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*2023 stock* Ingar Zach (b.1971) is one of Norway`s leading percussionists and founder of the record label SOFA. He has recorded for the ECM and Rune Grammofon labels together with his bands Dans Les Arbres and Huntsville and has released several solo and duo records.
Andreas Meland is a Norwegian sound artist and musician. He has recorded with the projects Røyskatt, Norwegian Noize orchestra, düplo and Forell plus several solo projects. He is also the founder of the experimental music festival …
Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built. Winstone’s instrumental palette continues to reac…
*30 copies limited edition C60 high quality real-time dubbing* Kevin Corcoran's release on Taiwanese tape label Karma Detonation.
A side: video works (percussion and field recordings)B side: feedback works (mixer and radios)
* Edition of 40 * Jungle Gym Records presents "KTLA", official return of R.Pierre! Recordings / Processing / Design by R. PIERRE (Dravier). Mastered by Jared Carrigan.Industrial white cassette + J-Card in a clear hard shell case. Hand packaged, unmarked, limited edition run of 40.
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
The score for June '21 was made in early summer of 2021, in a dialogical process of close live collaboration. Everything we talked about — music, time, politics, and place — was treated as a kind of material with the possibility of being brought into the piece. We didn’t aim to use sound to express such concepts directly, but rather created music with attention to the circumstances: when it was written, where, to whom and by whom it would be played. There was a mutual understanding that we were …
This album wouldn’t exist without clarinetist Gareth Davis, with whom I’ve collaborated several times. When I asked him to participate on my + album, he was working with Monika Bugajny. She got wind of my project and asked if she could join. I agreed and reworked her beautiful clarinet recording into a ghostly one-minute piece. Apparently my concoction was convincing enough for Monika to propose another, more elaborate collaboration. Her suggestion was to use the same working method again, but t…
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…
*200 copies limited edition* There is a long tradition of Electroacoustic music in Finland beginning in the 1950’s with the experimentation of tape music. Finland’s first electronic musical instrument the "Sähkövalopiano" or "Electric Light Piano" was built before this in 1894. It was constructed in the Polytechnic Institute (now Aalto University) in Helsinki. Finland also has a tradition of blending archaic traditional music in the contemporary music scene. The Kalevala tradition for example da…
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
Nichola Scutton'Interzone (Nonclassical, 2023) takes inspiration in the state of in-betweenness: not awake or asleep, conscious or unconscious, and at the border between daytime and nighttime. Two defined elements emerge fromInterzone: a careful use of electronics, and Scrutton's experimental vocal practice. The album was recorded in two steps, first by the artist herself in her studio in Glasgow, using field recordings and archival materials, resulting in the series of four Interzones which con…
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
300 copies, black vinyl. Sometimes records just vibrate with a magical aura propagating endless energy and timeless positionment. Stefano Pilia & Valerio Tricoli have been maestros in their respective careers when it comes to dancing between modern concrete, unimagined landscapes and electroacoustic experiments slowly creating and almost hand-sculpting two of the most singular paths in the European avant garde scene.
After their long tenure in experimental collective 3/4HadBeenEliminated (Häpna,…
In 2015, Lemur started a collaboration with German pianist Reinhold Friedl. Friedl is the leader of the international ensemble Zeitkratzer, working at the intersection of improvisation and composition. In this respect, Friedl's experience and working method have much in common with the ideas and working methods Lemur uses. Not least through an interchange between work with large and small ensembles.In collaboration with Reinhold Friedl, we focus on the use of extended playing techniques, form ex…
— Edition of 150 "Earth Swirl" blue and green marbled vinyl — Like a winding system of trails and paths cutting through a digital forest-scape, M. Sage’s Paradise Crick is shaped by time. Full of wonder and charm, designed patiently and from a rich, curious mulch of synthesized and acoustic sound, the versatile American artist and magic realist’s new suite of music is an imaginary destination and a pastoral fantasy that envisions the natural and fabricated worlds as one.
Matthew Sage is a musici…
Sofa Music is proud to add the powerhouse flutist Alessandra Rombolà to its ranks with Out of the Playground, documenting Rombolà’s latest commissions and collaborations for solo flute and electronics with composers Daniela Terranova, Jan Martin Smørdal, Ingar Zach, and Lasse Marhaug. The album’s five contributions, drawing on Rombolà’s polyvalent musical background, are united in their mission to venture “out of the playground” of scenes and genres, as Rombolà puts it. Across these incisive, ex…
*300 copies limited edition* During the year 2021, Charlemagne entrusted us with numerous archives recently found on audio cassettes dating from the 70s and 80s. After a long process of listening and selection, we are pleased to present the first volume of these archives to you.