We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Experimental /

Live In Japan
Bolt Of Void // Performance DocumentRecorded Live AtDuct // Nagoya JapanSubstore // Koenji-TokyoJuly 2026
When The Moon Is New
"There are fewer great guitar trio records than you'd suspect. Guitar duo sessions are far more abundant, and these three players have all done their share of those. But the dynamics of a trio are more-fickle. And when creating collaborative non-hierarchical music, maintaining a balance between three distinct voices is not easy. It requires rapt attention, a fearless approach to entering the unknown, and very good ears to do it successfully. Clearly, Connors, Vallera, and Sharp display mastery o…
Play Drums
*2026 stock* Following 'Passenger' (tsss tapes, 2023), Ted Byrnes & Jeph Jerman Play Drums is a further exploration of percussive collaboration. Recorded in much the same way (iterative file exchange), Play Drums is quite literal in its title. It is entirely acoustic, with both participants playing a conventional drum set, albeit *all* parts of it. The recording is dedicated to Tim Barnes, close friend and constant source of inspiration to both Ted and Jeph.
39 / Part VII - IX
Tip! "Whether we experience music as abstract or concrete depends largely on our sensitivity to the richness of perception. Common opinion – often reductive – draws a sharp distinction: music is abstract when it does not “speak,” when it seems diffuse, branching into multiple, elusive directions. It is concrete when it “tells” a story, when its sounds and structures feel familiar, graspable. Yet this distinction quickly dissolves. From a scientific or cognitive perspective, structure itself is i…
Aeroplane Chess
Pierre Bastien and Christophe Petchanatz (aka Klimperei) met more than twenty years after their last musical collaboration. “Aeroplane Chess”—what is that? It’s the Hong Kong name for the universal game known here as “Ludo.” Pierre and Christophe play together here on sixteen simple, stripped-down tracks. They pass back and forth their figurines made of melodies, sounds, and rhythms, creating a minimal yet dense ensemble, with nothing missing from these two record jockeys. It brings to mind the …
Zeldzame Mensen
Insane," or in French, "un truc de malade": expressions often used to describe a strange work of art, a daring piece of architecture, or an experimental piece of music. It’s a comment that should be taken figuratively: not necessarily pejorative, and most often even positive. In contrast, the music of this album reflects a "sick" theme in the true sense of the word, as the two protagonists chose to resume their twenty-year collaboration in the antechamber of a hematologist's office. The album’s …
Lynboril Lisinopril
For a while the trio just called itself "Me, you and Sue", which suited them - none of the three has ever seemed especially concerned with naming things. Adam Bohman, Sue Lynch and Crystabel Efemena Riley found each other through London's Horse Improvised Music Club and have been playing together in various rooms for years. This is their first record as a three, and it needed a real title. Lynboril Lisinopril takes Lyn(ch), Bo(hman) and Ril(ey), puts the invented word into a search engine and ke…
Sumptuous Branching
* Edition of 100 copies * Chant is the starting point. Not chant as decoration or as a mood, but late medieval chant as a compositional problem, taken up by someone working alone with a bass clarinet, a piccolo, her own voice and a rack of analogue electronics. Emily Rach Beisel has described what drew her to it: music from before the rules hardened, with a wild freedom and density that later codification would take away. Multiple voices, as she puts it, "both intertwined and independent." Which…
Spiral Code
Second An'archives album from Tokyo trio archeus - Keiko Higuchi, Shizuo Uchida and Tomo - recorded in a single day in Koenji, with guest Kiyotaka Moriuchi on two pieces. Free improvisation moving from dense noise to near-silence. Edition of 290 with silkscreened jacket and obi.
Four Louies Live
Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…
Midlife Crisis Ambient Moniker
*40 copies limited edition* "Midlife Crisis Ambient Moniker" is a Personal Greatest Hits. A Selected Ambient Works Volume 1. Lost Episodes. Archival Deep Dive. Bastard tracks with no home nor family, but with proximity to one another. Unreleased recordings dating as far back as 2014, with source material as old as 2004. There’s even a few songs that once saw the light of day, but never got their time in the sun (“Drain, When It Hit Me,” excerpts from “Earth Day…”). Many of these recordings were …
The Electron
*28 copies limited edition* Lofi Experimental Cassette label focusing on reuse. Breathing new life into unwanted ephemera.    Jabe Ledoux: Percussionnd dentico: electric bass, magnetic tape, field recordings
Variierende Töne Vol.II - membranes + machines
Descending from the first volume, Variierende Töne vol.II retraces the essential threads of the label, this time through two parallel perspectives: membranes + machines. A continuity of path, where past and future blur into new readings, into sounds that move between repose and tension, between presence and absence. The work is divided into two movements. Side A: an immersion in organic matter—field recordings, acoustic research, surfaces shaped by Hanna Maria & Mattia Onori, Marco Ragni & Leona…
4ever
Violeta García and Hora Lunga return with 4ever, their second album and the follow-up to I’ll Wait For You In The Car Park. Released in 2025 on -ous, their debut received airplay on BBC and NTS and was selected for Bandcamp’s Best Experimental Music year-end list. 4ever picks up where that record left off: in ordinary moments, small scenes and the strange emotional weight of being somewhere between places. But here, these moments are stretched across a much larger, darker screen. A night flight,…
Live At Helluva Lounge
The hardcore noise improvisation duo featuring Martin Escalante, a ferocious noise saxophonist from Mexico, and Tatsuya Yoshida will release a CD featuring the complete recordings of their live performances in Kobe and Okayama from their previous 2025 tour, to coincide with their second Japan tour this August!
Enthalpy
*300 copies limited edition* Pressure is the medium of wind players. Wind instruments all sound thanks to pressure differentials, whether that’s the rush of wind over a lip plate or a steady, buzzing exhalation through pursed lips. Ka Baird and Chris Ryan Williams (HxH) are wind players well- schooled in the power of using pressure and movement to amplify the mystery of an invisible force animating a metal tube. They augment their instruments, flute and trumpet respectively, with electronics, so…
Fuzzy Logic
German guitarist Olaf Rupp combines elements of traditional flamenco (rasgueados, arpeggios, picados) with the fractured cadences of Derek Bailey, fusing them together with a blast-furnace tone recalling John Lee Hooker's most blown-out extremes. And yet, despite decades of concerts and releases on FMP and Emanem, often with marquee-grabbing collaborators like John Zorn, Peter Brötzmann, Butch Morris, Paul Lovens and Lol Coxhill, Rupp's music is largely unknown outside of European free improvisa…
Cooked
On Cooked, Oren Ambarchi folds his all‑star studio jam aesthetic into something gloriously unhinged. Two side‑long epics twist piano ripples, synthetic “voices,” mutant trumpet tones, electric Miles haze and digital pyrotechnics into a foot‑tapping, brain‑scrambling, joyously cuckoo ride that still feels meticulously shaped.
Fusion
*200 copies limited edition* “For the last 6 years, New York sampledelia and synthesis rhabdomants Nuke Watch, duo of Aaron Anderson and Chris Hontos, also known for alternative projects and spinoffs like Beat Detectives and Weird Shit U.S.A. 2, have consistently composed and released cerebral flows of psychedelic compositions bridging the gap between the post-hippy movement wastelands, the weirdest fringes of urban beatmaking subcultures, and the wild American DIY avant-garde and noise traditio…
Unit Of Time
*2026 stock* With Unit of Time, Hans Hulbækmo and Egil Kalman aim to show that we can experience the essence of time through rhythm. How can the perception of time—both for the listener and the performers—be turned completely on its head by rhythm? By zooming in on rhythms from traditional music from around the world, the hyper-focused interplay of free jazz, and the rhythmic structures of just-intoned drone music (which is essentially about resonant intervals built on polyrhythms), these gentle…
1 2 3 4 5 6 7 12 22 42 82