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* Edition of 70 copies. In process of stocking * Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dab…
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
At the centre of this release are Vergette's Time and Tide bells: handmade instruments which create sound with the rising sea levels. One of the bells is ringing at any given time of day as the tide wraps around our coast, retreats and returns again. There are eight bells currently scattered across the UK's coasts, each existing as a democratic artwork owned by the local community. Sounds from these bells are collaged with field recordings from the coast and fragments of instrumental improvisati…
In October 2022 Musica Impulscentrum invited Amber Meulenijzer to make a composition in collaboration with the local fanfare bands of Pelt, a small municipality in the green east of Belgium. These fanfare bands are deeply rooted in Belgian culture. Even in the tiniest villages one finds at least one or several of these ensembles. The result of this confluence: a procession, a slow paced moving composition for brass instruments, performed both live and played back through twelve speakers mounted …
Ephemeralds is the first recording by Finn Loxbo’s new ensemble Kommun and marks a distinct development in the guitarist’s compositional practice. Performing together with pianist Lisa Ullén, kontrabassist Vilhelm Bromander and percussionist Ryan Packard, Loxbo has set up a situation of intense focus, dissolving individual identities into a collective sound world of resolute clarity. Each musician manipulates a collection of tightly stipulated pitch material whilst bringing the shared timbral qu…
Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa. The pieces on Postcards From Hereafter explore the crossover between this world and the next with improvised spiritual, religious music. Brussels-based ensemble Razen use the unique tim…
Small repress available, don't miss it **200 copies** "This record began in summer 2020, when I was staying at Andersabo, Sweden, where I run an artists' residency. I had access to a nearby church, and would set drones going on the organ while playing clarinet and piano. I started working with the combination of these long, sustained tones, combined with acoustic instruments, where the sound's duration was only as long as a breath or the pluck of a string. A lot of the last Blue Lake LP was made…
*2023 stock* The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono has put his unmistakable stamp on hundreds of recordings as a session player, producer, and auteur of his own idiosyncratic musical world. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit late…
*2023 stock* "This recording is a modern interpretation of sound poems written and performed by German Dadaist Hugo Ball more than a century ago. Those familiar with Ball know him as the author of these innovative works and founder of the Cabaret Voltaire, Dada’s Zurich birthplace. Despite the sound poems’ artistic legacy, they constitute only a small part of Ball’s creative output. The purpose of these liner notes, then, is to consider the complex life and work of the man behind the sound poems…
Tip! *In process of stocking* "Two distinct session, the first CD presenting free improv trio perfomances in St. Louis, MO between Paul Hartsaw on soprano & tenor saxophones, Damon Smith on double bass and Jerome Bryerton on percussion, the 2nd CD finding Hartsaw and Smith in the studio in Oakland CA for a more experimental session, Smith adding laptop & field recordings and both employing extended techniques." - Squidco
"In this 3-CD set each disc contains one duo session between the three musicians: trombone-bass, piano-bass and piano-trombone. Recorded over the course of Bishop's last year of residency in Boston and soon after Smith had moved to St. Louis, these recordings capture a glimpse of the city's creative music scene at a particularly active time between 2016-22, when, the three musicians interacted frequently in many settings in the Boston area. The Smith/Bishop disc consists of all improvised music,…
*2023 stock* "A blend of intonation and improvisation, The Eternity-Cult is a harmonies-across-the-seas program featuring the trumpet and objects of Birgit Ulher from Northern Germany with the double bass (Damon Smith) and percussion and electronics (Chris Cogburn) from the southern US. Despite geographical distances the three are equally committed to free-from improvisation. This disc's single 37-minute track finds the trio exploring textures and pitches from minimalist to embellished, while ma…
*300 copies limited edition* Another collection of music that, instead of offering an escape route, loads you with questions. Music that originates in a grey, intermediate zone: pieces conceived and performed by an informal group of musicians which were not written. They are improvised but, instead of existing only in their own time, they are rooted in deep interpersonal relationships. A perfect balance between freedom and rigour, between visions and penumbra, between long and complex relationsh…
Tip! *170 copies limited edition. In process of stocking* Having lived and worked in numerous musical directions for many years, Semay Wu’s begrudgingly faithful cello still remains at her side: from Merseyside, to Manchester, to The Netherlands, and now to Central Scotland. Always trying to push age-old boundaries of how the instrument is viewed and heard, her focus has led her to explore further collaborative and everyday improvisations, blending electronics with mixed media and a variety of g…
Capturing two exceptional concerts at London's Cafe OTO in 2021 & 2022, in the launch of a new quartet expanding the longstanding trio of N.O. Moore on electric guitar, John Edwards on double bass and Eddie Prévost on drums, with Alan Wilkinson on baritone & alto saxophones, and for one performance on each night, tenor saxophonist Nathaniel Catchpole joining.
"Launch show for the quartet to mark the release of new CD 'EMPoWered' on Brooklyn's 577 Records. Edwards, Moore and Prévost have comprise…
Tip! A body is bounded. It operates within physical limitations and biological constraints. Whilst some see these physiological boundaries as a terminus, others such as Colin Stetson perceive them as a nexus of possibility, and perhaps even of expansion. It is in this zone of unsteady tension and promise that his new album Chimæra dwells. Collecting a series of extended drone works for saxophone, Chimæra charts an entirely new thread of work for Stetson. This thread simultaneously maintains stat…
*2023 stock* Charlemagne Palestine's performance on the organ of the Friedenskirche, Eupen for the reihe-M showcase at the Meakusma Festival 2019 was one of the many highlights of that year's festival edition. This record features the full live performance as Palestine conjures up his dense definition of maximized minimalism, introducing the performance with a minimalist drone and himself singing on top. His voice touches upon melancholy and the absurd and gives the piece context and direction. …
An extended duo for violin and reed organ, developed by Biliana and Sarah which extends a series of short gestures from Ernstalbrecht Stiebler’s composition ‘Für Biliana’ into slowly expanding harmonic suspensions, highlighting the simple beauty and fragility of the intervals and chords.