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Mat Handley returns to his South Yorkshire inspired Pulselovers project with a bold new chapter in the acclaimed Northern Minimalism series. What began as a deeply personal tribute to the region’s industrial, post-punk and synth-pop legacies has now evolved into a sprawling, 20-track remix project released via Castles in Space's new CD imprint, Lunar Module. The double CD includes remixes from a stellar cast of electronic artists: Aural Design, Apta, Pefkin, Grey Frequency/Blue Room, Sulk Rooms,…
C. Lavender (Lavender Suarez) is an interdisciplinary sound artist, sound healing practitioner, and educator based in New York City. Bandcamp asserted that "C. Lavender makes music with curative powers, but it's also confrontational, primed to change you whether or not you want it to." She is the author of the insightful book "Transcendent Waves: How Listening Shapes Our Creative Lives." C. Lavender has albums and recordings featured on Editions Mego, iDEAL Recordings, Ecstatic Peace!, and RVNG …
Lucky restock, VERY LAST COPIES ** Limited to 400 copies. 6xLP in a black box, including a grey Monte Cazazza T-shirt, a numbered certificate and, stored in a separate department on the bottom of the box, the book "Monte Cazazza - I'll be famous when I'm dead " (220 pages).** Vinyl-on-Demand presents Monte Cazazza – Recordings 79-91, a comprehensive deluxe box set chronicling the essential works of the American artist who coined the phrase "Industrial Music for Industrial People" and gave the na…
** Limited to 400 copies, numbered box set containing 7 vinyl LPs, one vinyl 7", 2 booklets, one mini poster, a certification card, a slipmate and a t-shirt ** Vinyl-on-demand presents the definitive excavation of Bryn Jones' formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music's most prolific figures in the crucial period before hi…
Hurtling through the perpetual into this moment is the now and future Bitchin Bajas. An effulgent mass located somewhere beyond land or water, Bitchin Bajas' Inland See is flowing toward you, through the hi-fi, arriving with precision extractions of electroacoustic synthesis, revolving in a post-ambient craft that lifts the listener up powerfully, like you’re floating – in saltwater, or helium – effervescent, effortless, elemental.
*300 copies limited edition* The latest album from Michael Cashmore (formerly of Current 93 plus known for his work as Nature and Organisation) collects ten pieces which, as with the previous album, 'Until the End of Vibration', released by Lumberton Trading Company, draw from that magical place where crepuscular and moody soundtrack work converges with the kind of synth lines Tangerine Dream made a name for themselves with. Along the way, there are piano-led melodic swells, a couple of surprisi…
Lucy Duncombe and Feronia Wennborg compose a modern symphony for virtual choir on 'Joy, Oh I Missed You', muddling sound poetry with Nuno Canavarro and ‘Systemische'-style machine-damaged surrealism. It's mindbogglingly good, like a mashup of Lee Gamble's 'Models', Akira Rabelais' 'Spellewauerynsherde' and Robert Ashley's timeless 'Automatic Writing’ screwed to perfection in a mode that will also appeal if you’re into work by Kara-Lis Coverdale, Nozomu Matsumoto, Theo Burt, Olli Aarni, Sydney Sp…
A local to Pittsburgh, Pennsylvania, Nick has been involved in the electronic music scene since the mid-90s. Known mostly for live hardware techno sets, Nick spent years making broken beats as Vasculator, spaced-out techno as 1/2 of Untethered, and gutter-dipped "dub" as 1/2 of Gnarled Horse Throat.
In 2022, a virus of some sort made percussive transients and loud sounds difficult to tolerate. This resulted in a shift to deeper listening music not aimed at the dancefloor. A trip to Asia served a…
'We Who Live Under Heaven’ - it is a phrase from James Joyce's Finnegans Wake. Through software transformations, the music freezes and in some cases fossilises some mostly old recordings. The text for the track 'The Clouds Are Not Inaccessible' is from a letter written by James Joyce's daughter Lucia in the 1930's to her psychiatrist. Spoken by Mary Costelloe.
The album consists of 8 immersive ambient tracks played solo by Roger on keyboards in his home studio in Co Wicklow, Ireland.
Roger Doyle…
Newcastle-based electronic artist Bartholomew delivers Subterranea. An album which delves deep into emotional terrain—fusing generative electronics, orchestral flourishes, and raw sonic textures into a poignant meditation on instability and resilience.
Future music doesn’t come from nothing. It’s out there in latent space. This new Berlin-based imprint is devoted to the natural world in her oldest and wisest form. Not green spaces, or living things, but underneath it all: potential.
The Dip is Thomas Ankersmit’s sixth album and first for Students of Decay. Composed on the Serge Modular, it blends psychoacoustic intensity with introspective, melodic depth. A cinematic, analog soundscape unfolds in two long pieces—an immersive, spatial, and quietly radical work.
Marta Forsberg’s ‘Archaeology of Intimacy’ is a bold, intimate album of experimental pop. Centered on her voice, sparse synths, and improvisation, it blends vulnerability, melody, and futuristic beauty, marking her most personal musical statement yet.
"To whom does a record belong, once it’s been released, once it's released and lives its own life, outside the thoughts of those who composed it? Does it not also belong to those who listen to it and find in it realities, unsuspected joys and desires at the time of its creation? For as long as I've known him, Michel Wisniewski has been exploring, under the pseudonym Supermalprodelica, the effects that the music of others, which he listens to with a sensitive ear, produces on him. And he has the …
""A Synonym for Repetition" weaves together a tapestry of parallels, all intricately linked to Japan. The project initiates with a collaboration with a Tokyo-based musician, which ultimately fails to materialise during Jason Kolar’s recent visit to the country. From an original approach that has to mutate in its starting phase, the record was conceived from the beginning to embody a sincere homage to Ryuichi Sakamoto, also a Tokyo native. Shaping ideas within the context of a city with a vibrant…
"Incidentally this cassette confirms a sinister suspicion I've had for a while that the synthetic pan flute is back - fantastic! I feel so lucky for this generous amount of delightfully bubbling synthesizer music from C.D. Noé. A 90 minute exploration of melodic geometry—intricate yet efforless, synthetic yet alive. Melodies ripple, chords shimmer, patterns unfold like a living system in balance. The artist never falls into the sharp-edged maximalism that, at least to my ears, often weighs down …
**Transparent lime vinyl, limited edition of 150 copies. Very last copies** Tim Clark’s The Last Question is a foundational work of cosmic electronic music, now reissued in a definitive edition that brings this elusive 1973 private-press masterpiece back into the spotlight. Originally composed and recorded while Clark was Music Director at the Strasenburgh Planetarium in Rochester, NY, these pieces were crafted as the soundtrack to the planetarium’s adaptation of Isaac Asimov’s visionary short s…
*200 copies limited edition* Yoshiki Ichihara is a Tokyo-based synthesizer player who performs at concert venues in the Tokyo area, including the space at Ftarri. In 2022, he released the CD Live at Ftarri (Ftarri, ftarri-963), a recording of his duo concert there with Naoki Nomoto (computer, synthesizer).
This CD is a solo album made up of three pieces studio-recorded and produced by Ichihara. In addition to synthesizer, he plays guitar and six-string cello, as well as two tracks with ambient d…
*2025 repress* Spittle Records presents a reissue of Chinese Restaurant by Italian new wave duo Chrisma, originally released in 1977. The album was recorded between London and Milano during the second half of 1977, and the results were something like post-punk. More in the direction of bands such as Ultravox, The Stranglers, and Suicide than the Sex Pistols and the Ramones, due to the use of electronic keyboards, obsessive rhythms, tense harmonies, and scratching vocals emerging from generally d…