Imu Plastos
Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “100 Keyboards” performance, played in this duo with over 100 toy instruments, samplers, and synthesizers. Carl samples and processed the sound of Asuna's various toys in real time. Asuna then incorporates the sounds into her own sampler and sends agai…
Halki Pilvien
*2025 stock. 300 copies limited edition* "Halki pilvien - transl. Through the clouds - brings exactly what one expects from the clouds. It is a collection of soft and gentle movements, as playful as a ‘Jan Anderzén type of music’ is always. A collection of patterns that solidify for just a brief moment in time, before sublimating in the back of the mind. This album is in constant motion. Push play. A warped piano and cartoonish SFX’s might foretell a hyperreal approach to music. Yet while the ch…
Horns of Death
Is it possible for an instrument to be cursed? Every sound on 'Horns of Death' comes from a replica fox-hunting horn bought online. The album is an open-ended investigation of this replica, exploring how a copy of a tool designed for a specific function could act as an instrument when misused and removed from its intended role. Recorded in a bedroom in a small flat in south-east London then squeezed into a computer, for some tracks the horn is (literally) pulled apart to find what other sound so…
s/t
Transmondial mysterious collective & fulgurances collaboratives.Spoken word, melodic amazement, textural ambience.High-value selection culled from a plethoric database.
Electronic Music from 1972-2022
Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 ("Three Confusongs" and "Ryound Thygyzunz", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Ca…
Lost In Strokes
Tip! * Issued in 100 copies. The special boxed edition contains, in addition to the volume, three 30 × 60 cm posters and the vinyl LP with Dj Craim’s specially reissued soundtrack * Luca Barcellona is an internationally known calligrapher, whom we are used to knowing for his immediate language, made of sinuous letters that bring calligraphic art into the contemporary world. Lost in Strokes is a publication about the artist’s current work, which, however, differs from the ‘Barcelona world’ we all…
Luz
Luz was produced in an unconventional way, with a sampler, MPC1000. Lorenzo Fringuello chose four musicians: Alessandro Bossi on bass, Daniele Cruccolini on drums, Alessandro De Florio on piano, Cesare Vincenti on trumpets. The four were left free to play on the basis of some musical cues and intuitions. Once the tracks were obtained, Fringuello sampled, cut, processed and recomposed them. The result is an album of seven tracks with a metropolitan funk-jazz sound.
Himalaya
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
It’s Counterpart
Faitiche welcomes two young artists from Canada. Jonathan Scherk and Daniel Majer hail from the post-rock and experimental scene in Vancouver, where they shared a studio for several years. In artistic terms, too, there is a surprising coherence: on It's Counterpart, their solo work naturally blends to create a joint album, making it hard to distinguish between their contributions. Majer describes his part as a shadow-like reflection to Scherk’s brightly meandering collages. The album’s title ref…