The Quality Of Mercy Is Not Strnen
In process of stocking. After two singles for Fast Product, Leeds art-punk collective The Mekons signed with Virgin Records in 1979. The band would have to borrow gear from their mates Gang Of Four to record their major label debut. In classic Mekons style, the album’s back cover featured a photo of Gang Of Four instead of themselves. As Simon Reynolds writes, “The Quality Of Mercy Is Not Strnen got a mixed reception at the time. Listening to it now, though, the first LP sounds more of a piece w…
Dogs' Ears Are Stupid
Mental Experience presents a reissue of Care Of The Cow's Dogs' Ears Are Stupid, originally released only on cassette in 1983. The album is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, and analogue synths make it one of Chicago's best kept secrets, with a history that goes back to 1974. A trio formed by Victor Sanders, X Baczewska, and Sher Doruff, they had a very unique and eclectic sound, expe…
Spiralling
Mental Experience present an expanded reissue and the first ever vinyl reissue of The Momes' Spiralling, originally released in 1989 on the Woof label. Featuring Tim Hodgkinson (Henry Cow, The Work) on Hawaiian laptop noisy guitar and keyboards, Mick Hobbs (Family Fodder, The Work, Officer!) on bass, and Andy Wake (Unrest, Work & Play) on drums, The Momes were a unique power trio with an abrasive sound channeling post-punk, psych-prog, and avant-rock. Spiralling is their sole album, recorded at …
Rock Y Roll
** Edition of 300 ** War Extension announces the vinyl re-issue of Rok Y Roll by Vic Serf & The Villains, originally released by It's War Boys on cassette in 1982. Musicians on the album comprised Vic Serf (alias of Jim "Amos" Welton), Cathy Spermwrecker, Rita Chulo, and Larry O'Houlihan, along with guest appearances from Ron Dealo, Lepke B., and Sara Fancy. The recording is situated in a particularly fervent and inventive period of 1980s independent and experimental music-making, in which musi…
35 S. Raymond Avenue
**Edition of 200** One afternoon in 1975, friend and fellow music traveler, Harold Schroeder, showed up at Poo-Bah Record Shop where Tom Recchion worked selling records and experimental music to people, forcing them to buy albums that he swore would change their lives. Harold asked if Tom wanted to share in a studio space close to the shop. After seeing it Tom immediately said "YES!". They moved in and divided the space in half. On Tom's half he made drawings, paintings, performances, video, scu…
Monte Alto
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
Color Him Coma
The first CD in this set is a reissue of an obscure cassette release from 1983 that was originally released in a small edition on the London based, It’s War Boys label. This C60 consisted of 2 distinct halves. Side 1 was formed around several mixes of an experimental track, constructed from a room-sized 24 track loop. A version of this track first appeared on the LP Flagellation by The Just Measurers (who were C. D. Greyt, Yakkö Banovic and Narki Brillans).Side 2 is a collage of mostly unused (a…
Musicdesign
2010 release. "Monofonicorchestra is not a disc recorded in mono / is not ambient music / is not funky / is not experimental music / is not funny / Monofonicorchestra is not avant-garde / is not pop / is not op / is not Dada / Monofonicorchestra is not fashion / is not hard-core / is not horror / is not Frigidaire." --Maurizio Marsico, at 10h20 on Wednesday, December 23rd, 1981. A country: Italy. Several countries: Italies. Late '70ss, early '80s. The ether of punk is in everyone's nose and disc…
Fire Chorus
Fire Chorus is a work of “construction”. If, Bwana (alias, or, as you prefer, “personification”, of Al Margolis), presents a sound form starting from the concept of “perception”. His concept of electroacoustic music doesn’t belong to the idea of “appropriation” (which is behind the gestures of many people now working with natural, non-musical, or “other” sound sources). If, Bwana uses his raw materials as animated objects,letting them appear and disappear in his own sound structures. He creates …