very diverse sounds, slow jams unfold into dance music for clear eyed …
Horror Vacui
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
Anthology of Post Industrial Music from Balkan Region
**edition of 200** Unexplained Sounds Group exploring the Balkan post industrial scene. Artists coming from Greece, Romania, Turkey, Serbia, Bulgaria, Albania, Slovenia, Macedonia, introduce us to their vision of post industrial music and culture. The perspective of a region where musicians are growing with their own sonic and artistic identity. - Raffaele Pezzella The release is the brainchild of the Unexplained Sounds Group, an Italian-based label uncovering regional sounds from local music sc…
Motus
Limited 2 LP edition. Isolationist pioneer Thomas Köner goes all the way in for his spiritual home of Mille Plateaux with a masterful new album of dynamic, grippingly minimalist sound designs  "Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way of relating to sound and the (e)motion it affects. A lifestyle, where movement, being moved and moving become one. My practice is vibrational, about the skin, touch and surfaces and the gaseous medium in bet…
The Doctrine of Maybeness
**3xCD Deluxe 8-sided Digipak** "The Doctrine of Maybeness" by Aural Rage is an anthology of the works of Danny Hyde’s Aural rage project, an engineer, Programmer, producer, collaborator, remixer, and co-conspirator of Coil, Nine Inch Nails, Psychic TV, Depeche Mode, and many others. A 15 year anniversary of musical adventure on 3xCDs with all works together - "A Nature Of Nonsense", "Sinsemilla Dreams" and "Svay Pak" with unreleased bonus tracks. One of the early sampling Pioneers, producing 80…
Swanyard
**2CD in a 6-panel Digipak, second pressing in white color** 150 minutes of previously unreleased material from Coil, strewn with parts that would eventually metastasise into Backwards, and ultimately Black Light District and Musick To Play In the Dark.We hardly need to stress that Swanyard is a bounty for Coil nuts out there, but equally a fascinating listen for anyone attempting to get to grips with their unfathomable catalogue - especially DJs and listeners currently digging into the underbel…
Ocean Front Property
**CD in gatefold carboard wallet, 300 copies. To be released in mid July 2020.** Ocean Front Property represents a desired experience juxtaposed with a banal reality. The work investigates the idea of longing to be somewhere else, a mirage of aspired imagery and sound, made within the landlocked province of Alberta, where the nearest ocean is over 1000 kilometres away. The objects, spaces and sounds act as metaphors, part of a concrete existence they reside in, but contrasted with the imagined e…
Tape from Oort Cloud
Tip! **200 copies** Sedimental is honored to partner with Skell to release the latest majestic work from Mike Griffin’s Parashi: Tape from Oort Cloud. Griffin has honed an aesthetic that few are capable of attaining let alone comprehending: elegence and refinement fused to intense, sonic, noise-based electronics and sound sources. Over the two sides and four tracks Griffin conjures complex, heavy and nuanced terrain that triggers buried images and emotions without being emotional and that acts a…
Etudes From a Starship
Voin Oruwu is a project driven by Ukrainian artist Dmitriy Avksentiev. Etudes From a Starship is his second album and has been inspired by astral themes. The album invites the listener to join a fantasy universe created by the simple power of music. This music is clearly ambient - and cinematic - but also dark and mysterious. The tracks are diversified and sometimes feature surprising passages such as Decay Instability for its furious bass line sequence and Acid Clavi 2110, which sounds as being…
Eleven Minarets
**300 copies** Previously released as part of Arab Quarter by Soleilmoon back in 1996, 11 Minarets, is a focused exploration on one theme which allowed Bryn Jones to push the boundaries of his music deep into new areas. As on his other albums released at around the same time, the volume is pushed to the limit. With this album, Muslimgauze continued to define his own genre, and without a doubt there simply were no imitators, wannabes or pretenders. The artwork for this album contains elements of …