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Strung-out yet precise. Introverted but with something to say. Industrial Relations is a further unraveling of the stories untold left lingering around the Piedmont capital. Cloistered away behind one of Turin’s many crumbling doorways, a basic studio set-up alongside a scattering of found photos and a type-writer forms the backbone of this bureau.
Noticeably more barbed than its predecessor Chamber Music, drums are frayed and left to splutter. Grungy guitar chords come in at angles, occasiona…
La Isla Borrego gathers fragments and echoes from the last few years. Based on an invented dream, this is not a composition, but a sediment; not a field recording, but an archive of mistreated memories. There is no map for La Isla Borrego. Instead, there is the architecture of an invented dream: an accumulation of acoustic residue shipwrecked on the conscious island of the last six years. Sounds are not emitted, but reflected and bounced. A catalogue of biographical errors; a series of echoes sa…
Started out as a sideproject to Incipientium and The Family Men, Gustav Danielsbackas' Future Chemicals has slowly evolved into its own ugly thing, exploring his passion for video culture and dystopian, technological havoc. Death Drug And TV Screen was initially meant as a soundtrack for a film started in 2022 that got forever stuck in limbo. Saved from the production room vortex, Discreet Music now presents the whole, massive thing in its mind-melting entirety. Clocking in on almost 70 ambitiou…
Brighton artist and producer Stephen Maskell - moonlighting as Violet Cowboy - returns with an epic sixth release on Kit Records. Ramraid at the Wiggly Worm finds the sonic sculptor in playful mood, thumbing the flipbook through mulchy blues guitar, gothic storytelling, elasticated dub and gossamerlike classical minimalism.
Maskell's flow state seems to exist in the pocket where genres meld, and no sound is safe or sacred. His archive slops like a bargain bin of British culture, topped up on gle…
Over the years Sterling MacKinnon has quietly carved out an essential role for himself. As half of Cuneiform Tabs (W.25/Superior Viaduct, World of Echo), an original member of Violent Change (Slothmate), and the sole driver behind False Berries (Slothmate), he has functioned as a facilitator of momentum - a kind of midfield presence. You know, the number 8; vision, restraint, distribution. The one who sees the play before it fully forms and moves it along accordingly. There’s a certain amount of…
On War Pur War, Frieder Butzmann and Thomas Kapielski distill West‑Berlin’s 1980s absurdism into a Dada‑charged clash of electro‑pop and sonic collage. Minimal synth patterns, spoken fragments and everyday noises tangle into a wry, musique‑concrète‑like diary of a city thinking against meaning.
Taking its name from the opening lines of Heinrich Heine's Der Doppelgänger — later set to music by Franz Schubert — Still Ist Die Nacht gathers a sprawling network of collaborations into a single collection, compiled and directed by Aleksandr Popkov.
The release features work by Buna (Yaroslav Krasnov, Aleksandr Popkov), Infinite Source Loops (Aleksandr Popkov, Nadja Sky, Time Consumer), and 0018 (Administration Des Ventes, Nadja Sky, Time Consumer), alongside solo material from Aleksandr Popko…
Black Truffle is pleased to present Even Colder Spring, the latest release from the mysterious and wildly prolific Cities Aviv (a.k.a. Wilbert Gavin Mays, who also records as African-American Sound Recordings), a rare appearance from the artist outside his own D.O.T. Audio Arts label. For over a decade, Cities Aviv has twisted hip-hop conventions into the most skewed and splayed forms, layering and lacerating twitching loops, extreme production techniques and his mercurial vocal stylings into he…
*200 copies limited edition* “For the last 6 years, New York sampledelia and synthesis rhabdomants Nuke Watch, duo of Aaron Anderson and Chris Hontos, also known for alternative projects and spinoffs like Beat Detectives and Weird Shit U.S.A. 2, have consistently composed and released cerebral flows of psychedelic compositions bridging the gap between the post-hippy movement wastelands, the weirdest fringes of urban beatmaking subcultures, and the wild American DIY avant-garde and noise traditio…
During numerous sessions in their own Inkiek studio in Unna/Germany and a residency in Montoriol/France in 2025, Klangwart have created their new work „Wildnis“ („wilderness“), inviting Sébastien Del Grande to add tenor and alto saxophone, drums, marimba and other various percussion instruments to their electronic textures. Catalan composer and performer Ivan Chin aka Ivan Telefunken also participated in the recording sessions by contributing to a Catalan version of Swiss group Grauzone's famous…
Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…
Sharper Than A Needle unfolds as a sound space where textile machines transform into instruments. Silky basslines, delicate thread-like melodies, and a pulsating sewing machine synthesizer reveal surprising new tonal colors between noise, sound art, and experimental pop, as every movement of needles and every turn of spools takes on musical meaning. The project was initiated by Stephanie Müller and Klaus Erika Dietl, known for work such as Sewicide and beißpony, and for the international collect…
*25 copies limited edition* De mutanten processie 3: combines two live shows, first one at Grambacht Mechelen, second one at modular synth riot #9 Opek Leuven. C62 tapes pinkshell,DIY inkjet printed cover on thick paper, includes bonus track not available as download.
*40 copies limited edition* »Know I've Been Here Before« by Dan Gilmore is a suite of eleven songs, based on reassembled and overdubbed audio files recorded between 2007 and 2010. What I hear in these recordings are not only various sound sources such as the guitar, the (self-built) synthesizer, or microphones, not only movements, rhythms, textures, or even harmonies, but also ideas, aspirations, circumstances, a mode of production. It is music that, through association and disassociation, makes…
A three-LP bundle gathering the latest Aguirre reissues from two corners of contemporary folk and experimental music, offered together at a reduced price.
Two of the records belong to Brannten Schnüre, the Würzburg duo of Christian Schoppik and Katie Rich, who have spent more than a decade building a singular world at the borders of dark folk, musique concrète, ambient, and narrative conceptualism. Sommer im Pfirsichhain, the summer panel originally issued in 2015, and Geträumt hab ich vom Marti…
Last copies...Second edition of 500 on transparent red vinyl. Brannten Schnüre is an experimental dark folk group out of Würzburg, Germany. Christian Schoppik composed and played all the music, Katie Rich whispers, recites and sings. Together they make astoundingly beautiful folk with a rich instrumentation leaning towards the atonal spectrum. Instrumental wanderings stand alongside Nico-esque poetry tales. Christian plays the accordeon and in some songs guitar and flute. Inspired by hierophants…
Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…
The sound of this composition comes from 2 live shows that were superimposed and than mixed with field recordings. The voice sings circular texts. One side is called Além and the other Aquém which means beyond and short of.If you are curious about the lyrics we can share la première strophe of Além The head, banging against the screen, searching for a decapitated cure, promises a Prometheus to the atheist,who didn't even touch the fire.
Artist Aubrey Taeuber bring us a fascinating new concept piece in the form of two long form sound collages weaving a tale of forbidden knowledge stolen by the elites and denied to the poor.
*20 copies limited edition* Cosmic Render #9 see’s the return of ‘inbuilt obsolescence’ this time joined by August Cooke for another live improvisation. Fusing performed elements with sampled textures, finding some space between organic and digital in which to spontaneously re-interpret recorded artefacts.