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Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.
A trumpeter and improviser living in Mexico City, over the last ten years Jacob Wick has become known for deconstructing the instrument itself and any expectations of how it "should" be played. The explorations on Feelfocus on sound as it relates to specific spaces and in turn the subtle but profound connections they have to emotions and the body. The result is a highly personal music that is both unique and immediate, abstract yet undeniably visceral. On Feel, Wick creates two intense side-long…
Nearly 15 years after the edition “Maison.House II-V” – in duet with his electroacoustic friend Eric La Casa – Vert Pituite La Belle is pleased to collaborate once again with Jean-Luc Guionnet, this time alone and at the organ.For Arantzazu Close & Far, the vinyl medium makes perfect sense: two sides, two versions of the same sound event, the recording of the same improvisation on the organ of the basilica of the monastery of Arantzazu in the Spanish Basque country, realized during a residency o…
XI Records releases Drop By Drop, Suddenly, a two-CD set of eleven compositions for bassoon composed and performed by Leslie Ross. Ross is not only an internationally renowned instrument builder but is also an uncompromising creative musician. The first disc starts with a series of short seed pieces that play primarily with the timbral and microtonal differences highlighted between tone-holes, forming a layered effect while playing with only one fingering, single note or multiphonic. They range …
Limited edition of 200 copies. A double CD set featuring seven solo guitar pieces recorded on the 5th of january 2017 in Ericeira II seven solo guitar pieces 1-5 recorded on the 12th, 14th and 15th of may 2017 6 and 7 recorded in Ericeira on the 8th of january 2017. Manuel Mota is a Portuguese guitarist, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated with the elde…
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramodern Vari…
After superb solo CDs on piano and luthéal piano, Veryan Weston makes an equally fine solo organ album. Touring England in search of tracker-action organs, Weston tried about 40 to see if both the instrument and the space were suitable for the planned trio tuning out tour. In several cases there wasn't the opportunity to try them extensively, but in others it was possible to get beyond the discoveries of the particular instrument, and make some magnificent music. This collection consists of seve…
Solo bass played and composed by Kasper T. Toeplitz. Layers of noise full of details like the voice of dead machines !“A purely formal présentation of Almasty would point that it is a composition for solo bass – electric bass, which implies a few electric/electronic machines around the string instrument, which change or modifiy its resonances somehow, but nothing more that what is seen those days around any electric instrument. And Almasty is also a solo composition, as it is recorded and presen…
First ever CD reissue of this little known classic from founding Philip Glass Ensemble member Richard 'Dickie' Landry. Following two jazz LPs issued on the Chatham Square label (which he co-ran), Dickie Landry released Fifteen Saxophones, a set of 1974 recordings done with engineer Kurt Munkacsi, on the Northern Lights and Wergo labels in 1978. Fifteen Saxophones simultaneously demonstrates Landry's boundary-pushing saxophone and his understanding of the minimalists' long-form treatises on sound…
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on 16th of July, 2001. The album includes four tracks performed by Eddie Prévost - Percussion.
"Alone in the studio, it is just me trying to breathe life into the materials I have chosen at hand. I am looking, hoping, that something unexpected will crop up. The gongs, chimes, bells, skins, strings and resonating boxes are a rich environment. You never know for sure what you will dig up. I …
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on September 10th, 1996. The album includes six tracks performed by Eddie Prévost - Percussion.
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far f…