We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
When does new hope arise from the ruins of yesterday, and when does hope for the future fall apart into ruins? When does that moment come? Can we catch it, tune into it, hear it? Adam Badí Donoval is no stranger to these stark and abandoned landscapes. Some of them were already captured on his debut album Sometimes Life Is Hard And So We Should Help Each Other (2022, The Trilogy Tapes). His approach hasn’t changed — he remains a master of sculpting frozen time, of capturing those moments when th…
Cryo is the first album by the duo of cellist Nikos Veliotis (GR) and pianist Alex Zethson (SE). Veliotis is best known for the pioneering electronic group In Trance 95, MMMD and his collaboration with Giannis Aggelakas of the rock group Tripes. Zethson is a member of groups such as Goran Kajfes’ Tropiques, Martin Küchen's Angles, Fire! Orchestra, Vathres, and more. The duo met in Athens when Tropiques played at the legendary record store, gallery and concert venue Underflow, where Veliotis was …
*60 copies limited edition. 2025 stock.* There are nights carved like the journey of the dead out of the livings' daylight. Mert Seger brings to our senses a two steps ritual for this debut on Kump. « Yétèkpãnra », freely inspired by the funeral rites of the Batãmmariba of Togo and Benin depicted by Dominique Sewane, runs along with no clear beginning nor any end, a sound sketch where the shapeless rustle from the depths of the night meets a procession of artefacts. In this space where the dead …
2016 release ** "A solo percussion album from Francesco Gregoretti, employing traditional instruments and unusual object to create unique audio environment that use predictable rhythmic elements against capricious approaches, giving his playing a personal style fueled by resonance and natural feedback; an album that balances chaotic and structured environments in riveting ways."
1990 release ** Michael Vetter was born in Oberstdorf in the Allgäu region of Germany, and received a conventional school education. He adopted the recorder as his preferred instrument, and began experimenting in the late 1950s with its timbres and techniques, such as multiphonics and microtones. He inspired composers such as Louis Andriessen and Rob du Bois in the Netherlands, Sylvano Bussotti in Italy, and Mauricio Kagel and Karlheinz Stockhausen in Germany to use the instrument in their compo…
All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
2009 release ** "Lucio Capece and Sergio Merce play music together since 1993. They started out as members of a saxophone quartet dedicated to playing early and baroque polyphonic music (Guillaume de Machaut, Perotin, Josquin des Prés, Frescobaldi, J.S.Bach). A few years later they were part of Avion Negro, an ensemble dedicated to play its own music; there they worked on long music structures, combining improvisation and composition. In 2002 Merce and Capece started playing together as a duo. M…
2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…
2008 release ** Numbered edition of 120 copies. "The Crooked Pool compiles two discs of hitherto unreleased folk-magic from March 2007 to March 2008. It was recorded among cliffs, moors, streams and woods while seeking convocation with the genii locorum of the Yorkshire moors. The Crooked Pool contains eleven psychogeographic explorations with harmonium, recorder, flute, psaltery, violin and guitar. 80 minutes of feral drones, wordless hymns, death dirges and quiet rustic meditations."
2010 release ** ""«Deep Komis» by Vazhes, the project of Russian anthropologist and documentary director Sergey Gabbasov, is dedicated to authentic ethnic music of the Permian Komis. This album was made with Rapoon, Northaunt and Fanum. It dips into the hidden and secret world of ancient and primordial nature, of secret and mysterious rituals. On the fanciful turnings of the forest path we will meet authentic ethno music of the Permian Komis, Nordic ambient, ethno-industrial, dub. Interweaving l…
*350 copies limited edition* An’archives are proud to announce the release of the debut album by Tête de Chou, the trio of Mark Anderson, Kurumi Kido, and Arlo Wynks. Some may know Anderson for his membership of Greymouth, 番長Taste, Mysteries Of Love, and Suishou No Fune; Kido and Wynks have more personal, sporadic musical histories, which informs the intimacy and gently exploratory nature of the eight pieces contained here. The trio’s movements seem spontaneous and open-ended, which makes sense …
*100 copies limited edition* ⎤⎤⎤, the duo of Chantal Michelle and Grace Villamil, are interested in what they term "sound obliteration"—a paradoxical process that, in their hands, reveals teeming masses of sonic detail. The pair works in a variety of modes, including composition, installation, and performance. Live at Opus 40 begins with machinic drones that expand and dissolve into the warm, open-air environment where it was recorded, initially anchored by the site's rock formations. The piece …
Kari Takemoto, who performs improvised live collaborations with various artists using sumi ink, flowers, painting, recitation, and dance, releases a solo guitar album. The album was mastered by Chihei Hatakeyama, a leading figure in the Japanese ambient scene. The album contains 10 tracks, including a song for the introduction video for the solo exhibition held at Ginza six by Chima, the ink painter in charge of the ink on the jacket of the album, as well as a song for the art event gallery.
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."