Rastros Impensados
** Limited edition of 50 tapes, in fluorescent green edition, includes download code** Aurora Central Records proudly presents Climmma's Rastros Impensados. In the beginning of 2020, four experimental composers from different cities of Latin America got together during an event in Córdoba, Argentina. The event culminated in an intense improvisational jam between the four. One week later they got together to continue in the same vein they had taken during the improvisation, to structure it and re…
Two Fucking Tapes
** 2021 Stock ** Brand new 70 mins blast from the Hair & Treasure crew pressed a double dung casing for your listening (dis)pleasure. Recorded between 2017 - 2019 into Uncle Eddie's VHS player, magik happens inside the Archers boudoir.' In the band’s own words: ‘’A clumsy wife with a tricky nose wants to feel deserving of her husband and a former male beauty pageant winner wants his out-of-place arm implants revised or removed.’’ Artwork by Kenny Hosepipe. Mastered by Danny Garcia.
Work Ethics
White Centipede Noise presents Work Ethics by Altar of Flies. A new album recorded in summer of 2020, marking a fresh phase of creativity and passion from this virtuosic artist. An eclectic assortment of bumping, scratching, fluttering sounds blend seamlessly together with his signature heavy tape manipulations. The melancholic and emotionally charged elements found on many Altar of Flies releases are less present here, creating a more ambiguous dry atmosphere, as if sitting wide awake in the ey…
MB I I I
** 2021 Stock. Limited and numbered edition of 100 copies on clear vinyl ** Rotorelief presents MB I I I by Moodie Black. Artwork By – Jamee Varda. Layout – Emeric Guémas. Pressed by Rotorelief Records, this limited edition vinyl comes with the bonus track "Ye. Death (feat. Ceschi)" along with lyric poster.
Winter
Kleistwahr is the solo project of Gary Mundy, the legendary power electronic and noise-rock musician who is a founding member of Ramleh and runs the highly influential Broken Flag label. Solemn drones and elegiac long-form passages gird Kleistwahr’s Winter, which often chimes, glistens, and glows through a unhurried constructs for organ, synth, guitar, and electronics. Yet Mundy pivots throughout with triumphant explosions of shrill noise, redlined overload, and harrowingly anguished vocals from…
Nganga
** Edition of 300 ** Reissue of this great album by Anthony Di Franco of Ramleh's longstanding JFK project. Originally released in 2017 by US label Chondritic Sound as a limited run vinyl LP, this reissue features two bonus tracks ('Tenebrae' and 'Star Killer II') that only otherwise appeared on a very limited lathe-cut 7" and catches JFK in a more direct mode than subsequent work, with serrated electronics owing more to earlier excursions jostling for attention next to battlefield beats and a m…
Nature's Crackling Fire
* 2020 Stock * Leather Bath is a performance and art project founded in 2010 by Greh Holger and John Wiese in Los Angeles, California. Their work consists of sound-based performance and video, collage, and installations, creating explicit publications communicating reality to mature adults. Nature’s Crackling Fire is their first full length album.
In Mono
* Deluxe digipak pressing for 2020! * Burning in hell with no relief. Nearly two full hours of scorched audio and blistering paralysis recorded in Los Angeles between 2002 and 2007 by the double flamethrower unit of Phil Blankenship and John Wiese. Compiling four original LHD albums onto two compact discs, featuring the complete recordings of Curtains (PACrec), Young and Restless (Blossoming Noise), Opaque (RRR/Pure) and Limbs of the Fawn (Misanthropic Agenda).
Even Still
* Deluxe digipak reissue for 2020! * Two-and-a-half hours covering the complete LHD vinyl discography recorded between 2002 and 2007 by the double flamethrower unit of Phil Blankenship and John Wiese. Pure West Coast destruction, maximum density and speaker shred. Includes tracks from these 7-inches: Asthma (Helicopter); Hands of the Priestess (Miisc); Fascination (Swampland); Hotel Fire (P-Tapes); Normandie (Tape Room); Lock Up (Helicopter); Los Angeles (Troniks); and Veiled (Helicopter), and t…
Atlantean Fusebox
* Edition of 75. Cardboard slipcase, with insert card. * Recorded in Dunedin and Turku, 2019 Mastered by Forbes Williams. Sleeve art & design by Tim Cornelius. Atlantean hieroglyphs by Jani Hirvonen.
Songs in the Attic / Live at Leeds
* Edition of 100 * Side A, recorded live 14.5.2020 at Musa Ullakolla 6 Online Festival. Side B, duo with Stuart Arnot, recorded live 18.11.2015 at Wharf Chambers in Leeds, UK. Mastered by Pasi Salmi. Photo by Antti Makkonen. Layout by Kryptinen Käki.
Take All the Ships...
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
I’m Lost
A schizoid-concrete opus of environmental sounds heightened, stimulated, decontextualized, and teased into a psychic puzzle of industrialized and post-industrialized detritus, I'm Lost marks another milestone in the ever impressive catalogue from Australian sound-artist Eamon Sprod, who adopts the moniker Tarab for his endeavors. The title is one that explodes with a multitude of meaning. There's the geographical frustration in losing one's way as the surrounding landmarks fail to match with wha…
So Long
A journey through time, perhaps, for a daydreamer floating in a small boat amidst the radiant hues of a midnight sun. that daydreamer in this instance is the icelandic artist Sigtryggur Berg Sigmarsson, best known for his electro-surrealism in stilluppsteypa. he has long been an artist of extremes and absurdities -- mania fueled performances, wildly scribbled drawings, and haflerian audio shock-therapy, on one side; and on the other, a profound meditation on austere shape, form, and mood cast th…
Lust In Peace
Advancing the post-punk infused concoction of blazing garage and art-driven destructs-rock, as established on Hand & Leg's grinding self-titled debut from 2017, the bass and drums are here cranked to new heights of molten activity. Murky shades of sexual negativity plough forth with the help of obsidian distortion, careering bass dirges so scuzzed they can clog arteries, ungodly squalls of paint-stripping noise, and a tendency towards playful rhythmic rituals themselves only offering brief respi…
Say No To Hate
Bruce Russell and Noel Meek return with their second harsh noise collaboration. Their first, Classical Music (2018) was an all-electronics wrestling bout that simulated engine testing on a long-haul passenger jet. Their new album combines guitar, violin and electronics and was recorded in a wood workshop. You can hear the power tools, even though none were actually used. Extreme noise can sometimes be associated with offensive, racist or extreme-right views. The New Zealand duo have chosen to sp…
Wall of Sounds: Drones, Patterns, Noises
Wall of Sound is a music of sonic sensations. It is a physical and sensual approach to the phenomenon of thick sound worlds. Sound waves become physical objects, four-dimensional sonic sculptures to be experienced, bodily and mentally. Ulrich Krieger's Wall Of Sound is a series of CDs about music that invites the listener to indulge themselves in sound. It doesn't guide an audience through a narrative, like a song, but offers the listener slow changing and developing soundscapes, acoustic sculpt…
Some Songs
Some Songs is a cult classic of New Zealand outsider folk: raw, intimate, and brimming with wit, where lo-fi experimentation meets heartfelt songwriting in a world both playful and deeply personal.
Visceral Realists
Debut LP by the New Zealand duo of Bruce Russell (Dead C, Handful of Dust, etc) and Luke Wood. Visceral Realists is a high-concept commentary on the state of vinyl, analogue recording, music culture, art, etc. A 45-rpm bullet of short bursts of free electric sound, the music here is tactile and rough but not “noise music.” Russell and Wood play over loops of scratchy records, with their guitars and electronics surging to get over the wall. Russell’s guitar sound from his vintage transistor amp a…