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On their self‑titled LP, Baudouin Oosterlynck & Bénédicte Davin slip two late‑’70s vocal compositions into the present tense, turning Glasgow’s Tectonics stage into a resonant laboratory where Oosterlynck’s ultra‑precise scores and Davin’s live voice re‑sculpt silence, timbre and breath.
Fabu and Teche extends HeghL’s “camera mista” into two impersonal, semi‑ghostly surfaces, where language and technique rebound, hybridise and thin out into fragile, flickering forms that are neither one thing nor another, yet stubbornly refuse to disappear.
Du Jeu Idéal turns HeghL’s philosophical play into sound, as Tekelerobutor (op.el) stages Luca Pedeferri’s piano against works by Lisa Baume and Francesco Trabattoni, treating Deleuze’s “game without rules” as a constantly mutating musical event.
Mise extends HeghL’s mythography of the “Outside” into an invented archive, staging the rediscovery of anonymous scores as an excuse for a radical piano‑led reconstruction of the imagined oeuvre and unfinished world of the elusive Andrea Firewell.
L’Entretien Infini finds HeghL translating a philosophico‑theatrical chain of voices into sound, as clarinet, violin, piano and double bass improvise around Maurice Blanchot’s “infinite conversation” and the elusive “Thought of the Outside.”
Beautiful book+DVD documentation of the 2018 performance in Milano of the 1969 open piece, organised by Sergio Armaroli and Steve Piccolo, featuring Brunhild Meyer-Ferrari, Walter Prati, Francesca Gemmo and other musicians.
Ultra-rare, especially in this condition, 1978 poster often used as concert poster with details hand written on it. This is a previously unfolded blank copy!
Very rare first and only 1999 edition on Black Dog Publishing of the definitive book on COUM & Throbbing Gristle, fully illustrated thoughout. Includes Mute oversize card.
Very rare 1999 postcard, reproducing COUM Transmission's “Prostitution” press release, announcing the forthcoming publication of the “Wreckers of Civilisation” book for Black Dog Publishing.
Amazing set of documents related to the in-famous 1976 pre-TG exhibition, including an 'original' stamped photographic artwork displayed there, plus 5 xeroxed (at the time) pages of newspapers cuttings and of a letter by P-Orridge, all related to the exhibition.
** Edition of 80 copies. LP + Artist’s Signed Drawing "Aura" and "Bagatelle", "Continuum", "Pieghe" Artworks. ** HeghL’s Nomia e Hool takes the listener beyond traditional boundaries, presenting two extended tracks as part of a larger multidisciplinary exploration. Originating from a project by Lisa Baume and Francesco Trabattoni, the album gathers creators from diverse backgrounds - music, visual arts, writing, philosophy, science, and more - into a single creative studio. The result is a colle…
Porch Music documents No Hope Orchestra, an ambitious large ensemble led by Paul McCarthy and featuring core members of the Los Angeles Free Music Society. Recorded live at The Box gallery concert in Los Angeles, the project harnesses a vivid assembly of improvisers—Mitchell Brown, Elaine Carey, Dennis Duck, Ace Farren Ford, Juan Gomez, Mike Gonzalez, Joseph Hammer, Keith Lubow, Nathaniel Mellors, Joe Potts, Rick Potts, Trevor Rounseville, Alex Stevens, Molly Tierney, and John Wiese. This releas…
**2025 stock** From the production Hildegard von Bingen, which was premiered in 2023 at the Kulturhaus Helferei, a vinyl has been created. The edition is published by the Zurich label Czarnagora and was realized in co-production by Nils Amadeus Lange and Elise Lammer. Live concert in the original cast by Catherine Schroeder and Mario Espinoza.
The vinyl release related to the 2023 production of Hildegard von Bingen at Kulturhaus Helferei is a unique edition realized through a partnership between…
In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice. The performances from which this recording is taken…
Simultaneous reveals Pamela Z’s fascination with the intersection of speech and music, blending voice, electronics, chamber ensemble, and video into an immersive, multi-layered exploration. Through looping, gesture control, and narrative fragments, the piece meditates on simultaneity—how overlapping events and speech form new harmonies and meaning.
Massive 1985 3LP box set documenting the activities of this German experimental music theatre group from 1971 to 1985, with echoes of MEV and Nuova Consonanza. With insert and never re-issued on either CD or LP.
1991 release ** "Based in Munich. Originally formed as an experimental music group in 1968 by Michael Kopfermann, its activities became morefold later on, most notably through the formation of the "PHREN-Theatergruppe" (PHREN theatre group). The name PHREN appeared in the mid-1970s, the earlier name was "Gruppe für Experimentelle Musik Michael Kopfermann" (Group for Experimental Music Michael Kopfermann)."
This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).
*300 copies limited edition* “Two In Teer (two in the tar) contains five cycles of poems spread over fourteen tracks, always implemented differently in terms of sound. Poetry and sound poetry turn into fragile and lonely noises. An excessive collage of voices, piano, and increasingly distorted and destroyed tape recorders. Solo and in duet with the voices of Alice Kemp, Mara Genschel, Anna Schimkat, and the violins of Hans Essel and Inge Salcher.Perhaps the most naked, embarassing and most indet…