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2025 stock ‘Adorable Ruin’ is the second release of Stokholm-based composer and electronician Siri Jennefelt under her Nev Lilit moniker, and her first one to be released on vinyl. Each composition of the release starts with a drone that seems to be of a similar design, but brings us into vastly differing worlds. Jennefelt’s blend of large, primal drums and meticulously crafted synthesis, that moves independent of each other, makes a fitting canvas for her extensive arsenal of haunting, dystopi…
2006 release ** "A New Astronomy is the reissue of a CD-R limited to only 100 copies released in 2005 by Sub Pop and which serves as a pleasant appetizer while waiting for the new album scheduled for 2007. Dedicated to the do-it-yourself astronomer Giovanni Paneroni, who lived in the first half of the 20th century and theoretician of a new astronomy antithetical to the Copernican one (flatness of the earth, smallness of the sun, nothing but a sphere 2 meters in diameter and weighing 14 kg!), A N…
2016 release ** "A solo percussion album from Francesco Gregoretti, employing traditional instruments and unusual object to create unique audio environment that use predictable rhythmic elements against capricious approaches, giving his playing a personal style fueled by resonance and natural feedback; an album that balances chaotic and structured environments in riveting ways."
1990 release ** Michael Vetter was born in Oberstdorf in the Allgäu region of Germany, and received a conventional school education. He adopted the recorder as his preferred instrument, and began experimenting in the late 1950s with its timbres and techniques, such as multiphonics and microtones. He inspired composers such as Louis Andriessen and Rob du Bois in the Netherlands, Sylvano Bussotti in Italy, and Mauricio Kagel and Karlheinz Stockhausen in Germany to use the instrument in their compo…
All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
2009 release ** "Lucio Capece and Sergio Merce play music together since 1993. They started out as members of a saxophone quartet dedicated to playing early and baroque polyphonic music (Guillaume de Machaut, Perotin, Josquin des Prés, Frescobaldi, J.S.Bach). A few years later they were part of Avion Negro, an ensemble dedicated to play its own music; there they worked on long music structures, combining improvisation and composition. In 2002 Merce and Capece started playing together as a duo. M…
2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura's native Norfolk landscape. The two performers only met twice before they felt that there could be a common ground to explore and the result has produced an exciting new collaborative duo. Feathered Swing Of The Raven is a collection of improvisatio…
2008 release ** Numbered edition of 120 copies. "The Crooked Pool compiles two discs of hitherto unreleased folk-magic from March 2007 to March 2008. It was recorded among cliffs, moors, streams and woods while seeking convocation with the genii locorum of the Yorkshire moors. The Crooked Pool contains eleven psychogeographic explorations with harmonium, recorder, flute, psaltery, violin and guitar. 80 minutes of feral drones, wordless hymns, death dirges and quiet rustic meditations."
2010 release ** ""«Deep Komis» by Vazhes, the project of Russian anthropologist and documentary director Sergey Gabbasov, is dedicated to authentic ethnic music of the Permian Komis. This album was made with Rapoon, Northaunt and Fanum. It dips into the hidden and secret world of ancient and primordial nature, of secret and mysterious rituals. On the fanciful turnings of the forest path we will meet authentic ethno music of the Permian Komis, Nordic ambient, ethno-industrial, dub. Interweaving l…
2008 release ** "Although this collaboration between Italian psych-pop band Jennifer Gentle and mercurial, collabo-prone Acid Mothers Temple guitarist Kawabata Makoto sounds pretty much like you’d expect, the The Wrong Cage can’t quite be reduced to the sum of its parts. It can be a rich, rewarding document for listeners on either side of the pop/free psych divide represented by the two groups. Separating Makoto’s and Marco Fasolo’s guitar (the latter being the sole JG member to carry over into …
1998 release ** "Second release by Wales based duo. 17th century inspired ambient sound that varies from droning transcendental stillness to guitar and effects noisescapes bordering on the works of Merzbow and Total."
2007 release ** "Split over seven tracks 'chroma' is a beautiful swarming forty five-minute suite of pieces. A warm, almost angelic hue of sound radiates from 'chroma' giving it a pure, optimistic feeling that only fades with the last dying notes. Weightless and saturated in it's waves of sound, all you have to do is listen.."
2009 release ** "Bob Rutman was born in Berlin in 1931. His mother was Jewish and had to escape from Germany with her son when the Nazis rose to power. Rutman attended refugee schools in England during the Second World War and settled in the USA after having completed his education in 1950. He worked as a salesman in Texas before enroilling in art school in Mexico City, where he married and fathered a child. Together with his wife and son Rutman returned to the US in 1962 and started an art gall…
I have two stories behind this beast of a record. The first one is of course the oldest type of story around, the stranger comes to town. The stranger in this story is Zach Rowden. He shows up in Bucharest, once or twice, with his band (or duo if you want) Tongue Depressor. On one of the occasions he meets one of the locals involved in Bucharest avantgard circuits, Laurenţiu Coţac. And they decide to play together. They jam their double and electric basses. And it gets recorded. 23 minutes long …
broken velocities & miss understood micro fractions ⋆.ೃ࿔*:・Henrique Vaz ~ :() # define ':' — whenever we say ':', do this: { # beginning of what to do when we say ':' : # load another copy of the ':' function into memory... | # ...and pipe its output to... : # ...another copy of ':' function, which has to be loaded into memory # (therefore, ':|:' simply gets two copies of ':' loaded whenever ':' is called) & # disown the functions — if the first ':' is killed, # all of the functions that it has …
"This tape is the registration of a session I played on invitation by Knotwilg Records on Saturday, June 8, 2024 at the town hall of Meetkerke, a one street village tucked away between Bruges and the North Sea in the midst of Flanders flatlands. The session was broadcasted live during the Kneautwilg radioshow on Studio Néau that afternoon. I recorded the air waves on magnetic tape with a Korg CR-3, two SM57 mics and two AKG C1000 mics. This tape is the result of those analog recordings." - Knotw…
Annie A, the one-off collaborative project between Félicia Atkinson, Time is Away, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with an inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?
It is a geographically diverse yet like-minded ensemble whose seeds were sown during an A Colourful Storm show in London, where tim…